Ein Raumfahrer von der Erde des 22. Jahrhunderts - ohne Kriege, Armut und Unterdrückung - stürzt auf dem unbekannten Planeten ab. Politisch und wirtschaftlich ähnelt dieser Planet den totali... Alles lesenEin Raumfahrer von der Erde des 22. Jahrhunderts - ohne Kriege, Armut und Unterdrückung - stürzt auf dem unbekannten Planeten ab. Politisch und wirtschaftlich ähnelt dieser Planet den totalitären menschlichen Zuständen des 20.Jahrhunderts.Ein Raumfahrer von der Erde des 22. Jahrhunderts - ohne Kriege, Armut und Unterdrückung - stürzt auf dem unbekannten Planeten ab. Politisch und wirtschaftlich ähnelt dieser Planet den totalitären menschlichen Zuständen des 20.Jahrhunderts.
- Auszeichnungen
- 5 Gewinne & 8 Nominierungen insgesamt
- Rada
- (as Yuliya Snigir)
- Prokuror
- (as Fyodor Bondarchuk)
Empfohlene Bewertungen
Great visuals, great environment but still it lacks top notch acting and some things have already been seen.
As to fighting scenes, I estimate them as dead. There was almost NO real action. The usage of Bullet Time technology of matrix all fight long turned the action into slow and boring trash. The martial arts instructors should really be ashamed of this.
There is a Russian proverb: "The first pancake is laid shapeless". It is just about the film. The spectator expected to see a miracle, because a $40million worth Russian film is considered like a $400million Hollywood movie. This expectations of a common viewer were ruined. I do hope that next attempts of Russian directors and producers to catch up with Hollywood will be more successful.
The screenplay sticks to the original dialogue almost verbatim. A serious mistake in my view: the director seems to be afraid of the book fans, and doesn't dare to touch anything in the original. But the original dialogue was backed by a lot of description of internal thinking of the heroes - which cannot be shown on the screen. The result - the storyline is flat and uninteresting, instead of the intriguing and fascinating story in the book.
The actors' play is a total fiasco - except, maybe Strannik ("Strider") - but his role is relatively simple. Everybody else looks like they're reading from a phone book - which probably has to do with the fact that the dialogues were left as-is, see above.
I do appreciate the effort to create an "exoplanet" look of everyday things (cars, glasses, forks, plates, food, clothes etc). The things created would be unusable, but had the desired unusual look.
Overall, disappointing, and leaves a taste of a missed opportunity.
It struck me that ALL the film industry the way we know it is projecting nothing but visions and dreams of certain individuals, too(and sometimes these visions and images are no better than those shown in ‘Obitaemyy ostrov’). And book fiction is the same. So what’s the difference between Earth and Saraksh in terms of culture then?
And the towers are here, too. Look around – here are the TV towers and radio towers. They project these visions and dreams to the same effect as on Saraksh. Scary, isn’t it? Where are we?
On the other hand, where would the world be without this day-dreaming and wool-gathering? Do culture and a sort of hypnotic suggestion go hand in hand? How free in our minds are we really?
Sad smile.
Wusstest du schon
- WissenswertesThe symbols of the Country of Unknown Fathers are very similar to those of the Hungarian national socialist Arrow Cross Party, which is probably due to the fact that the names used on the planet of Saraksh both in the film and in the original novel are based on Hungarian-language names.
- PatzerRed armored car, which Maxim steals near the final, was designed without a door. So the crew had to cut the hatch in the tank's plating. When Guy Gaal knocks the car, it can be seen that the hatch cover is actually made of wood.
- Zitate
[first lines]
Narrator: The year 2157, the Noon of Mankind. Armed with the Great Theory of Upbringing, people have forgotten about wars, hunger and terrorism. Nature lives again. A breakthrough in medicine has set people free from illnesses, allowing them to use hidden resources of the human body. Earthlings are reclaiming distant planets. New generations have risen, for whom search in deep space is a routine matter. Young earthlings are brave, strong and naive. They think they are capable of everything.
- VerbindungenFeatured in Arkadiy Strugatskiy v Kanske (2016)
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Details
Box Office
- Budget
- 29.500.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 23.772.559 $
- Laufzeit
- 1 Std. 55 Min.(115 min)
- Farbe