Fair Game - Nichts ist gefährlicher als die Wahrheit

Fair Game follows in the tradition of All The President's Men as presenting a probing look into an important political issue in the form of a crackling thriller. Director Doug Liman uses his Bourne Identity/Mr & Mrs Smith skills to move the true story of exposure of Valerie Plame (Naomi Watts), the wife of US senator Joe Wilson (Sean Penn), as a CIA undercover agent by the Bush Administration at breakneck speed. Plame's research based on her contacts in Iraq had put serious doubts on the existence of WMD in Iraq, which was not in line with White House's view point. They thus considered her "fair game" for discrediting and public exposure. Fair Game is fascinating for all those interested in the mechanism of power and use/abuse of it; and is also a riveting piece of film making. In my view it's Liman's best film to date.

Those were the words of Valerie Plame's superior right before he fired her. It doesn't matter who you are or what you do. If you cross paths with the most powerful people in the world: you get broken in half. It's that simple. Fair Game is my kind of movie: real characters, real people, real events. This movie confirms everything I already knew or suspected, but this is powerful stuff. If you ever felt overwhelmed or helpless: try these guy's shoes for a week in that awful period between 2003 and 2005.

Hollywood is getting out of it's shell after the 2000-2008 period in which the Hawk's reintroduced a period of McCarthyism. Hollywood became a propaganda machine for Bush: 'Support the troops, don't you love America?' I still see the images of the speech at the Oscars Michael Moore gave: "Shame on you Mr. President". The room booed and cheered at the same time, but the front row with every A-list actor you can think of, sat quiet and didn't move. They said nothing. Joseph Wilson and Valerie Plame did not stay quiet. It's hard to comprehend that these events didn't happen 50 years ago. They happened less than 10 years ago. The White House created a smokescreen that very few people could see through. Those who did were outnumbered and slaughtered. Thank God for the educational purposes of cinema.

The Green Zone, Body of Lies and such are movies which tried to point out the errors in foreign policies, but Fair Game says it out loud: they wanted a war and the would stop at nothing to get it. Destroy anything or anyone who gets in the way. Most members of that White House got a slap on the wrist and are now giving $100.000 lectures.

Doug Liman has made his best movie yet. He has now made my list of accomplished directors. It's topnotch on a technical level and at a dramatic level. Liman leaves out any information the viewer knows or should be able to piece together for themselves. The script got me from start to finish. So did the actors.

No, there not much wrong with this movie. That's why it pains me that it bombed at the box-office. These kinda movies should be celebrated for their courage. But no, movies like Inception get all the attention. And nobody cares over hundreds of thousands civilians died because of the Iraq-war.

An outrageous act that the perpetrators managed to get away with it, in fact this particular perpetrators got away with more than anyone in recent history. Scooter Libby, guilty as hell himself became the protective shield of the Vice President. We all know that, so how is it possible that nothing has been done about it? Joe Wilson and Valerie Plane are the attractive protagonists of this thriller that looks and feels like a work of fiction. They are played by the wonderful Sean Penn and Naomi Watts, although the hand held camera and the digital thing worked against them, She looks as if suffering from some kind of skin ailment. David Andrews is great as Scooter Libby. Horrid. The director, however, should have been the Costa Gavras of "Z" or "State Of Siege" Fair Game doesn't go deep enough. If you don't know about it, you'll be very confused and won't be as outraged as one should be. I followed the outraged as it played on the Cable News networks, in the papers and on line, that's why I wanted more from the film but I'm glad it was made and I hope it tickles the curiosity of the naturally indifferent to awaken a truly patriotic sense of disgust.

In retrospect, the George "Dubyah" Bush administration seems to have been more incompetent than evil, but this movie holds the Bushies to account for what was a completely malicious and unjustified act, the outing of the covert CIA operative Valerie Plame, which put numerous undercover operations and informants at risk, solely because her husband former Ambassador Joe Wilson IV had the temerity to dissent publicly from the White House line that the Iraqi dictator Saddam Hussein had tried to buy uranium from Niger for bomb-making purposes. It is also evident that the CIA's soundly based advice that Saddam's bomb-making activities had ceased after the first Gulf War in 1991 was studiously ignored by the White House in the run-up to the invasion of Iraq in 2003.

The actual leaker, Deputy Secretary of State Richard Armitage got away scot-free, a crucial matter not discussed in the film , but "Scooter" Libby, Vice President Chaney's chief of staff carried the can and nearly spent 30 months inside for lying to investigators before being pardoned by the President. The film focuses on Libby and implies he was the leaker, acting with the knowledge of Karl Rove, the man who described Valerie Plame as "fair game", and Vice President Cheney.

Director Doug Liman is best known as a producer of thrillers ("Bourne Ultimation" etc) but here he and the Butterworths (Jez and John Henry) as scriptwriters have focused not only on the political intrigue but also the effect the Bushies' bastardry had on Joe and Valerie's personal lives. This gives some great acting possibilities to Sean Penn as Joe and our very own Naomi Watts as Valerie, and they both rise to the occasion, although Sean Penn might be a little self-righteous for some tastes. The personal impact aside, what the leakers did was a good deal worse than anything Julian Assange has done, and it is ironic that some of the conservative commentators who tried to discredit Joe and Valerie are now in the front line of those attacking the Wikileaks founder.

Regardless of the politics, this movie is entertaining enough to pass the watch test despite some dodgy hand-held photography. Near the end Valerie has a meeting with a very senior CIA officer glimpsed earlier, on a park bench in front of the White House. This man, played by Bruce McGill, bears a remarkable physical resemblance to the then director of the CIA, George Tenet. He warns her that she and Joe are up against the most powerful men in the world and asks her to stay silent for the sake of the agency. Valerie points out the agency won't even give her family any protection against death threats, to which Tenet, if that's who it's meant to be, merely shrugs his shoulders. What are the film makers trying to say here - that the agency doesn't look after its own?

Both Joe Wilson and Valerie Plame were patriots and, I believe, from Republican backgrounds. This did not bother the leakers who clearly couldn't care less who they hurt in the propaganda battle over the Iraqi invasion they were determined to launch. This film is based on two books by Joe and Valerie so I suppose it is a somewhat partisan account. Nevertheless it is hard to imagine a film treatment justifying what was done to them. George Bush in his memoirs mentions the Libby pardon issue but is otherwise silent on who did what. Never mind, his place in history as one of the lesser presidents is assured.

From the opening scene in Malaysia to the mines of Niger and then to the streets of Baghdad, "Fair Game" begins as an espionage thriller, a "Bourne" film without the obligatory car chases, shootouts and fights, but rather, with a woman who uses her brains and intellect.

Once the film shifts its focus back in the United States of America, the film takes a slight turn to the dramatic route and thus may seem melodramatic with this married people's lives being tinkered with and with no one but each other to help them. Having said that, "Fair Game" (no, not that dreadful Cindy Crawford/William Baldwin cheeseball) is a remarkably well-crafted political thriller that is driven home with outstanding, terrific performances by both Naomi Watts and especially Sean Penn.

Whether you believe the many questions posed in the film are truth or merely lies (whether the agency really did take that drastic measure to cover up what the government did not want to hear to prevent the war... or is this all propaganda from the start?), I really can't say, because this happened in another country far away from my home, so I have no right to say whose side I'm on.

Watts plays CIA agent Valerie Plame whose cover gets blown and who gets blamed for the leak of wrong information to the White House, who uses said information to invade Iraq. Is this all true? Suppose it is, given that the news footage of both at-the-time President Bush and Vice President Cheney look strikingly foreshadowing when compared to the events in the movie - this is meant to provoke outrage at the government's so-called "ignorance and stupidity" so they say, so what? I'm not saying anything to make myself sound like I'm on the wrong line, nor am I saying anything to disprove the film's "facts" either. I'm just stating that this is a great drama, no matter what you believe.

See, the thing with drama is that fact can and will be fictionalized so that it may be accepted easily by the ever-interested audience. "Fair Game" may be slow-paced and devoid of action sequences ala Doug Liman's previous blockbuster efforts, but here not a moment lost my interest, even the dramatic ones between Watts and Penn, as they ignite the screen with fiery performances, as this political scandal isn't only affecting their jobs and their reputations, it's also affecting their love life. And it's crumbling as things go from bad to worse in this film.

Watts is superb in this film. In the beginning she acts very convincingly as a strong, determined, iron-willed woman, mother, and wife who is very confident about herself and not willing to push into any demand that comes at her way. Later after the scandal is spread she slowly but surely devolves into a woman that is filling with desperation and fear, until she nearly loses control of her downward spiral. Ditto with Sean Penn here. He is absolutely mesmerizing, as always, as Plame's husband Ambassador Joe Wilson. Soft spoken and charming when he needs to, but when he's angry he makes everyone feel the rage without becoming too overdone. Wilson as portrayed by Penn is a character who's not about to let this scandal get in the way of his family, so he decides to clear his and his wife's name by using the media and criticizing the government. Of course, his wife isn't happy about this and it causes more tension between them. Penn and Watts show terrific chemistry together that hasn't been lost since "21 Grams" and both of them vividly portray not politicians trying to get the truth, but rather more of a family trying to pull themselves together. So it's not entirely an espionage thriller like this film was sadly marketed as. The supporting actors are also great in their own right.

This film does pose a lot of questions that make one think during the movie about the purpose and cause of the Iraq war, the invasion and more importantly, the power and impact the US government has on their own people and the various ways they can abuse it on them to get whatever they want. And this is proved with the decaying lives of Plame and Wilson from American citizens to branded traitors. You can't imagine how they really felt, but Penn and Watts come really, REALLY close to it.

The film has it's flaws, though. The pacing could be a little bit tighter and the dialog in Iraq doesn't sound genuinely Iraqi. However, Doug Liman's direction is enough to keep the tension gripping and the film focused on the characters and not just glimpses of the war and scandal themselves. John Powell's music score is refreshingly low-key and it suits the dramatic mood of the film even better. Liman's cinematography (pulling a double duty here) is nicely framed without excessive style to it, making it simple, easy to watch, and gripping. Editing is fluid and the screenplay is written very well with equal amounts of intelligence and emotions.

In short, this is a superbly fine drama of the lives of the people in the limelight of this political scandal, with terrific performances and strong direction worthy of a theater ticket. Go see this movie and savor the performances and the question of the US government on its own people.

I find it strangely coincidental that the filmmakers from the "Jason Bourne" series both released movies this year that criticize the Bush administration. Doug Liman made this film, while Paul Greengrass made the slightly superior "Green Zone" and even managed to bring star Matt Damon with him. Composer John Powell scored both films. You can think of this movie as a companion piece to "Green Zone", hell, you can imagine the events in both movies happening at the same time. Now THAT would be a wicked idea.

Overall rating: 80/100