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Vision - Aus dem Leben der Hildegard von Bingen

  • 2009
  • 12
  • 1 Std. 50 Min.
IMDb-BEWERTUNG
6,5/10
1351
IHRE BEWERTUNG
Barbara Sukowa in Vision - Aus dem Leben der Hildegard von Bingen (2009)
The life story of the multi-talented German nun Hildegard von Bingen. The film portrays an original woman - best known as a composer and religious visionary - whose grand claims often run counter to the patriarchal world around her. The monks and nuns at the convent become a kind of family, offering both confidants and enemies. For example Jutta, struggling with her jealousy of Hildegard's success, and the young Richardis who worships Hildegard both as an intellectual role model and a mother figure.
trailer wiedergeben2:02
1 Video
3 Fotos
BiographieDramaGeschichte

Füge eine Handlung in deiner Sprache hinzuThe life story of the multi-talented German nun Hildegard von Bingen. The film portrays an original woman - best known as a composer and religious visionary - whose grand claims often run co... Alles lesenThe life story of the multi-talented German nun Hildegard von Bingen. The film portrays an original woman - best known as a composer and religious visionary - whose grand claims often run counter to the patriarchal world around her. The monks and nuns at the convent become a kind... Alles lesenThe life story of the multi-talented German nun Hildegard von Bingen. The film portrays an original woman - best known as a composer and religious visionary - whose grand claims often run counter to the patriarchal world around her. The monks and nuns at the convent become a kind of family, offering both confidants and enemies. For example Jutta, struggling with her j... Alles lesen

  • Regie
    • Margarethe von Trotta
  • Drehbuch
    • Margarethe von Trotta
  • Hauptbesetzung
    • Barbara Sukowa
    • Heino Ferch
    • Hannah Herzsprung
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,5/10
    1351
    IHRE BEWERTUNG
    • Regie
      • Margarethe von Trotta
    • Drehbuch
      • Margarethe von Trotta
    • Hauptbesetzung
      • Barbara Sukowa
      • Heino Ferch
      • Hannah Herzsprung
    • 13Benutzerrezensionen
    • 47Kritische Rezensionen
    • 68Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Gewinn & 4 Nominierungen insgesamt

    Videos1

    Vision
    Trailer 2:02
    Vision

    Fotos2

    Poster ansehen
    Poster ansehen

    Topbesetzung41

    Ändern
    Barbara Sukowa
    Barbara Sukowa
    • Hildegard von Bingen
    Heino Ferch
    Heino Ferch
    • Mönch Volmar
    Hannah Herzsprung
    Hannah Herzsprung
    • Richardis von Stade
    Lena Stolze
    Lena Stolze
    • Jutta
    Alexander Held
    • Abt Kuno
    Sunnyi Melles
    Sunnyi Melles
    • Richardis' Mother
    Paula Kalenberg
    Paula Kalenberg
    • Klara
    Devid Striesow
    Devid Striesow
    • Kaiser Friedrich Barbarossa
    Annemarie Düringer
    Annemarie Düringer
    • Äbtissin Tengwich
    Mareile Blendl
    • Jutta von Sponheim
    Christoph Luser
    • Hartwig von Bremen
    Salome Kammer
    • Sängerin
    Wolfgang Pregler
    • Bischof von Mainz
    Joseph von Westphalen
    • Bernhard von Clairvaux
    Katinka Auberger
    • Nonne Bertha
    Caroline von Bemberg
    • Nonne Mechthild
    Ruzica Hajdari
    • Nonne Adelgard
    Vera Lippisch
    • Nonne Gundhild
    • Regie
      • Margarethe von Trotta
    • Drehbuch
      • Margarethe von Trotta
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen13

    6,51.3K
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    Empfohlene Bewertungen

    Kirpianuscus

    inspired portrait

    beautiful. in profound sense. for the recreation of atmosphere. for the acting. for the different perspectives about a delicate subject, for the delicate force of image. for the image of a woman against her period expectation who wins and gives a nuanced definition to the sainthood. it is a film who propose more than gives. it propose the reflection about society from the XII century and from today. it propose an useful example of courage. and a not ordinary expression of the faith. a film who propose many questions and who rediscover an impressive figure of Middle Age who change the perspective about her time.Barbara Sukowa propose a Hildegard von Bingen who becomes heroic step by step, scene by scene, in a precise and convincing style.
    6tigerfish50

    Worldly Biopic about a Spiritual Woman

    Films about spiritual teachers tend to be solemn affairs, although anybody who has spent time with a mystic knows they often possess charismatic charm and a subversive sense of humor. 'Vision' is an uninspired biopic about Hildegard Von Bingen, who was a Benedictine nun in medieval Germany. History relates she taught her own method of contemplation, became the 'magistra' of her order, founded two convents, and wrote books on medicine and musical composition. Her teachings discouraged severe ascetic practices, reflecting her belief that God intended humans to pursue contented lives devoted to hard work, charity and spiritual invocation.

    'Vision' focuses on various intrigues within Hildegard's world of nuns, monks and bishops, as well as the nobility who provided financial backing for cloistered orders. No doubt there was some jealousy within that circle which obstructed some of her endeavors, but she was a formidable figure in 12th century Germany, traveling widely on preaching tours at a time when women were traditionally banned from such pursuits. Hildegard's contemplative disciplines were a crucial aspect of her life's work but being impossible to film, they are mostly ignored in favor of her worldly activities. The acting and cinematography are sufficient for the task at hand, but anyone hoping to learn about Hildegard's esoteric philosophy is likely to be disappointed.
    9classicalsteve

    Outstanding Recreation of Medieval Religious Life--Best Since Name of the Rose

    Sometimes I muse: what if I woke up and found myself in the middle of the 12th century in Western Europe? What was life really like? The present film centering on one of the most "uppity" women of the Middle Ages, Hildegard von Bingen, takes you into the medieval world as few films do. As much as we often like to idealize the Middle Ages, particularly since the 19th century, the period was anything but ideal. Unlike today, people had few rights, and the powers-that-be could uplift or destroy almost at a whim. In the church, people with power used threats of persecution, usually in the name of heresy or blasphemy, which could result in excommunication and even execution as a means to reign people into modes of behavior which fit their desires and designs. Hildegard von Bingen was one of the few people who stood up to these forces and refused to bow to unreasonable demands easily.

    Hildegard was remarkable because she was a woman who challenged predominantly male authority during an age when women wielded very little political influence outside of noble circles. Some queens did have some authority in political realms, but an abbess of a monastery making requests and even demands of bishops and other nobles was almost unheard of. An abbess had authority within her cloister but rarely outside. Typically abbesses were expected to be completely obedient to the local abbot and bishop, following their orders without question on bended knee. But Hildegard was not afraid to vocalize her desires and even her frustrations in front of very powerful forces. She is famous for having visions and claiming communication with God, an assertion which infuriates the local church leaders, who contest that such claims are an insult to the prophets of scripture. Why should God single her out and give her insight not given to bona fide holy people of the Bible? However, she wins favor with one of the bishops who allows her dialogs to be transcribed. Another aspect of Vision, like Name of the Rose, concerns the beautiful medieval books.

    The 12th century was markedly different from modern society today but I think there were aspects more similar than we like to acknowledge. If we take a peak behind the curtain of castles and cathedrals, we see the same human desires and weaknesses we all share, which I think is one of the points of Vision. A large part of the film involves Hildegard's attachment to a young novice nun, Richardis, and the relationship becomes closer than even one of mother and daughter. Unfortunately, political and ecclesiastical power threatens the relationship, and not even Hildegard has enough influence to stop it.

    The present film is a wonderful tribute to one of the most remarkable figures of the Middle Ages. Barbara Sukowa offers a tour-de-force performance as the medieval abbess who defied convention during an age when non-conventional voices were often silenced, and sometimes violently. The scenes appear to have been shot in real medieval churches and castles which brings the viewer into the 12th century in a way very uncommon in most cinema which depicts these times. Although the 12th century is now 800 to 900 years away, the atmosphere is strangely familiar. Although details about everyday life would probably be unbearable for most of us in the modern age, such as the darkened candle-lit rooms and the constant threat of illness, many desires and fears which permeated life then are not unlike today. High-ranking officials often sought power while there were others who simply wanted to love and be loved and find the best means possible to bring this into being. People in the Middle Ages were still human beings.
    7sergepesic

    As expected

    Independent German film was for decades the mainstay of the European cinematography. Brave, original thinking and the courage of the expression made it a breath of fresh air for the movie lovers. Unfortunately these days are long gone. Almost everybody tries so hard to be hip and Hollywoodlike. If we explode few things and simplify the plot for every simpleton, how can we miss? Well, we miss time and time again. The eternal beauty of filmmaking is about trying and having an idea, and a story to tell. It seems that there are no stories left to tell, or there are no people left who like the stories to be told to them." Vision" is a strange, unfinished movie, but it is an honest attempt to feel and think, and that is all one needs in this art form.
    10brownjul

    Vision is Clear in this Film

    The film is named Vision. It is very appropriate as the music that weaves the visuals to greater experiences by the viewer is from the CD of Hildegard's music by Richard Souther called by the same name, Vision. music) both stir the soul of her demographic to height upon height. Well done German filmmakers!!! The film was visually stunning. It is difficult to tell the tale of the most powerful female in Western Culture and do it in a universal manner. It is obvious that this film had a team that had their own Vision to do more than make a film, but create a digital film footprint of a globally known and loved academic, spiritual, and feminist historical icon and mentor.

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    • Patzer
      In church the language at the time of Hildegard was Latin. The priests/monks would have pray only in Latin (though speak their first languages).
    • Verbindungen
      Referenced in Charm (2012)
    • Soundtracks
      Kyrie eleison - Respice, quaesumus, Domine
      From the Gregorian chant 'Paschale Mysterium'

    Top-Auswahl

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    FAQ

    • How long is Vision?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 24. September 2009 (Deutschland)
    • Herkunftsländer
      • Deutschland
      • Frankreich
    • Offizieller Standort
      • Zeitgiest Films (United States)
    • Sprachen
      • Deutsch
      • Latein
    • Auch bekannt als
      • Vision: From the Life of Hildegard Von Bingen
    • Drehorte
      • Kloster Eberbach, Eltville Am Rhein, Hessen, Deutschland
    • Produktionsfirmen
      • ARD Degeto Film
      • Celluloid Dreams
      • Clasart Film- und Fernsehproduktion
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 435.274 $
    • Eröffnungswochenende in den USA und in Kanada
      • 11.406 $
      • 17. Okt. 2010
    • Weltweiter Bruttoertrag
      • 5.078.060 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 50 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 2.35 : 1

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