IMDb-BEWERTUNG
5,4/10
2795
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA small town girl lands in big bad Mumbai to earn an honest living but faces a confrontation she would've never dreamt of in her wildest dreams.A small town girl lands in big bad Mumbai to earn an honest living but faces a confrontation she would've never dreamt of in her wildest dreams.A small town girl lands in big bad Mumbai to earn an honest living but faces a confrontation she would've never dreamt of in her wildest dreams.
- Auszeichnungen
- 4 Nominierungen insgesamt
Tarana Raja
- Sophiya
- (as Taraana Raja)
Shriya Sharma
- Jhinki
- (as Shreya Sharma)
Empfohlene Bewertungen
This is not a must watch. But definitely worth your time. I don't know why this movie was so underrated. Excellent performance from every characters. Somehow, in the early scenes of 'happy days' I felt that Konkona as 'chutki' has outclassed Rani in performance! Also the acting of (by Taraana?) as the character 'sophie' needs mention. All in all everyone performed very well. Abhishek's entry as Kunal's elder brother in the end is predictable. The thing I most like is the simple happy ending. Usually, a movie with such high voltage drama ends in a certain way but this is not.
So at least watch it for the sake of climax!
So at least watch it for the sake of climax!
Writing about LCMD has been on my to-do list for quite a while and destiny chooses this day to make it happen. Laaga Chunari Mein Daag at prima-facie narrates a tale of a girl who hails from from a devout & conservative middle-class family enriched with strong values. Sadly the family is faced with financial difficulties and the girl embarks on a journey to big city for a bailout. Circumstances force the girl from the Holy city to compromise her values to make a living in the Sin City. From there its about leading a dual life of in the garb of "Dr. Jekyll/ Mr. Hyde" and a subsequent "forced" love track.
There appears to be more-than-warranted sub-plots into the story-line which spoils the narrative. The director seems to be at loss as to what he wanted to put across. Journey from Benaras to Mumbai plot is straight lift from Raj Kapoor's Ram Teri Ganga Maili. Parineeta being a period drama warranted a rich looked backed with a slow narrative for the audience to connect. However the style (slow-narrative) seems ill-suited for Laaga Chunari Mein Daag.
This movie could have been yet another feather in Rani's cap as her character is author backed and a feminist storyline. Konkana is as usual spot on. Jaya B & Anupam do their part with ease. Jr. B seems to have an extended special appearance.
There appears to be more-than-warranted sub-plots into the story-line which spoils the narrative. The director seems to be at loss as to what he wanted to put across. Journey from Benaras to Mumbai plot is straight lift from Raj Kapoor's Ram Teri Ganga Maili. Parineeta being a period drama warranted a rich looked backed with a slow narrative for the audience to connect. However the style (slow-narrative) seems ill-suited for Laaga Chunari Mein Daag.
This movie could have been yet another feather in Rani's cap as her character is author backed and a feminist storyline. Konkana is as usual spot on. Jaya B & Anupam do their part with ease. Jr. B seems to have an extended special appearance.
This fall is supposed to be full of good and bad surprises. All the previews of this flick promised that a treat is likely to come our way. And this is exactly what has gone against this movie.The highlights of the songs weren't too misleading, as far as its catchy tunes are concerned. The plot revolves around a family settled in Benaras. Shivshanker Sahay (Anupam Kher) is a retired man lives in an ancestral house, with two daughters, and his wife, Sabitri (Jaya Bachchan). The elder daughter Vibha (Rani) is more conscious of her parents' old age, their growing anxiety for making both ends meet, and her incapacity as a woman to support her parents as a son would have done. This financial crisis pushes Vibha to fetch for work in a city of opportunities where opportunities are very hard to strike. From this point, the never-ending saga of Vibha turning into Natasha brings a very predictable twist in the story. Chutki (Konkana Sen) is one of the finest artists in Indian cinema. She has done full justice to her role as a younger daughter with little understanding of the family crisis and huge dreams for future. Though it is a very well-executed movie, with finesse of Pradeep Sarkar, and all the right ingredients for a commercial hit, it is a very predictable movie. The reason for its predictability is that the previews not only revealed the entire story, but stole all the surprising elements from it.
Aaina – remake – Laga Chunari Man Daag (LCMD) – release year 2007 30 years later, Bollywood made the same theme because they failed to drive in the message in the think-brains of we, the Indians – way back in 1977! So in LCMD- Rani (who eventually becomes a prostitute in the film) is the daughter of a retired Professor (Anupam Kher) who is not getting his pension and is shown running from pillar to post to get it. Jaya (playing Ran's mother) is somehow managing to run the household by sewing blouses & petticoats. Financial crunch drives Rani to the big city where she becomes a high class Prostitute – having the designation of 'Escort' because in big-big corporate sectors, the senior officials cannot ask like 'get me a prostitute for the night'
..etiquette does not allow – so a new name 'Escort' has been given to such sex-workers. They obviously get paid higher than the red light area sex-workers
.yea – this is a kind of injustice – absolutely the same work but payment is vastly different! So in this world, in 2007, where unemployment is rampant, Rani starts living in a plush house in Mumbai plus starts sending money to not just feed the family but also renovate the dilapidated building they lived in! People from her village (her cousin in fact) comes to know that she was actually a sex-worker and even starts blackmailing her! She then meets a filthy rich handsome hunk who starts dating her and then even marries her because rich males – mostly f**k around all kinds of females – but in Rani – he could see the subservient, submissive qualities as well (along with promising sex-postures that escorts are supposedly experts at) – after all she was from a small town and decides to marry her after all. His brother marries Rani's younger sister – who was an MBA (not an escort because she was educated
..I think this is the reason why Indian females are kept uneducated – coz if they all become literate and independent..who would do the job of sex-worker?..this is an inherent fear that sleazy debauch males have and thus do their level best to promote whoredom among women and keep it alive forever!) Take Home for commoners (thick brained esp.) after watching LCMD:
That a female can be a sex-worker – either out of choice or by force – whatever – because eventually they will find some rich & handsome idiot to marry – so why not enjoy with as many males as possible?
When males are allowed to happily hump around females – why shouldn't females do the same? Why on earth should they maintain their chastity or virginity – when some debauch, amply humped demon will ultimately marry them? A demon only deserves a witch. Ravana needs to marry Mandodari. So there.
Some males seem hardly bothered about concepts like chastity or virginity (so it seems in the film) – the fact that Abhishek (Rani's hubby in the film) happily agreed to marry the escort – knowing very well that later, when he attends the corporate meetings etc., the BEEPS will smile and even wink at his wife reminding her of the 'nude' times they had together!!(you see Abishek happened to meet Rani in one of the corporate meetings means that he will be meeting the same officers or executives – for whom Rani was present like to entertain them on bed!
Aaina - a yesteryear Bollywood film Difference between Aaina 1977 and LCMD 2007 – Not much really. Parents are dumb enough to not understand the source of money. Both the times the prostitutes got married and lived happily ever after.
Indians (maximum) went to see the conical blouse & open cleavage of Mumtaz and Rani respectively.
That a female can be a sex-worker – either out of choice or by force – whatever – because eventually they will find some rich & handsome idiot to marry – so why not enjoy with as many males as possible?
When males are allowed to happily hump around females – why shouldn't females do the same? Why on earth should they maintain their chastity or virginity – when some debauch, amply humped demon will ultimately marry them? A demon only deserves a witch. Ravana needs to marry Mandodari. So there.
Some males seem hardly bothered about concepts like chastity or virginity (so it seems in the film) – the fact that Abhishek (Rani's hubby in the film) happily agreed to marry the escort – knowing very well that later, when he attends the corporate meetings etc., the BEEPS will smile and even wink at his wife reminding her of the 'nude' times they had together!!(you see Abishek happened to meet Rani in one of the corporate meetings means that he will be meeting the same officers or executives – for whom Rani was present like to entertain them on bed!
Aaina - a yesteryear Bollywood film Difference between Aaina 1977 and LCMD 2007 – Not much really. Parents are dumb enough to not understand the source of money. Both the times the prostitutes got married and lived happily ever after.
Indians (maximum) went to see the conical blouse & open cleavage of Mumtaz and Rani respectively.
Rani Mukherjee's performance in the lead role is good. Konkona Sen has given a great performance as always. This movie is worth a look at once.
Wusstest du schon
- WissenswertesAbhishek Bachchan and Rani Mukerji's 7th movie together.
- VerbindungenReferences Kabhi alvida naa kehna - Never Say Goodbye (2006)
- SoundtracksEhi Thaiyaa Motiya
Written by Swanand Kirkire
Composed by Shantanu Moitra
Performed by Rekha Bhardwaj
Courtesy of Yash Raj Music
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Der Weg einer Frau
- Drehorte
- Lucerne, Schweiz(Vibhavari and Rohan spend a day in Switzerland)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 675.102 $
- Eröffnungswochenende in den USA und in Kanada
- 320.987 $
- 14. Okt. 2007
- Weltweiter Bruttoertrag
- 9.354.562 $
- Laufzeit2 Stunden 2 Minuten
- Farbe
- Sound-Mix
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What is the Spanish language plot outline for Laaga Chunari Mein Daag: Journey of a Woman (2007)?
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