The Wolf of Wall Street

The movie Leonardo DiCaprio should have gotten an Oscar for. His portrayal of the character is perfect. The movie is well-written, leaving no details out of the original story. Martin Scorsese never fails to impress. One of the only example where the movie is better than the book. The movie never gets boring, I could watch this anytime.

The Wolf of Wall Street (2013)

**** (out of 4)

Two word review: A Masterpice.

Martin Scorsese's latest film is yet another brilliant one with Leonard DiCaprio turning in the greatest performance of his career as stockbroker Jordan Belfort who takes some rather bland people and turn them into one of the biggest scams that the FBI ever saw. THE WOLF OF WALL STREET is going to make many people unhappy and there are many more who are probably going to be offended by it but the perfection that is Scorsese was right when he decided to turn this into a comedy instead of a drama. Yeah, it's GOODFELLAS on speed and ramped up sex but it's just so brilliantly and wickedly funny that you can't help but laugh at all the craziness going on. Yes, there are some moral police out there who are going to object to a movie being made about a man who ripped off poor people but I'm sorry, I like the fact that this film doesn't really care about those people and instead just gives us an in-your-face look at these wild people, their wild drugs and their wild sex lives. This film is certainly over-the-top in regards to the excess but so were the characters so I thought they just went hand and hand with each other. Scorsese was the perfect person for this project because of his ramped up speed but here is goes all out and really delivers an incredibly wicked little ride that will have you smiling and laughing at some very questionable things.

I've been a fan of DiCaprio long before he became famous and this here is without question the greatest performance he's given so far. I was curious to see how he would do playing someone crazy and wild like this but he does so perfectly and I'd say it was a flawless performance. No matter what was going on in this crazy life you believe that you're watching a real character and as his character says throughout the film, sell him something. Well, DiCaprio sells this performance and role like no one else could. The supporting players are just as wonderful with Jonah Hill, Margot Robbie, Rob Reiner, Jon Favreau, Matthew McConaughey and Jean Dujardin all delivering terrific performances. The cinematography, the music selections and everything else are just flawless here. THE WOLF OF WALL STREET could have been a complete disaster in so many ways but the strong screenplay and Scorsese's wicked direction makes it an incredibly entertaining film that works so well. It's hard to fully put into words what Scorsese and DiCaprio have pulled off but it's certainly one of the best and most memorable comedies in ages.

Martin Scorsese has done it again. His newest and most refreshing effort he's contributed to the world of cinema in years, The Wolf of Wall Street is a roaring thrill ride that is both absolutely hilarious and meticulously constructed. It also presents Academy Award nominee Leonardo DiCaprio in possibly his finest acting performance of his career. At one-minute shy of three hours, I was both engaged and hypnotized nearly the entire duration. A comedic epic that studies the behavior and cultures of a time in America, feels like the uncovering of a time capsule that was buried and dug up to give insight into our current financial crisis. Much more than just laughs, it turns on the dramatic elements early enough in the film to warrant considerable reactions about the choices of our key characters. Expertly paced with intelligent moral questions presented, The Wolf of Wall Street is one of the best films of the year.

Telling the story of Jordan Belfort, a young Wall Street broker that gets involved in drugs, money, and even more drugs during the 80's and 90's. In his tenure trading (and stealing), Jordan marries, divorces, does drugs, marries again, does even more drugs, makes solid friendships, and believe it or not, does a lot more drugs. Watching the destruction of Jordan acted as a documentarian's insight that felt like I was watching "Intervention" without the family that cares. The Wolf of Wall Street is a black comedy, giving hints of drama. Natural comparisons will fly to Oliver Stone's Wall Street which is accurate but you can see subtle hints of films like Trading Places, Glengarry Glen Ross, and even American Psycho. That's a testament to Scorsese's outstanding direction and Terence Winter's masterful screenplay. Scorsese keeps Wolf life-size, sprinkled with characters that are both geniuses and morons, but functioning morons. They're like the frat pack group that sat in a corner on my college campus, being loud and obnoxious, and made terrible life choices that they still aren't aware of until this day. Scorsese puts together an all-star cast to inhabit these beings that includes DiCaprio, Jonah Hill, Margot Robbie, Matthew McConaughey, Jon Bernathal, and Kyle Chandler. All of which seem to be having the time of their lives.

A lot of the credit of the film's overall success has to be awarded to Leonardo DiCaprio. I've never seen him truly "go for it" in a way that he exhibits as Jordan Belfort. In his breaking of the fourth wall, to his long but completely engaging monologues about life, money, and greed, it's the most assured and compelling work by the actor to date. When DiCaprio unleashed his talents in the mid-90's in What's Eating Gilbert Grape? and later stole the hearts of tween girls everywhere in Titanic, who knew this is the role he'd been gearing up to play. This is the role of his career and something that the Academy Awards should look to for his long overdue recognition. It's a charming and adventurous turn that presents a conundrum to the audience as we find ourselves both enamored and loathing the pure essence of Jordan. A sequence of DiCaprio crawling on the floor will probably be the scene of the year. This is DiCaprio's crowning achievement.

As the magnetic and cheesy-minded right-hand man, Jonah Hill's performance as Donnie Azoff is another great turn for the 30-year-old actor. He's allowed to explore some of his comedic ticks and beats that he may not have ever had the opportunity to explore in films like Superbad or 21 Jump Street. In Wolf, he relies on his own instincts, and his chemistry with DiCaprio, which has helped him before for his Oscar-nominated work in Moneyball opposite Brad Pitt. Matthew McConaughey, is one scene shy of winning the Oscar for Best Supporting Actor. While his work in Dallas Buyers Club will bring him the acclaim and recognition that he deserves, The Wolf of Wall Street is a prime example of what he should be doing when he's not working or seeking out the strong, independent features that are geared for awards recognition. Stealing every frame and focus from DiCaprio in his ten minute screen time, McConaughey utilizes all his charm and spunk as Mark Hanna, the mentor to young Jordan as he started out.

Like any great Scorsese film, the women are in full-force and given the opportunity to shine like the others. Cristin Millotti, a toned down and tragic version of Marisa Tomei in My Cousin Vinny, is sensational in her brief appearances on screen. Beautiful and sympathetic, she offers much needed serious and dramatic elements to Jordan's outrageous antics. In the end, a star is born in the gorgeous and vivacious Margot Robbie as Naomi Lapaglia, Jordan's second wife. Whoever was going to be cast as Naomi, had to be an actress of considerable talent and had the ability to really be the sexy kitten but still warrant an emotional reaction from the audience when called upon. Margot Robbie was the perfect choice and she'll need to owe Scorsese royalties for years to come with the roles she'll be offered following this. Robbie is pure magic and is everything she's required to be. She's the more elusive, compelling, and more thought out version of Scarlett Johansson's character in Don Jon.

I loved every second of The Wolf of Wall Street. Terence Winter's script is a natural and well-oiled machine that produces the words of a demigod. You couldn't make these things up. Thelma Schoonmaker is the utmost professional and continues to shine film after film. You won't find another dedicated and glossed editing work this year. The other supporting actors do sensational work especially Kyle Chandler, who has a very well-constructed exchange on a boat with DiCaprio, has us asking more and more, why is this guy not helming his own films on a consistent basis yet?

This film arrived in the UK with awards and Oscar nominations all around it, adding an expectation which it really didn't need adding since even without any of that it is ultimately a Scorsese film with a big name cast. It also arrives with some other stuff because the film has been criticized for near glamorization of the excesses that Belfort was able to experience with his ill-gotten funds and, to be honest, it is an impression that isn't helped when you consider that this film was put forward to the Golden Globes in the Musical/Comedy section. Now I am sure that was a political move by the studio, but it does say something about the film because indeed for most of it we have stuff so unbelievable and so excessive that it is hard not to laugh at it. It is hard not to enjoy it.

And this is a problem, because the first 2 hours and a bit of this film is really engaging and enchanting in how much of a rush it gives you, how enticing it is and just how much vibrant energy it all has. The viewer is swept along and I guess to a point this is the film doing its job well because not only are we being told a story but we are first hand seeing how easy it is to get caught up in the grab for success, for money, for status. In this regard the film works really well because throughout the film I really was glad to be part of it and wanted it for myself; I don't think the film goes out of its way to glamorize this excess and this life, but for sure it doesn't do much to balance it – and this really is my problem with the film.

The structure, subjects and delivery of this film is so inherently similar to Goodfellas that it is hard not to mention it. If you remember the opening of Goodfellas you'll remember that it opens with a memorably violent scene where an near-dead man in the back of a car is stabbed by Hill and his colleagues in a scene that is oppressive and violent but yet ends with the narration telling us "as far back as I can remember I wanted to be a gangster" and snaps to credits under a big track from Tony Bennett. This scene is important because it works as a microcosm of the whole film – the appeal but also the cost, all in one place. Wolf of Wall Street never has any of that and it hurts it. I suspect the message of the film is that our financial systems are screwed and that ultimately the rich will never be in the same world as the average person, because this is what I took from the rather sobering final scenes. However if this is the point it is trying to make then it really hurts itself with the rest of the film seeming to say "so why not get on board". I know this is not the case but the lack of a "point" or an agenda it the film means that it naturally fills it with its own, which is a weird feeling.

But then again – I guess it is a comedy. So the infamous Quaalude scene is not horrific but rather hilarious, the scenes of excess and of criminality are not equally appealing and repulsive – they are almost totally appealing, we hardly get the other side or get to see a victim here, and a few seconds on the subway with the FBI agent really does nothing but yet again make the suggestion that "it's all broken so why not at least get rich yourself". Getting away from this, it is a well made film. Scorsese makes this award season's second film to owe a massive debt to Goodfellas (American Hustle being the other) and he directs the film with energy; music is used well as one would expect and the editing makes the film pop. DiCaprio is great in the lead – OK he doesn't find the heart of the character, but the film doesn't ask him to. Instead he is charismatic and energetic, drawing the viewer in and giving the film its energy. The supporting cast is deep with names and familiar faces and it is a statement about how well the film holds the viewer, because it isn't distracting no matter how many famous faces or supporting character from TV appear (although I did notice that this and American Hustle had lots of faces from HBO's Boardwalk Empire). Jonah Hill is over the top in a way that works, although I am surprised to see him getting an Oscar nomination for it in such a crowded year.

Wolf of Wall Street has had a lot of praise and this will continue as the Oscars approach and are awarded. Personally I enjoyed the film as a funny true story delivered with energy and excess but in many ways it is not Goodfellas and the most important of these is that the film lacks a moral core to itself, to its characters and to its message. I don't mind the "it's all screwed so who cares" message that it ultimately seems to give, but I didn't feel comfortable with how wide a smile it had on its face while it was delivering it.

The last few Scorsese pics left me a little disappointed. I had begun to think Marty had become a 'gun for hire' and that his brilliance may have been spent (his earlier works were some of the best movies ever made). I attended a screening of The Wolf of Wall Street this evening, and was expecting to be unimpressed. I am happy to say I was completely blown away. This pic is Marty at his best. I laughed, I cringed, I related (with fond memories as well as a bit of guilt) and I TOTALLY believed every unbelievable moment. A good book, a great screenplay and a delightful cast were formed and molded into what I believe should get Scorsese a best director Oscar, and likely a Best Picture Award for the movie. Leo DiCaprio has grown into a versatile actor and his creation of this super hero dirtbag's roller coaster ride in this crazy (true) story is really honest and delightfully entertaining. Jonah Hill pulled out all the stops too and this is definitely his best work. Thank you Mr. Scorsese for delivering the goods so brilliantly!