Das Leuchten der Stille

I'll try to make this short and sweet, like the two weeks the two characters spent together before all hell broke loose:

If you read the book, lower your expectations. If you haven't read the book,...well, you can raise your expectations just a bit higher.

I was one of those girls who squealed every time they saw a TV spot, or watched the trailer on YouTube a million times. I bawled my eyes out when I read the book- both times I read it. Last night, I went to see the movie knowing full well that it wasn't going to live up to the book. Unfortunately, I was right.

What made 'Dear John' different from all the other love stories we've read and seen was taken away in the movie. I don't know how I would have understood what was going on in the movie if I hadn't read the book. Scenes were rushed (especially the two weeks where the two main characters fall in love), and characters weren't well developed at all. Heck, one of the main characters barely resembles (both appearance- and personality-wise) the character in the book. *cough*Savannah Lynn Curtis*cough*.

That said, there were a couple of scenes where the dialogue was sweet and funny. I also enjoyed the music, but that may be because I'm a huge fan of acoustic. Also, the scenery was absolutely beautiful. Not to mention Channing Tatum's body (pretty much the only thing worth my money).

As far as acting goes, Channing Tatum was the stronger one in this film. While I'm still personally neutral about my opinion on Amanda Seyfried, I found she's done better. She may be better off with comedy or musicals. And Richard Jenkins was lovable, as always.

If you've read the book, don't expect anything similar to it. I can't point out a single scene that even resembled that of the book. Part II of the book, especially, was almost non-existent. You will definitely be able to pick out the noticeable differences between the book and the film. Hopefully, you won't be TOO disappointed.

But like I said, you're more likely to enjoy the film if you haven't read the book.

I have to admit I wasn't expecting to like this film. I don't hate this type of film, but I had heard mixed feelings on Dear John, there were those who said it was touching and others who said it was too clichéd. Well after been blown away by The Notebook(book and movie), I saw Dear John. After seeing it, I don't think it is as good as The Notebook, but it was surprisingly good in my opinion. The characters are clichéd, and the beginning was a tad too fluffy for my liking, while there are some pacing issues. But while the book is better, having more depth and emotional punch, I was surprised at how touching Dear John actually was. The story is nice and believable enough, and there is some decent scripting. The direction is good too, while the cinematography and scenery are breathtaking and the score beautiful. Channing Tatum(my sister kept raving at how hot he was) and Amanda Seyfried are great and are believable together, while Richard Jenkins is heart breaking as Tatum's autistic father(I immediately sympathised with him as I have real problems with communicating with people and feeling comfortable around people and places I am not familiar with). I also liked the ending, it was ambiguous but also clever and subtle, and I think an improvement over the ending of the book(the book's only weak link). In conclusion, touching and well made, definitely worth a peek. 7/10 Bethany Cox

Movie should be about distance love and related consequences, unfortunately it's too flat because It doesn' t transmit any passions or emotions ti the watcher

Lasse Hallström, the Swedish director who gave us Chocolat (2001), Gilbert Grape (1993) and Hachi: A Dog's Tale (2009) is at it again - making chick flicks for guys. This means, unlike your stereotypical chick flick whose leading man is a hollow beefcakey stud with as much personality as the scenery, here we get a complex beefcakey stud whom the chicks can swoon over whilst the bros say "duuuuude he's cool."

In this case the protagonist is "John" (Channing Tatum) who plays an Army Special Forces character who can kill you with a toothpick but has total control over his emotions. Until, of couse, he meets "Savannah" (Amanda Seyfried) over his 2 week furlough before going back to war.

As you might guess, the story explores the ultimate long distance relationship as John completes his 1 year tour as a soldier while Savannah waits at home. Sounds boring? Well wait, there are complications. John's father is autistic and his mother abandoned them years ago. So John is forced to be the responsible one, but the whole war/love thing throws him out of whack.

Meanwhile Savannah has a few secrets of her own (and I gotta admit I totally didn't see it coming). And on top if it all, 9/11 hits and this forces John to make a decision whether to stay with his platoon and most likely get his butt blown off, or retire once his initial tour is over. Oh, and the movie begins with John getting blasted by gunfire, meaning the story unfolds in a huge flashback leaving us wondering the whole time if John dies or not.

This is a very sentimental flick, much like the other Hallström movies I mentioned, but it doesn't get sappy or predictable. In fact at least 3 plot twists took me by total surprise. And I'm talking like "whoa duuuuude I never saw THAT coming" surprise.

"Dear John" focuses on interpersonal relationships when duty comes into play - and I'm not just talking about duty toward your country (a cleverly woven parallel), but duty to parents, children and those who need help. This is juxtaposed against selfish happiness, or the storybook love. Pay close attention to the characters' choices & sacrifices, and how these choices are based on duty/selflessness rather than "getting the girl". I think that's what makes this a unique romance. Whereas most Hollywood romance flicks focus on the problems of 2 lovers, "Dear John" presents us with an ideal love that is complicated by external loyalties.

The trademark of Hallström movies is some other issue (not just love) driving the characters, and that's why these films aren't sappy or predictable. Another trademark is is use of gorgeous scenery, in this case the beaches of Charleston SC. He achieves a very nostalgic beach feeling, even for those of us who have only been to the beach once or twice in our lives (see also his film "Safe Haven" filmed in Southport, NC).

"Dear John" is a quiet, sentimental film, so don't expect action, car chases & robots. But it delivers a few tricky plot twists, so it's never boring. If you're not familiar with Hallström's style, I'd say it's artistic without being over-the-top artsy. Think of Kieslowsky (Blue, White, Red trilogy) or Wim Wenders (Paris Texas, Wings of Desire) or possibly even Steven Soderbergh (Sex Lies & Videotape, Solaris, Magic Mike) and you'll have a general idea of how this film feels.

Not having read anything about the film (or book) beforehand, I went into the cinema with no expectations, (though I was worried it might be a soppy, pull-at-the-heartstrings epic like The Notebook).

This wasn't the case. There were so many times when I thought 'Oh, I hope this doesn't happen', or 'I hope they don't do what I think they're going to do', and they didn't. There are moments of sadness, but some of them could have been made a lot worse.

The story isn't unique, (neither is The Notebook) but it is executed in a way that makes you feel as though you're watching something new. Channing Tatum is the lovable beefcake reminiscent of Marky Mark, and Amanda Seyfried is cute, delivering well executed dialogue. And I did actually think they had good chemistry, despite what other reviewers have said. Channing's John is an army boy who had a lot of issues growing up, so you can't expect him to be overly forthcoming with his emotions.

Richard Jenkins gives a great performance as the father, and even Henry Thomas is likable as the neighbour (I must be the only person in the world who hasn't seen E.T. so I didn't recognize the name at first).

To me, this was acted out a lot better (and even structured better) than Twilight: New Moon, which I assume is meant to appeal to the same audience. I know to some that isn't saying much, but perhaps our expectations are a bit high these days. If you want to see a sweet love story with likable characters, then you might just enjoy this film.