Die lebenslangen platonischen Freunde Zack und Miri versuchen, ihre jeweiligen Cashflow-Probleme zu lösen, indem sie gemeinsam einen Erwachsenenfilm drehen. Während die Kameras rollen, begin... Alles lesenDie lebenslangen platonischen Freunde Zack und Miri versuchen, ihre jeweiligen Cashflow-Probleme zu lösen, indem sie gemeinsam einen Erwachsenenfilm drehen. Während die Kameras rollen, beginnt das Duo jedoch zu spüren, dass sie möglicherweise mehr Gefühle füreinander haben, als s... Alles lesenDie lebenslangen platonischen Freunde Zack und Miri versuchen, ihre jeweiligen Cashflow-Probleme zu lösen, indem sie gemeinsam einen Erwachsenenfilm drehen. Während die Kameras rollen, beginnt das Duo jedoch zu spüren, dass sie möglicherweise mehr Gefühle füreinander haben, als sie bisher dachten.
- Auszeichnungen
- 2 Gewinne & 4 Nominierungen insgesamt
- Betsy
- (as Jennifer Schwalbach)
- Auditioner
- (as Jimmy Norton)
- Auditioner
- (as Alice G. Eisner)
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Zack (Seth Rogen) and Miri (Elizabeth Banks) have been best friends for as long as they can remember. They live together, but in a completely platonic relationship, drive to work together and both attend their school reunion together. Things are a bit rough for them these days, though: their rather meager jobs are not bringing in enough money to keep the rent paid and all the utilities running. So, after running into an old classmate whose lover is the star of porno films in California, they hit upon a brilliant scheme to make some money: make a porno film.
In short order, they raise some capital from a co-worker (Craig Robinson), recruit a stripper, Stacey (Katie Morgan), Lester (Jason Mewes),a man who isn't afraid to expose himself, a cameraman (Jeff Anderson) and Zack and Miri plan to round out the cast themselves. However, in the process of getting down to business, Zack and Miri are realizing that their long-standing friendship may actually be something more, and can they manage to watch each other get it on with someone else after discovering that they may only want to be with each other.
One thing is certain: if you are not able to listen to frank jokes featuring almost every vulgar word in the English language, not to mention a fair dose of nudity and simulated sex, you should be looking elsewhere for an evening at the movies. Zack & Miri Make a Porno pulls few punches in these categories. If this is not an issue for you, then Zack & Miri will provide a plethora of laughs. As scripted by Kevin Smith, Zack & Miri is one hilarious joke after another, most of which comes from Smith's always impressive ability to weave some terrific conversations full of wit between his various characters. Zack & Miri Make a Porno, like all of Smith's best films, is all about the dialogue, and it works wonderfully, as always.
Seth Rogan is proving to be an actor who manages to give a performance that seems so completely unforced and natural. Zack, like many of Rogan's other roles, is a slice of life guy, and Rogen manages to make it seem like you are just watching a friend that you filmed around the house with a video camera. Elizabeth Banks is equally good in the role of Miri, and the two characters have a nice, natural chemistry, that evokes it's power when the two film their first sex scene for the porno, which Smith stages tastefully and scores with a great, unreleased song by Live. You know you care about what happens to these characters once this scene hits.
The supporting cast is strong, especially Robinson as Zack's co-worker who is principally interested in financing this film so he can see some women naked after being married for so long (A scene between his character and his wife late in the film is a riot) and Jason Mewes, no longer under the influence of drugs, proves that he will do almost anything in a film and gets plenty of laughs.
Zack & Miri Make a Porno is Kevin Smith's second turn at a film outside of his "View Askewniverse" series of films that he kicked off with Clerks, and it shows that Smith has ability to produce a funny film without exclusively relying on his old standby characters. In the process of doing so, he has crafted something that, if you can handle the racy nature of the material, will leave you in stitches.
Smith's use of Seth Rogen in a schlub-wins-pretty-girl comedy (there's no doubt that Elizabeth Banks is pretty) links him with Judd Apatow's productions, but let's hope he isn't swallowed up by the Apatow factory. Apatow can do anything, but in spite of the success of 'Knocked Up,' 'Super Bad,' 'Forgetting Sarah Marshall' and 'Pineapple Express,' I wish he'd go back to producing really good failed TV series like 'Freaks and Geeks' and 'Undeclared,' where Seth got started and Judd gave birth to all the good comedy.
Kevin Smith's continuing appeal is his own. It lies in his faithfulness to his New Jersey "Askewniverse" regional working-class outlook and in his ability to call a spade a spade, "spade," in this case, being a string of four-letter words. He has never strayed far from his basic concerns even when more money came his way, as it did as soon as his under-$30,000 debut production 'Clerks' was snapped up by Miramax and feted at Sundance and Cannes. Smith's movies are frank and contemporary, outrageous and funny. Above all they're sui generis, a quality achieved through adhering closely to favorite tropes and locales and a posse of pals.
His dead-end mallrats entering their thirties without accomplishment or future speak truth, and the best things about his movies has always been the dialogue, which is spiky and arresting and nonstop and alive, even if he avoids polish so studiously that the lines aren't as memorable as they might be. Or is it just that I'm too old to be fully tuned in to the language, even though I understand it? Relationships and situations get honest treatment, even though they're hardly explored in depth. He's also good at politics and religion, as in 'Dogma', which took things a step beyond 'Clerks.' Raised as an Irish Catholic, Smith delighted in insulting the Church, but the Catholic League didn't take his provocations lightly. Sometimes drawing on Ben Afleck and Matt Damon and other celebs, he's kept going back to the same crew of actor-friends and characters, including Jason Lee, Brian O'Halloran, Mr. Affleck, Betty Aberlin, Jeff Anderson, Walter Flanagan, Ernest O'Donnell, or course Kevin Smith himself ("Silent Bob"), and my own favorite and the most frequent of all, the provocative yet needy Jason Mewes. Smith's last movie was 'Clerks II,' which much like Zack, highlighted a sexually outrageous act in a shoddy fast food joint. A good addition here is Zack's black cohort from his place of work, Delaney (Craig Robinson of the US TV "The Office"), who has great timing and delivery, and becomes the porno's producer.
In a way Zack even directly reenacts what Smith actually did when he shot 'Clerks'--he made a movie at night in the New Jersey convenience store where he was then working in the daytime. The crew in Zack wind up making their porno at night in the non-Starbucks coffee shop called Bean-N-Gone where Zack and Delaney work. Predictably, a guy (Tyler Labine) comes in in the wee hours to buy a cup of coffee so he can drive home. He's so drunk he doesn't notice that one of the new porn recruits and Jason Mewes are having sex on a platform in front of the counter. This time, even though it's put off and partly an afterthought, the main characters not only find love but success in free enterprise--with their friends.
Smith's dialogue never falters. But I confess to an increasing nostalgia for the purity and simplicity of the original Clerks. That had a promise, a sense of how ordinary guys could be witty and smart, a sense that though nothing was happening, something momentous still might. It hasn't. 'Zack and Miri' doesn't take us any further than 'Clerks II' did; I think 'Clerks II' even had cleverer dialogue. This time down-and-dirty language is beginning to feel wearisome. It's beginning to feel forced. People don't talk that way all the time--at least women don't. But that doesn't mean Smith's fans are burned out. The Weinstein brothers have picked up this one, and nobody's going to lose any money. Last time I compared Kevin Smith to Eric Rohmer. That may seem far fetched at first, due to Rohmer's delicacy vs. Smith's gross-out factor. But both filmmakers are essentially perpetual adolescents who write good dialogue. Both of them go back to the same themes every time. Rohmer doesn't make a masterpiece every time and neither does Smith. But you keep coming back. I still like this vulgarian indie auteur.
No this movie isn't a major Hollywood blockbuster, and it is definitely not for everyone, if you're a prude give it a miss, but if light hearted and don't mind movies with the full range of body organs then I would recommend watching this!
The basic plot revolves around two friends, Zack and Miri. The two have a platonic relationship and live together. As they hit dire financial straits, Zack suggests they should make a porno and sell it to make money to pay rent, utilities, etc.
I went into this film with some hesitation. I left quite impressed. Seth Rogen proves he can convey emotion and still be funny. Elizabeth Banks provides the perfect on-screen mate for Rogen. However, I feel, as did others who saw the preview, that Craig Robinson (Darrell from The Office) steals nearly every scene he is in.
Zack and Miri heartily earns its R rating. It is easy to see how the MPAA nearly rated it NC-17. No matter the rating, I would whole-heartedly recommend this movie to anyone (with the exception of grandparents).
Wusstest du schon
- WissenswertesWhen Zack is helping Miri rinse her hair, the shower curtain breaking, and Miri falling, was a complete accident.
- PatzerWhen Zack and Miri come home from their high school reunion, Zac has a trophy in his hand. There is no reason explained in the DVD cut why he has a trophy. However, in the deleted scenes part of the DVD, there was a scene where Zac and Miri won a trophy for being the people who lived the closest to their high school as opposed to the trophy for people who moved the furthest away from their high school and it is pointed out Zac and Miri live across the street from their high school.
- Crazy CreditsAn infomercial for "Zack and Miri Make YOUR Porno" interrupts the closing credits.
- Alternative VersionenThe master streaming on Amazon Prime and Tubi plasters over The Weinstein Company's logo with the 2013 Lionsgate logo. TWC is still credited as presenting the film.
- SoundtracksWe Don't Have To Take Our Clothes Off
Written by Preston Glass and Narada Michael Walden
Performed by Jermaine Stewart
Courtesy of Virgin Records Ltd.
Licensed by EMI Film & Television Music
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Hagamos una porno
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 24.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 31.457.946 $
- Eröffnungswochenende in den USA und in Kanada
- 10.065.630 $
- 2. Nov. 2008
- Weltweiter Bruttoertrag
- 42.784.344 $
- Laufzeit
- 1 Std. 41 Min.(101 min)
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1