Ein Raumfahrer von der Erde des 22. Jahrhunderts - ohne Kriege, Armut und Unterdrückung - stürzt auf dem unbekannten Planeten ab. Politisch und wirtschaftlich ähnelt dieser Planet den totali... Alles lesenEin Raumfahrer von der Erde des 22. Jahrhunderts - ohne Kriege, Armut und Unterdrückung - stürzt auf dem unbekannten Planeten ab. Politisch und wirtschaftlich ähnelt dieser Planet den totalitären menschlichen Zuständen des 20.Jahrhunderts.Ein Raumfahrer von der Erde des 22. Jahrhunderts - ohne Kriege, Armut und Unterdrückung - stürzt auf dem unbekannten Planeten ab. Politisch und wirtschaftlich ähnelt dieser Planet den totalitären menschlichen Zuständen des 20.Jahrhunderts.
- Auszeichnungen
- 5 Gewinne & 8 Nominierungen insgesamt
- Rada
- (as Yuliya Snigir)
- Prokuror
- (as Fyodor Bondarchuk)
Empfohlene Bewertungen
The movie is not piece of art. It really takes a lot from classic sci-fi movies (from costumes designs to city views). And directing sometimes is confusing. But the film has one strong point - the plot, original story that authors reflected rather well. Special effects are good (they were performed by American specialists), acting is not bad (dramatic acting usually is not required in sci-fi action movies). In essence, the movie is good and worth seeing. Don't take negative comments for granted.
BTW as far as I know Boris Strugaztsky (the one of two brothers who is still alive) liked the adaptation.
Let's start with what's good. First, it had an impressive budget with massive sets and computer graphics which were pretty good. The story is really interesting based on Strugatsky's sci-fi novel. That's where the good ends in my view. I quite liked the sound in the film - rich full-blown sound effects. And I didn'tthink much of the music either way - it was good enough.
Now to the bad. The script of the film I thought was terrible and jerky, with some silly dialogues and so was most of the lead actors' play - as if this was a farce - totally unrealistic and unbelievable and at times plainly bad. The camera-work was average at best and so was the editing. Then there's this kung-fu which is very fairy-tailish, with crazy jumps and blows completely copying Matrix style.
I couldn't help thinking the director wasn't very original in creating the image but made it a weird mix of visual ideas taken from other films: cars looking like they are from Total Recall and Mad Max, lead actor looking like the tanned curly blond boy from The Blue Lagoon from the 80's, let alone his bad play. One of the characters - Fank, an aide to the prosecutor (by the way. played by the director in a very unfitting for him role) - is a near- copy of Gary Oldman's character Zorg in the Fifth Element driving something of a bat- mobile. Even though the movie is filled with modern GGI, it is a weird mix of things borrowed from western movies with very Russian style of actors' play, with lots of crazy overacting, yelling (there's lots of that here) and a typical Russian cinematography of the late 80s - early 90's.
Yet, the film is quite watchable and holds together the interest till the end, albeit mainly for the big money poured into it. It's certainly worth watching for the really great sci-fi story, especially if you're a sci-fi fan and like adventure and post-apocalyptic movies. All in all, It's like a great play badly acted and badly directed on a richly decorated theatre stage. Recommended.
The only positive things was a vision of the perverse futuristic world, dark, totalitarian, rainy, muddy, technocratic, but also kind of futuristic baroque. A bit reminding me of 5th element, or Chronicles of Riddick. (Or just today.) So much more interesting plots, events, interaction could have been set in this environment.
It's 2011 ... and you want a science-fiction? Watch Aliens, Avatar, Abyss, Terminator or at least Matrix.
The movie's greatest asset is certainly the Strugatzky brothers' nuanced story about a planet corrupt to the bone and the hero's moral imperative to intervene. The story is largely treated with respect, and while I can relate to some of the criticism aimed at the movie - there are some continuity issues, the casting might not suit everyone's taste, as won't the Matrix-style kung fu - this is a well-realised sci-fi flick that's worth watching for the strength of its story alone.
Yes, Tarkovsky would have made this a different movie, and I'm surely going to watch Aleksey German's 'Hard To Be A God', but I for one didn't mind this movie's bubblegum aesthetics while pondering existential moral dilemmas.
Wusstest du schon
- WissenswertesThe symbols of the Country of Unknown Fathers are very similar to those of the Hungarian national socialist Arrow Cross Party, which is probably due to the fact that the names used on the planet of Saraksh both in the film and in the original novel are based on Hungarian-language names.
- PatzerRed armored car, which Maxim steals near the final, was designed without a door. So the crew had to cut the hatch in the tank's plating. When Guy Gaal knocks the car, it can be seen that the hatch cover is actually made of wood.
- Zitate
[first lines]
Narrator: The year 2157, the Noon of Mankind. Armed with the Great Theory of Upbringing, people have forgotten about wars, hunger and terrorism. Nature lives again. A breakthrough in medicine has set people free from illnesses, allowing them to use hidden resources of the human body. Earthlings are reclaiming distant planets. New generations have risen, for whom search in deep space is a routine matter. Young earthlings are brave, strong and naive. They think they are capable of everything.
- VerbindungenFeatured in Arkadiy Strugatskiy v Kanske (2016)
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Details
Box Office
- Budget
- 29.500.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 23.772.559 $
- Laufzeit
- 1 Std. 55 Min.(115 min)
- Farbe