Hugo Cabret

"If you've ever wondered where your dreams come from, just look around. This is where they're made."

Hugo Cabret's story was told so well that it felt like you were right there with him on his stunning adventure.

For those unfamiliar, this is the story about a young boy named Hugo. He lives inside the walls of a train station in Paris in the 1930's. His father dies, leaving behind a mysterious automaton that, when fixed, can write. Hugo makes it his mission to fix it, believing that it will reveal a message from his father. With the help of an eccentric girl named Isabelle, he tries to uncover a magical mystery about the old man at the toy booth (Isabelle's godfather) and enchanting early films.

I had been looking forward to this film for a very long time, and I was not disappointed at all. I was a bit unsure about the 3D at first, but it turned out to be superb. Every single object became part of the story, and the audience became immersed in this beautiful world created by Martin Scorsese and Brian Selznick. While every member of the cast was brilliant, there are two in particular I'd like to point out.

First, Asa Butterfield as Hugo. He carried the film with perfection and gave a truly incredible performance. His acting was very natural--you could hardly tell he was acting! He did an amazing job of bringing life to a complex, lost, sad character. Asa is one of the most talented young actors I've ever seen; a very likely Oscar nomination in his future.

Last (but certainly not least) is Chloe Grace Moretz. She is another young performer that never fails to amaze me. Chloe nailed the British accent and brilliantly portrayed a bright, energetic Isabelle.

This movie has it all: beautiful visuals, super-talented cast, magic, love, heart, feeling, emotion. Best Picture Nomination for sure, and quite possibly others. Overall, this movie is a must-see. It was the most enjoyable theater experience that I've ever had. The entire theater broke into applause once it ended. This film has something for all ages, and it's really something special.

Especially if you love adventure, mystery, wonder, and have a bright imagination, you will fall in love with this film just like I did.

"Come and dream with me."

I watched this movie without any expectations and with an open mind. I thought it started off kind of slow but once you realise what the story is about, you really enjoy it. Having been a film student, I particularly liked where the story was going. I watched a great number of Georges Méliès movies during my studies.

Hugo has great cinematography and I loved the themes of insecurity and doubt and the idea that creative people sometimes need a push in the back from someone else in order to realise what they're worth. Hugo is a very original story, although it does not always feel very coherent. I remember being left with a feeling that some questions were left unanswered and some details didn't quite add up if you really thought about them.

Hugo had a Frenglish steam-punk feel to it that generally doesn't really appeal to me but that often surprises me in a good way (a bit like the professor Layton games). I would certainly recommend this movie.

Like many, I suspect, I went into this film ready to be dazzled by the cinematography and a rare, nice clean story by Director Martin Scorcese. I wasn't disappointed although I found the story lagging in a few brief spots. Cutting the film another 10 minutes might have solved that. Having said that, though, a month later I'm all ready to view it again!

To me, the most interesting and amazing scenes were not involving the two young main characters and the railroad station, but the ones in the last 30-or-so minutes which dealt with very early films and how they made them. It was incredibly colorful and an education to film buffs everywhere. Anyone who loves movies and appreciates the history of the art should love the last part of this story.

Meanwhile, the bulk of the story still offers many great sights and sounds and I have no quibbles with any of the actors. Youngsters Asa Butterfield ("Hugo") and Cholë Grace Moretz ("Isabelle") were both about 13 when they made this and seem to have good careers ahead of them. I didn't recognize Sacha Baron Cohen as the station inspector. He was great in that role. As for Ben Kingsley, when is he ever bland?

This is one of those "family films" that can be enjoyed just as much - and probably more - by adults. I wish Scorcese would make more of this kind of material.

Saw it today in a sneak preview today at the Director's Guild in LA. James Cameron who was there professed it's a masterpiece and the best 3D to date. And he's right on both fronts. The film is exquisitely crafted. The cinematography and set design is likely going to take home a couple gold guys. It's a film lover's dream movie. As with many of Scorsese's films, it's an inspired film history lesson along side of being a dreamlike children's fable. A really unique combination that will work for the film enthusiasts and discerning family's with kids. Maybe a bit long for broad audiences with very little kids, but the images are so enchanting, it should win over most everybody. Sasha Baron Cohen is a brilliant and hilarious standout as the twitchy constable. It should be very well received just on the 3D alone.

Martin Scorsese's HUGO is a family movie that will probably only cater to a niche crowd: people who appreciate movies as art (e.g. cinema snobs, though I use the term endearingly). I'm not saying it won't appeal to the general masses. It's still an interesting story, wonderfully acted, and packed with talent both in front of and behind the camera. But let's face it: this isn't your average movie, it's a love letter. Scorsese has been a vocal supporter of restoring old movies in hopes they'll be saved from oblivion (rightfully so) and this movie, based on a children's book by Brian Selznick, is his method of beautifully pleading his case before millions of people who've probably refuse to watch black and white movies on the basis that they're, you know, black and white (yes, I know those sorts of people). HUGO is a film meant to bring out attention to the movies long-forgotten and remind us of the magic behind them, told through the adventure of a young boy named Hugo Cabret. Hugo is an orphan whose father died in a museum fire, and he lives behind the walls of a Parisian train station. When he's not busy with his job of keeping the station clocks ticking, Hugo spends his time repairing an old automaton his father rescued from museum storage. An encounter with a curmudgeonly toy store owner and his granddaughter Isabelle will send Hugo on a journey to repair the automaton and discover its long-hidden secrets.

As I mentioned, this movie will only really appeal to certain people. Scorsese fans might be put off by the fact that this film is a family-friendly adventure; it doesn't exactly fall in line with Scorsese's usual subject matter. The family crowds will probably enjoy it, but younger children will likely be put off by it's slow pacing and lack of excitement. It's not so much an adventure as a journey of discovery, and little kids might not find themselves too involved in the story. My own daughter (4, going on 5) gave it an honest try when we sat down to watch it and made it 40 minutes or so before she fell asleep. Unfortunately, HUGO will probably be one of those films that fades into the background (if it hasn't already) and find most of it's loving coming from the film school crowds. The movie incorporates a loose interpretation of the life of Georges Méliès, a stage magician and an early innovator in world of cinema who realized the potential for the new medium of storytelling. At a time when most "movies" were just real-world situations recorded to celluloid (such as the famous train pulling into the station), Méliès created fantastic stories and mythical tales to entertain, filling his films with special effects and dramatic costuming. The movie focuses on the fact that so many of Méliès' films were lost over time and the tragedy of these classics from one of the earliest, most important filmmakers, ceasing to exist.

Scorsese makes his message perfectly clear in the final half of the movie, which happened to be my favorite part of the film. Ben Kingsley is Papa Georges (Méliès) and, in the film, he is a defeated man who mourns the death of his legacy following World War I. Kingsley is perfect here and the highlight of the movie. The children in the film, Asa Butterfield and Chloë Moretz, do a serviceable job but, as is usually the case with younger actors, their performances come off as forced and wooden most times. Even Moretz, who's performances I freakin' loved in KICK-ASS, doesn't feel real here. Maybe it's just that Scorsese isn't accustomed to working with younger talent and wasn't able to bring out the best in them, but it's a shame because the two of them are the key players in the movie. There's a handful of other minor roles filling out the film with talent: Christopher Lee, Ray Winstone, Jude Law, etc. My favorite would probably be Sascha Baron Cohen (yes, Borat) as the station inspector. With his Doberman patrolling by his side and the frame providing support for his bum leg, he was almost cartoonish. I loved him, and he was more than capable of toning down his usual eccentricity. HUGO is a movie with a lot to love, even more if you're a cinema snob. I really enjoyed it, but a slow first act and weak performances from the kids mean it's far from perfect. HUGO has my full recommendation for anyone who might want a glimpse into world of a true film-lover.