Nach einer Konfrontation mit einem instabilen Mann an einer Kreuzung wird eine Frau zur Zielscheibe seiner Wut.Nach einer Konfrontation mit einem instabilen Mann an einer Kreuzung wird eine Frau zur Zielscheibe seiner Wut.Nach einer Konfrontation mit einem instabilen Mann an einer Kreuzung wird eine Frau zur Zielscheibe seiner Wut.
- Auszeichnungen
- 1 Nominierung insgesamt
Devyn A. Tyler
- Mrs. Ayers
- (as Devyn Tyler)
Scheryl W Brown
- Woman in Street
- (as Scheryl W. Brown)
Empfohlene Bewertungen
I hadn't seen a trailer or heard anything about this movie when I saw it, and I was pleasantly surprised, I wasn't expecting a horror movie. This movie isn't perfect, it's not even very original, but it's a very serviceable horror movie, good intense car action. Characters are alright but the gladiator guy is the best part. Makes me think twice about honking at people
There's nothing wrong a decent thriller where two people face off on the road using their wits and their heavy machinery. So this movie could have been the Duel (1971) of the 2020s (or at the very least a Joy Ride (2001)), but unfortunately, it lacks a director like Steven Spielberg or John Dahl to make it work.
After a shocking opening scene, director Derrick Borte starts off nicely with a disturbing montage that shows us the horrible consequences of explosive aggression and road rage. For a long time, his movie seems to be a passionate plea to have more patience and compassion with others in a harsh society where everyone is under constant pressure, because you never know what the other person is going through. Too bad that he gradually undermines this message with cheap shocks and sadistic violence.
It's good to see Russell Crowe again after such a long absence, because watching his heavily disturbed maniac snap and terrorize a lady that just happened to piss him off is definitely one of the scarce highlights of the film. No Oscar material, but the man is still an acting heavyweight (no pun intended... well, maybe a little), so much so that leading lady Caren Pistorius cannot hope to carry this movie in his presence. In fact, her character is so passive and uninteresting that I felt very little sympathy for her plight. I don't know if it was the intention here, but I always love movies where you cheer for the bad guy for a very long time, like Face-Off and Law Abiding Citizen; everyone loves tragic villains, and you always hope that the makers can delay that moment where you lose sympathy for them until the very last.
Unfortunately, this moment comes way too soon in the movie. In the first half we get some motivation from Crowe's and Pistorius' character for their actions, but that wears off quickly in an endless rampage that seems to be an excuse for a lot of torture porn. There is nothing fundamentally wrong with that, as long as you keep developing your key players. Especially psychopaths work best when they remain completely unexplained mysteries, or when they get fleshed out properly, like the psychologic-meltdown classic Falling Down. However, Crowe and Pistorius never get beyond their minimal and one-dimensional backstories. When the bad guy gets to the point where I no longer rooted for him (again, way too soon), you hope that your allegiance changes back to the heroine. But Pistorius' character keeps making such bad decisions (up to and including a laughably set up climax) that by that time, I no longer cared about either, and could only worry about the collateral damage.
Too bad for Crowe and Jimmi Simpson, who probably have one of the best scenes together when this movie is still promising. But the pressure to marry action with psychology, and to increase the stakes with such disregard for realism really starts working against the film and characters. I don't mind violence in movies at all, but it should make me invest in characters, not get desensitized and bored.
I like a good battle of character like everyone else, but when the action and suspense start feeling stale because I'm no longer emotionally engaged, then it's just mostly a waste of time. But granted, it's not a complete disaster and it had its moments. I hear people praising this movie as super-suspenseful, so by all means, try it out. But don't say I didn't warn you.
After a shocking opening scene, director Derrick Borte starts off nicely with a disturbing montage that shows us the horrible consequences of explosive aggression and road rage. For a long time, his movie seems to be a passionate plea to have more patience and compassion with others in a harsh society where everyone is under constant pressure, because you never know what the other person is going through. Too bad that he gradually undermines this message with cheap shocks and sadistic violence.
It's good to see Russell Crowe again after such a long absence, because watching his heavily disturbed maniac snap and terrorize a lady that just happened to piss him off is definitely one of the scarce highlights of the film. No Oscar material, but the man is still an acting heavyweight (no pun intended... well, maybe a little), so much so that leading lady Caren Pistorius cannot hope to carry this movie in his presence. In fact, her character is so passive and uninteresting that I felt very little sympathy for her plight. I don't know if it was the intention here, but I always love movies where you cheer for the bad guy for a very long time, like Face-Off and Law Abiding Citizen; everyone loves tragic villains, and you always hope that the makers can delay that moment where you lose sympathy for them until the very last.
Unfortunately, this moment comes way too soon in the movie. In the first half we get some motivation from Crowe's and Pistorius' character for their actions, but that wears off quickly in an endless rampage that seems to be an excuse for a lot of torture porn. There is nothing fundamentally wrong with that, as long as you keep developing your key players. Especially psychopaths work best when they remain completely unexplained mysteries, or when they get fleshed out properly, like the psychologic-meltdown classic Falling Down. However, Crowe and Pistorius never get beyond their minimal and one-dimensional backstories. When the bad guy gets to the point where I no longer rooted for him (again, way too soon), you hope that your allegiance changes back to the heroine. But Pistorius' character keeps making such bad decisions (up to and including a laughably set up climax) that by that time, I no longer cared about either, and could only worry about the collateral damage.
Too bad for Crowe and Jimmi Simpson, who probably have one of the best scenes together when this movie is still promising. But the pressure to marry action with psychology, and to increase the stakes with such disregard for realism really starts working against the film and characters. I don't mind violence in movies at all, but it should make me invest in characters, not get desensitized and bored.
I like a good battle of character like everyone else, but when the action and suspense start feeling stale because I'm no longer emotionally engaged, then it's just mostly a waste of time. But granted, it's not a complete disaster and it had its moments. I hear people praising this movie as super-suspenseful, so by all means, try it out. But don't say I didn't warn you.
You will never flip the bird to another driver again once you've seen "Unhinged".
This is the most intense road rage movie since Spielberg's "Duel" in the 70's with the pressures of life, marriage and death at its core.
Except the Truck is now just a Ford Pick Up with no discernible logos.
Obviously the Blue Oval didn't want to pay for product placement...it is an older model like its manic driver played by Russell Crowe.
This man can happen to anyone.
He only picks one project each year, but he chooses well.
His body of work speaks for itself.
His co-star Carin Pistorius moved to New Zealand as a child from South Africa and she brings a gritty, real performance to the big screen.
She also delivers the best action movie heroine line for 2020.
Veteran horror child actor, Gabriel Bateman, hold his own as her on screen son, Kyle.
This movie is adrenaline charged from the moment the curtain opens and rarely takes it foot off the pedal.
The road carnage and Rustys salary make up most of the 33 million dollar budget, but its investors will be making money off this film and buying many more new cars in the years ahead.
This is Crowe at his best and most threatening study of pure menace under Derrick Bortes direction.
I can't tell you how many times I wanted to leave the theater because of her stupidity, but it's definitely what the movie was going for. God bless her son though.
Let's just start off with this, It Is A Movie.
It just kills me when people carry on about believability when watching a fast paced action thriller. What are the odds of someone living through something like this vouching for the realities of the situation? In all honesty, most of us like to think we know what we would do but is there a chance that the pressure, fear and self preservation of the moment could alter our decision making skills? I think it could and I chose to look at films like this with that in mind. These were the decisions they made in the moment and only the absolutely absurd should fall into a category of unrealistic.
I liked this. Russell Crowe was fantastic in his portrayal of a fed up lunatic. He really did a great job. I thought the story could have benefited with a bit more backstory on the characters but it was decent. The action scenes were well choreographed and the special effects were nicely done. It was a tense ride for sure and it got pretty brutal at times. I'm a horror buff so that is right up my alley but I read a review that described it as torture porn and it's not that bad unless you are a total lightweight.
I know this will be a film I watch more than once. Forget the review snobs and check it out for yourself.
It just kills me when people carry on about believability when watching a fast paced action thriller. What are the odds of someone living through something like this vouching for the realities of the situation? In all honesty, most of us like to think we know what we would do but is there a chance that the pressure, fear and self preservation of the moment could alter our decision making skills? I think it could and I chose to look at films like this with that in mind. These were the decisions they made in the moment and only the absolutely absurd should fall into a category of unrealistic.
I liked this. Russell Crowe was fantastic in his portrayal of a fed up lunatic. He really did a great job. I thought the story could have benefited with a bit more backstory on the characters but it was decent. The action scenes were well choreographed and the special effects were nicely done. It was a tense ride for sure and it got pretty brutal at times. I'm a horror buff so that is right up my alley but I read a review that described it as torture porn and it's not that bad unless you are a total lightweight.
I know this will be a film I watch more than once. Forget the review snobs and check it out for yourself.
Wusstest du schon
- WissenswertesThe first movie to enter wide theatrical release in the USA after the closure of most theaters due to the COVID-19 pandemic. Between the March 13th, 2020 releases of Bloodshot (2020), The Hunt (2020), and I Still Believe (2020) and the August 21st expansion of this film into 1,823 North American theaters, there was a gap of over five months with no new wide theatrical releases at all.
- PatzerCooper's minivan rams multiple cars, yet the headlights are intact and the front is barely scratched.
- VerbindungenFeatured in Chris Stuckmann Movie Reviews: Unhinged (2020)
- SoundtracksSo Good Looking
Written by Luke Pritchard (PRS), Brandon Friesen (BMI), Chris Seefried (BMI), Hugh Harris (PRS)
Performed by The Kooks
Published by Kobalt
Courtesy of AWAL
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Unhinged: Ausser Kontrolle
- Drehorte
- New Orleans, Louisiana, USA(street scenes)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 33.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 20.831.465 $
- Eröffnungswochenende in den USA und in Kanada
- 601.032 $
- 16. Aug. 2020
- Weltweiter Bruttoertrag
- 44.331.465 $
- Laufzeit1 Stunde 30 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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