IMDb-BEWERTUNG
7,3/10
13.998
IHRE BEWERTUNG
Der zweifache Oscar(R)-Gewinner Kevin Spacey spielt die Hauptrolle in diesem fesselnden Film, der das menschliche Drama rund um die kontroverse Präsidentschaftswahl des Jahres 2000 erkundet.Der zweifache Oscar(R)-Gewinner Kevin Spacey spielt die Hauptrolle in diesem fesselnden Film, der das menschliche Drama rund um die kontroverse Präsidentschaftswahl des Jahres 2000 erkundet.Der zweifache Oscar(R)-Gewinner Kevin Spacey spielt die Hauptrolle in diesem fesselnden Film, der das menschliche Drama rund um die kontroverse Präsidentschaftswahl des Jahres 2000 erkundet.
- 3 Primetime Emmys gewonnen
- 10 Gewinne & 34 Nominierungen insgesamt
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If you thought a movie about the controversial 2000 Presidential campaign recount in Florida, you're wrong. Just when you think it's some crazy movie, you recall that it all really happened. At times, only the CNN footage reminds us that it really did happen. The drama and gravitas of the story should not be lost, but is, upon Americans. The movie not only accurately portrays actual events, but notes their context and their importance to American history, an analysis that many have already so soon forgotten.
The star-filled cast's fame does not disservice or overshadow the characters they portray, a fine balance of talent and respect. Special note, however, must be paid to Laura Dern's awe-inspiring role as the aloof, artificial Secretary of State, Katherine Harris. Despite makeup which makes prostitutes jealous, her mannerisms and uncanny slanted poise cause incredulous disbelief that such a wacky imitation could be enacted. All the cast, however, is likewise surrealistically convincing.
The hard working, late hours, and soul-sucking reality of working in a campaign office, often a suite rented out of a strip shopping mall with temporary desks and phone lines cheaply laid in for only a few months' time, is evident and pervasive. Such atmospheres lend the movie a realistic feel of grassroots-level work. One is likely to develop a profound respect for the idealism and vigor (or ego) of such volunteers with such spartan environments.
Music is not even necessary as the chaotic, meaningless buzz of a campaign office or the silent seriousness of a limo ride are soundtracks in and of themselves. The seriousness of the situation does not let the viewer go for the entire movie's arc, from the movie's opening seconds when an elderly lady's seemingly innocent action will cause screaming suspended disbelief in all viewers alike. The tension continues for over an hour more, frustrating and terrifying viewers until an ending whose frustration compares with few other feelings. Even typically dry court readings gain an impossible level of drama, tension, and emotional disbelief to the point of tears as the movie progresses through the increasingly unbelievable tale. The dirty tactics are unsurprising, given recent politics, but to witness the beginnings of the such era in retrospective is humbling. The animosity of the foes is tempered with a thin grasp on reality and humanity, summoned by powers eluding most of us common lay men and women.
The film is so accurate and nearly documentary which is suitable for those of all political persuasions. The far more important point is the preservation of the Union and our ability to pass power peacefully and civilly. Affairs even weightier than party affiliation are at stake. The movie is trying on the heart and mind as it begs us to question how insane the electoral system is, a view with which those of all political persuasions may likely agree. Nonetheless, the system somehow survived to live another day, a day that will again return.
The star-filled cast's fame does not disservice or overshadow the characters they portray, a fine balance of talent and respect. Special note, however, must be paid to Laura Dern's awe-inspiring role as the aloof, artificial Secretary of State, Katherine Harris. Despite makeup which makes prostitutes jealous, her mannerisms and uncanny slanted poise cause incredulous disbelief that such a wacky imitation could be enacted. All the cast, however, is likewise surrealistically convincing.
The hard working, late hours, and soul-sucking reality of working in a campaign office, often a suite rented out of a strip shopping mall with temporary desks and phone lines cheaply laid in for only a few months' time, is evident and pervasive. Such atmospheres lend the movie a realistic feel of grassroots-level work. One is likely to develop a profound respect for the idealism and vigor (or ego) of such volunteers with such spartan environments.
Music is not even necessary as the chaotic, meaningless buzz of a campaign office or the silent seriousness of a limo ride are soundtracks in and of themselves. The seriousness of the situation does not let the viewer go for the entire movie's arc, from the movie's opening seconds when an elderly lady's seemingly innocent action will cause screaming suspended disbelief in all viewers alike. The tension continues for over an hour more, frustrating and terrifying viewers until an ending whose frustration compares with few other feelings. Even typically dry court readings gain an impossible level of drama, tension, and emotional disbelief to the point of tears as the movie progresses through the increasingly unbelievable tale. The dirty tactics are unsurprising, given recent politics, but to witness the beginnings of the such era in retrospective is humbling. The animosity of the foes is tempered with a thin grasp on reality and humanity, summoned by powers eluding most of us common lay men and women.
The film is so accurate and nearly documentary which is suitable for those of all political persuasions. The far more important point is the preservation of the Union and our ability to pass power peacefully and civilly. Affairs even weightier than party affiliation are at stake. The movie is trying on the heart and mind as it begs us to question how insane the electoral system is, a view with which those of all political persuasions may likely agree. Nonetheless, the system somehow survived to live another day, a day that will again return.
If you were paying attention to the United States presidential election in 2000, then I suppose you must have a streak of masochism in order to watch this recapitulation--it is bound to stir up the powerful emotions experienced at the time, no matter what side of the divide you were on. Just read some of the reviews and comments to verify what a hot button issue this still is. If you were not paying attention in 2000, or you are too young to remember, then this film will certainly introduce you to all the major events and issues: hanging chads, dimpled chads, recounts, court cases, accusations of voter suppression, confusing ballots, the status of military votes, and so forth. The major players in this high-stakes drama are all here too, and documentary footage is inserted for believability. The film is definitely more than loosely based on fact, since most of the public statements are taken from the record. It's the extrapolations to what went on behind closed doors that is open to question.
This plays like a thriller, even for those who are familiar with the story. If none of this ever happened, then I think all would agree that this is a good movie with a great plot and fine cast. Laura Dern, as Florida Secretary of State Katherine Harris, creates a memorable character and Tom Wilkinson is a standout as Bush's legal adviser James Baker (Secratary of State under George H. W. Bush). Wilkinson captures Baker almost to the point where you could mistake him for the real person.
I think it came as a surprise at the time that the United States election process could ever be so fouled up. If there is a non-partisan message to be had from this movie it is that measures should be taken to prevent this kind of thing from happening again. While the 2000 election led to the Election Reform Act of 2002, the process is still far from perfect, especially since implementation details are left up to the individual states. Much controversy still exists over electronic voting machines, requirements for user ID, and so forth. And the current Coleman vs. Franken senate contest in Minnesota, now in its fourth month and still undecided, proves that extremely close contests are still messy affairs. Since there are so many arguments to be made on either side in such cases, I often think that such close elections should be decided by a coin toss.
It seems impossible to find a generally-accepted unbiased telling of the 2000 election. The reviews for all books I have looked into seem to split on party lines. Maybe it is impossible to be impartial on this one.
This plays like a thriller, even for those who are familiar with the story. If none of this ever happened, then I think all would agree that this is a good movie with a great plot and fine cast. Laura Dern, as Florida Secretary of State Katherine Harris, creates a memorable character and Tom Wilkinson is a standout as Bush's legal adviser James Baker (Secratary of State under George H. W. Bush). Wilkinson captures Baker almost to the point where you could mistake him for the real person.
I think it came as a surprise at the time that the United States election process could ever be so fouled up. If there is a non-partisan message to be had from this movie it is that measures should be taken to prevent this kind of thing from happening again. While the 2000 election led to the Election Reform Act of 2002, the process is still far from perfect, especially since implementation details are left up to the individual states. Much controversy still exists over electronic voting machines, requirements for user ID, and so forth. And the current Coleman vs. Franken senate contest in Minnesota, now in its fourth month and still undecided, proves that extremely close contests are still messy affairs. Since there are so many arguments to be made on either side in such cases, I often think that such close elections should be decided by a coin toss.
It seems impossible to find a generally-accepted unbiased telling of the 2000 election. The reviews for all books I have looked into seem to split on party lines. Maybe it is impossible to be impartial on this one.
Recount goes over familiar territory, and for some it will be like opening up a wound that's been covered for several years only to find the pus is still fresh and rotten. Whether you're a democrat or republican- for the latter, of course, your man "won" in the end- a lot of the details in the story of the Florida electoral results in the 2000 Presidential election just flat out stink of corruption and mismanagement. It displays a failure on the part of what should be a somewhat reliable process in an already faulty system (i.e. electoral college, besides the point). What lessons can be taken from the Florida story? Pretty much the story, and the film, acts as a referendum on how things can get so (bleeped), on each party side- democrats not strong enough in the fight at crucial beats, republicans acting like bullies- and the only hope is that it never gets this wretched again.
Whatever thoughts on the issues one will have, it's a worthwhile TV movie based just on the cast alone. Director Jay Roach, usually responsible for silly comedies like Austin Powers and Meet the Parents, tackles the drama with a firm hand (if not the sturdiest camera- hand held of course) on his large group of thespians. Kevin Spacey hasn't been this good in years, and Leary is a welcome presence as a Gore campaign member. Also very noteworthy are small parts for John Hurt, Ed Begley Jr, Bruce McGill. But best of all are Laura Dern in a harrowingly funny turn as dumb-bell Katherine Harris and Tom Wilkinson as tough lawyer James Baker, who comes off as icy as one might expect playing a loyal cadre of the Bush family. They make the movie compulsively watchable, even as the details of the case- the dimple chads, the discrimination, the BS protester problem in Miami-Dade, and ultimately the ruling of the supreme court- make one very sick about the madness unraveling.
Whatever thoughts on the issues one will have, it's a worthwhile TV movie based just on the cast alone. Director Jay Roach, usually responsible for silly comedies like Austin Powers and Meet the Parents, tackles the drama with a firm hand (if not the sturdiest camera- hand held of course) on his large group of thespians. Kevin Spacey hasn't been this good in years, and Leary is a welcome presence as a Gore campaign member. Also very noteworthy are small parts for John Hurt, Ed Begley Jr, Bruce McGill. But best of all are Laura Dern in a harrowingly funny turn as dumb-bell Katherine Harris and Tom Wilkinson as tough lawyer James Baker, who comes off as icy as one might expect playing a loyal cadre of the Bush family. They make the movie compulsively watchable, even as the details of the case- the dimple chads, the discrimination, the BS protester problem in Miami-Dade, and ultimately the ruling of the supreme court- make one very sick about the madness unraveling.
This is an emotional roller-coaster that will keep you watching despite knowing how it is going to end. There are very few films which have the ability to suck in an audience so deeply even though they know what is going to happen.
It raises questions about the 2000 election and does a fair job of cramming several weeks into two hours. The performances are pitch perfect and but Laura Dern in particular should win an Emmy for her portrayal of Katherine Harris. Your party affiliation should not prevent you from watching this film as it bounces back and forth between both campaigns without too overtly taking a side.
I don't know how Jay Roach got involved in directing this project, but he redeemed himself for the horrific "Austin Powers in Goldmember".
Watch it.
It raises questions about the 2000 election and does a fair job of cramming several weeks into two hours. The performances are pitch perfect and but Laura Dern in particular should win an Emmy for her portrayal of Katherine Harris. Your party affiliation should not prevent you from watching this film as it bounces back and forth between both campaigns without too overtly taking a side.
I don't know how Jay Roach got involved in directing this project, but he redeemed himself for the horrific "Austin Powers in Goldmember".
Watch it.
Recount (2008)
A fairly gripping political drama, well acted, and of course with historic filling. I realized just as the credits ran, however, that what had me going throughout was the events, the history, the reliving of a time that seemed to intense an unjust (or at least dubiously just). It wasn't the movie that drove the event, but the other way around.
And so it is with this kind of re-enactment of a big event.
However, there is a sudden letdown after all. I mean, after all, what else is there? Knowing what happened and visualizing it anew isn't quite great cinema.
Even though this is a great telling of those facts. Which is how you come to appreciate and judge it by the end. And it's not enough.
I watched it with someone who didn't live in the U.S. at the time, and had little information about the contested Gore v. Bush election battles. And without me explaining certain events it hovered as an abstract comment on the insider problems of election process. That sounds pretty dull, doesn't it? (She was asleep by the end, and I was not, which says something, but not everything.) Because in fact the contents are pretty dull stuff.
Which makes the movie more remarkable, I suppose—it makes exciting what is a legal maneuvering, office room discussion, telephone call kind of movie. The fact it ever happened is no surprising, given the other options in other countries. But the details are astounding, and those details—from the people cheering when the votes won't get counted to the concession, finally, by the loser—are all telling. About the system, about human nature.
And about rising above to find our better natures. Some of us, some of the time.
A fairly gripping political drama, well acted, and of course with historic filling. I realized just as the credits ran, however, that what had me going throughout was the events, the history, the reliving of a time that seemed to intense an unjust (or at least dubiously just). It wasn't the movie that drove the event, but the other way around.
And so it is with this kind of re-enactment of a big event.
However, there is a sudden letdown after all. I mean, after all, what else is there? Knowing what happened and visualizing it anew isn't quite great cinema.
Even though this is a great telling of those facts. Which is how you come to appreciate and judge it by the end. And it's not enough.
I watched it with someone who didn't live in the U.S. at the time, and had little information about the contested Gore v. Bush election battles. And without me explaining certain events it hovered as an abstract comment on the insider problems of election process. That sounds pretty dull, doesn't it? (She was asleep by the end, and I was not, which says something, but not everything.) Because in fact the contents are pretty dull stuff.
Which makes the movie more remarkable, I suppose—it makes exciting what is a legal maneuvering, office room discussion, telephone call kind of movie. The fact it ever happened is no surprising, given the other options in other countries. But the details are astounding, and those details—from the people cheering when the votes won't get counted to the concession, finally, by the loser—are all telling. About the system, about human nature.
And about rising above to find our better natures. Some of us, some of the time.
Wusstest du schon
- WissenswertesBecause of the extensive parody of Katherine Harris in the media, Laura Dern expressed great apprehension over how to approach the character. Dern convinced Executive Producer and Director Jay Roach to allow her at least three takes for every scene: one underplayed, one "medium", and one way over-the-top, so Roach could help guide her performance.
- PatzerBen Ginsberg states that Bill Daley's father "stole it for JFK," referring to the belief that Chicago mayor Richard Daley rigged the vote in Illinois in 1960. Kennedy would have still won the electoral college without Illinois.
- SoundtracksI Won't Back Down
Written by Tom Petty and Jeff Lynne
Performed by Tom Petty
Courtesy of Geffen Records
Under License from Universal Music Enterprises
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Details
- Laufzeit1 Stunde 56 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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