In dieser neuen Sketch-Show verbringen Tim Robinson und seine Gäste jedes Segment damit, jemanden zu dem Punkt zu bringen, an dem er gehen muss oder will.In dieser neuen Sketch-Show verbringen Tim Robinson und seine Gäste jedes Segment damit, jemanden zu dem Punkt zu bringen, an dem er gehen muss oder will.In dieser neuen Sketch-Show verbringen Tim Robinson und seine Gäste jedes Segment damit, jemanden zu dem Punkt zu bringen, an dem er gehen muss oder will.
- 3 Primetime Emmys gewonnen
- 9 Gewinne & 6 Nominierungen insgesamt
Folgen durchsuchen
Empfohlene Bewertungen
This show is actually crazy. Sketch comedy at its very best even though there is no recognizable running theme throughout all the episodes. Its completely random and that is what makes this show very funny. Vanessa Bayer and Will Forte absolutely nail their sketches.
The first time i saw this i thought it was so insanely devoid of human comprehension i hated it. Days go by and then i figured out... that i couldn't get my mind off it. Season 2 came by and now it's official. I need more of these. There is nothing as overwhelmingly odd as this- something that just happens on these deranged sketches and things your brain can't fathom to even register as "funny" and yet, you still can't look away. What a piece of work. I still understand nothing at all, but now it makes me laugh at the face of madness.
This is some of the most creative writing I have ever seen. The first episode caught me completely off guard. I didn't know what to expect. By episode 2 I was pausing the episode so that I wouldn't miss anything through my laughter filling the room. This is brilliant! The negative reviews on this attack unfair aspects of the show. I feel like they are written by people that didn't know it was sketch comedy.
Check it out and let your hair down! Allow the show to just be what it is. Don't have expectations and enjoy the ride! I love this show.
Literally one of my favorite shows ever. So quotable. I understand its not for everyone, but when it's "for you" it hits so hard and you won't be able to forget about it. It will consume you. I find myself quoting it constantly in my life.
Its definitely absurd, quirky, and even silly at times. But its the best sketch show I've seen. Even the more forgettable skits have a few quotes that are amazing and will stick with you.
If you consume edibles, or somethind edible adjacent, this is the show to watch while under that influence. You will lose your mind and maybe lose the ability to breathe because youre laughing so hard.
Its definitely absurd, quirky, and even silly at times. But its the best sketch show I've seen. Even the more forgettable skits have a few quotes that are amazing and will stick with you.
If you consume edibles, or somethind edible adjacent, this is the show to watch while under that influence. You will lose your mind and maybe lose the ability to breathe because youre laughing so hard.
I stumbled upon I Think You Should Leave with Tim Robinson by accident, and now I'm completely hooked. As someone from Gen X, I know I'm not the target audience, but it resonates with me deeply. The show isn't just absurd sketch comedy-it's an exaggerated reflection of real-life insecurities, social anxieties, and silent, ridiculous struggles.
At its core, the show thrives on insecurity. Every sketch features a character who refuses to admit they're wrong, desperately trying to maintain their dignity while spiraling into chaos. The humor doesn't just come from their awkwardness-their unrelenting commitment to proving they're in control, even when it's clear they aren't. That kind of desperation? I recognize it. I feel it.
Each season builds on this theme, with characters who react to embarrassment in extreme ways-destroying a door to avoid admitting they pulled instead of pushing or insisting a gift was well-received despite mounting evidence. The more they fight reality, the more absurd the situation becomes. And yet, in that absurdity, there's truth. The sketches expose the everyday fears of failure, rejection, and social isolation.
But You Should Leave isn't just about chaos. As the seasons progress, something deeper emerges-what some call "sentimental absurdism." Beneath the ridiculous setups, there's often a moment of unexpected validation. A character struggling for acceptance might finally hear the words they need: You're good. You belong. In these moments, the show moves beyond mocking human insecurity and instead offers a kind of emotional catharsis.
One of the most fascinating themes is how the show plays with existential dread. Mortality, failure, and the sheer exhaustion of modern life weave through the sketches-sometimes subtly, sometimes overtly. There are multiple sketches about skeletons, death, and the anxiety of existence. One character even admits that, for a brief moment, he felt relieved at the thought of being eaten-because at least it meant he wouldn't have to go to work the next day. It's dark, but it's honest.
Ultimately, I Think You Should Leave is therapy disguised as comedy. It exaggerates the thoughts we're too afraid to say out loud and allows us to laugh at them instead of being consumed by them. It reassures us in its bizarre, chaotic way: Yes, life is awkward and messy, but you're not alone in feeling that way. And sometimes, that's precisely the kind of comfort we need.
At its core, the show thrives on insecurity. Every sketch features a character who refuses to admit they're wrong, desperately trying to maintain their dignity while spiraling into chaos. The humor doesn't just come from their awkwardness-their unrelenting commitment to proving they're in control, even when it's clear they aren't. That kind of desperation? I recognize it. I feel it.
Each season builds on this theme, with characters who react to embarrassment in extreme ways-destroying a door to avoid admitting they pulled instead of pushing or insisting a gift was well-received despite mounting evidence. The more they fight reality, the more absurd the situation becomes. And yet, in that absurdity, there's truth. The sketches expose the everyday fears of failure, rejection, and social isolation.
But You Should Leave isn't just about chaos. As the seasons progress, something deeper emerges-what some call "sentimental absurdism." Beneath the ridiculous setups, there's often a moment of unexpected validation. A character struggling for acceptance might finally hear the words they need: You're good. You belong. In these moments, the show moves beyond mocking human insecurity and instead offers a kind of emotional catharsis.
One of the most fascinating themes is how the show plays with existential dread. Mortality, failure, and the sheer exhaustion of modern life weave through the sketches-sometimes subtly, sometimes overtly. There are multiple sketches about skeletons, death, and the anxiety of existence. One character even admits that, for a brief moment, he felt relieved at the thought of being eaten-because at least it meant he wouldn't have to go to work the next day. It's dark, but it's honest.
Ultimately, I Think You Should Leave is therapy disguised as comedy. It exaggerates the thoughts we're too afraid to say out loud and allows us to laugh at them instead of being consumed by them. It reassures us in its bizarre, chaotic way: Yes, life is awkward and messy, but you're not alone in feeling that way. And sometimes, that's precisely the kind of comfort we need.
Wusstest du schon
- WissenswertesMost of the sketches included in Season 1 were previously rejected skits from Tim Robinson's time as a writer/cast member on Saturday Night Live.
- VerbindungenFeatured in WatchMojo: Top 10 Funniest TV Shows Airing Right Now (2019)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen






