Nach dem Tod seines Vaters schließt sich Britt Reid, Erbe der großen Firma seines Vaters, mit der Assistentin seines verstorbenen Vaters Kato zusammen, um ein maskiertes Team zur Verbrechens... Alles lesenNach dem Tod seines Vaters schließt sich Britt Reid, Erbe der großen Firma seines Vaters, mit der Assistentin seines verstorbenen Vaters Kato zusammen, um ein maskiertes Team zur Verbrechensbekämpfung zu werden.Nach dem Tod seines Vaters schließt sich Britt Reid, Erbe der großen Firma seines Vaters, mit der Assistentin seines verstorbenen Vaters Kato zusammen, um ein maskiertes Team zur Verbrechensbekämpfung zu werden.
- Auszeichnungen
- 4 Gewinne & 7 Nominierungen insgesamt
- Chili
- (as Chad Coleman)
- Young Britt
- (as Joshua Chandler Erenberg)
- Ana Lee
- (as Analeigh Tipton)
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The true star of the movie is Jay Chou, aka Kato. His accent was sometimes hard to interpret, but he was surprisingly funny, and Kato-vision (time slows when his heart starts pumping during fights) turned out pretty cool in 3-D.
Thank goodness Nic Cage walked away from this, and Christoph Waltz came in as the bad guy, because Christoph inhabited the role better than Nic could have. I enjoy Nic Cage, but he wouldn't of worked in this movie, and with that character. Nic Cage would have been too over the top, where as Christoph went a subtle route.
The movie isn't perfect, I didn't feel Cameron Diaz added anything to the movie expect being "the hot girl" to create a rift between guys, but if you're looking for a pure escapist fun ride, then look no further than "The Green Hornet."
The film is campy, the story is corny, the villain is wasted and Seth Rogen wrote the script. Based on the plot and the dialogs, it's not a well made movie; but it doesn't try to be. This movie could have been written more seriously and be on the same map as a Christopher Nolan's Batman film; but instead, it went on the road to be a comedic film with a lot of explosions. Some stuff didn't work, other stuff was clever & visually entertaining.
The stuff that I admired the most are the homage to the original television show. There were some criticism to the 60's show about how the Kato character was just a sidekick, butler, manservant, an aid or a chauffeur to the Green Hornet. Bruce Lee didn't have much dialogs and he didn't have much screen time. It was during the 60's and just having an Asian-American to be an everyday character on a show was a big deal, so I never saw that as an insult. In this movie, they make a HUGE deal about that subject as Seth Rogen & Jay Chou are constantly arguing about Kato's role throughout the whole film.
Other homage to the television show is a drawn image of Bruce Lee, Al Hirt's theme "Flight of the Bumblebee" tune, and there's even a scenario from my favorite episode that has been written into the movie. The Black Beauty is also a very awesome car! The funny thing is that in the TV show, the Black Beauty was a brand new & very recent 1966 Imperial Crown sedan. In the movie, it's the exact same vehicle; but it's now a classical vintage car.
I saw the 3D version and there were very few sequences where the 3D effects was worth the extra price of admission. I recommend saving your money and watch the 2D version instead.
To finally sum everything up; the movie isn't good, but it brought back my love for the characters inside the Green Hornet world. The film is visually entertaining for what it is. I hope there's a sequel, but that somebody else will write its screenplay.
Seth Rogen is his usual self/character. He needs to learn more than one trick. I found his acting flat and his voice monotonous. So kudos to the screen and script writers for making it interesting enough that Mr Rogen's shortcomings are overcame.
Cameron Diaz.... Of the hundreds of actresses in the movie industry, why her? Is her character written in, in the last minute? Or is there some kind of compulsory need to add a female lead, so that the 2 male leads are not seen as homosexuals? She was refreshing a decade ago, now she is just.... boring and highly predictable.
Jay Chou. Being an Asian-Asian, I personally never like or dislike him. He has a zero-expression face, no matter what movie he is in. Putting him in the shoes of Bruce Lee is a tough order. Of all the characters in the movie, his is the most significant one. Ones with big expectations to fill, and I think he did alright. Do remember this is his first Hollywood movie. Other than that, I still say he can't really act.
Story/plot. The movie is fast pace enough that even the slow moments get by really fast. After a first 15 minutes or so, there is very little dull moments. One of the few things I disliked about this movie is the elevated level of gory deaths. Is it really necessary? As I said before the screen and script writers did a fantastic job in this adaptation.
For pure action entertainment, I'll give it 8 or 9 out of 10. However, overall it should only garner a 7, in my opinion.
Geeks know the Green Hornet franchise well: radio show from 1936 to 1952; TV show in 1966 by the producers of the campy Batman TV series, while Green Hornet's greatest asset was emerging martial arts star Bruce Lee. Writers Rogen and Evan Goldberg renew that 60's camp but with it seeming out of date, as if the parodic part of the genre cycle had long ago been played out and not welcome anymore. Of course, you could argue that Despicable Me, Kick Ass, Megamind, and Iron Man 2 last year took to parody, but each one of those is more successful at marrying the satire to the action than Green Hornet.
The personality of the film is split—it's either satire or action, Hornet or Kato. The film is a bit away from the accepted concepts of this sub-genre except in Chudnofsky (Christoph Waltz), the arch villain whose ironic reactions are an adept amalgam of menace and insouciance.
As he did in Inglorious Basterds, Waltz commands the screen with his charming menace. Actually he is equaled in the opening sequence, the best scene of the movie, when he faces off James Franco in a cameo, two hoods pissing about their territory. Franco is quite good as a semi-clueless drug lord.
Britt has daddy issues, specifically making something of his life while newspaper owner dad. Jack Reid (Tom Wilkinson), is a hero to the city. With dad's death, Britt decides to fight crime as the Green Hornet while letting everyone think he is a criminal (as in the original versions).
The gadgets are Bond-worthy, and Kato has the Bruce Lee charisma; it's just Rogen who seems out of place—not believable as a hero from beginning to end of the film. He can be amusing as a man-kid, but the geeks will never accept him as their hero.
The Green Hornet has lost its buzz.
Wusstest du schon
- WissenswertesSeth Rogen proclaimed the film was a "nightmare", chalking it up to studio executives paying little attention to the most expensive portions of the film, and its inflated budget.
- PatzerWhen Britt and Kato arrive back at the Reid mansion right before their brawl through Britt's rooms, it is night. But during the fight, daylight can be seen through a window.
- Zitate
Britt Reid: Kato, I want you to take my hand, and I want you to come with me on this adventure.
Kato: I go with you, but I don't want to touch you.
- Crazy CreditsThe light coming from the torch is green, instead of its usual combination of rainbow, twinkling colors. This green quickly dominates the screen after the appearance of the word "Columbia" and flares to a white hot burning image mixed with the green.
- Alternative VersionenAlso released in a 3D version.
- VerbindungenEdited into Aristokraticheskiy kinematograf: Folge #1.4 (2011)
- SoundtracksMaalaea
Written by Carlton Kaller and Christopher Kaller (as Chris Kaller)
Performed by Christopher Kaller (as Chris Kaller)
Courtesy of 45 Revolutions LTD.
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- El avispón verde
- Drehorte
- 2000 Avenue of the Stars, Century City, Los Angeles, Kalifornien, USA(Daily Sentinel Building)
- Produktionsfirmen
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Box Office
- Budget
- 120.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 98.780.042 $
- Eröffnungswochenende in den USA und in Kanada
- 33.526.876 $
- 16. Jan. 2011
- Weltweiter Bruttoertrag
- 227.817.248 $
- Laufzeit1 Stunde 59 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1