Der Vorleser

Kate Winslet is just outstanding in this very interesting film that is almost two stories-in-one. The first part is a sexual story of an older woman having affairs with a teenage boy and the second part is her war crimes tale and what happens afterward. The first is a somewhat happy jaunt of a short story and the second is a very serious and depressing story. That's where Winslet really shines. Obviously, she's developed into an an outstanding actress.

The second part is what most people, I assume, will remember about this film. Can "Hanna Schmitz," a Nazi employee (so to speak), who was part of concentration camps, be a sympathetic character? To me, that's what it looked like that's the question the story was asking. The answer may have come in the final minutes of the movie when her ex-lover "Michael Berg," now grown up and played by Ralph Fiennes, confronts a survivor of the camp. That, too, was very intense and interesting scene. Lena Olin is riveting as "Rose/Illana Mather."

"The Reader" was full of quiet, but intense scenes. This is a very thought-provoking film, especially for one that doesn't start off that way but look almost like some soft-porn flick to get our attention. It is anything but that.

For Germans, this film must bring out many emotions and thoughts. Guilt and forgiveness are just two of the issues that are dealt with in this unique film. "Hanna Schmitz" turns out to be an incredibly simple-yet-complex person, unlike any I've encountered on film in a long time. You see her in all kinds of light, both good and bad.

Kudos, too, to David Kross' acting as the young Michael Berg. It must be strange for someone his age (barely turned 18) to do the scenes he did with 30-something Winslet.

Overall, a very different and excellent film that stays with you and makes you ponder its main characters.

Very well acted and presented and a faithful representation of the main points of the novel on which it is based. This film encourages us to look closely at very difficult issues surrounding the atrocities of World War II. I am at a loss to understand why so many critics have been so damning of it. Perhaps it is too subtle for them to understand. It seeks to outlaw the false and intellectually lazy theory to explain the holocaust, namely that the horrors were committed by monsters. In its place we are offered contextualization, not as excuse but as explanation of how quite ordinary people were able to do extraordinarily dreadful things. We avoid these uncomfortable facts at our peril.

Kate Winslet, I absolutely adore her, she's my favorite actress of all time. I still can't believe that she hadn't won an Oscar, her first nomination was in 1995 with Sense and Sensibility. Finally after 14 long years, she finally won the coveted award with the movie The Reader. I finally was able to see this movie the other day and it blew me away, I'm still debating if this really was my favorite Kate Winslet performance, but once again with a strong cast telling a powerful story, The Reader was definitely one of the best films out of 2008. So many holocaust films have been made, it's hard to make another that stands out, but we really haven't had a story where the Nazi guards were on trial. A lot of people debate if this movie is trying too hard to push sympathy on Kate Winslet's character, but my love for this film is to just show that they were human as well, hard to believe, but that our mothers, sisters, friends, whoever could have done something so shameful.

Michael Berg in 1995 Berlin watches an S-Bahn pass by, flashing back to a tram in 1958 Neustadt. A teenage Michael gets off because he is feeling sick and wanders around the streets afterwards, finally pausing in the entryway of a nearby apartment building where he vomits. Hanna Schmitz, the tram conductor, comes in and assists him in returning home. The 36 year old Hanna seduces and begins an affair with the 15 year old boy. During their liaisons, at her apartment, he reads to her literary works he is studying. After a bicycling trip, Hanna learns she is being promoted to a clerical job at the tram company. She abruptly moves without leaving a trace. The adult Michael, a lawyer, at Heidelberg University law school in 1966. As part of a special seminar taught by Professor Rohl, a camp survivor, he observes a trial of several women who were accused of letting 300 Jewish women die in a burning church when they were SS guards on the death march following the 1944 evacuation of Auschwitz. Hanna is one of the defendants. Stunned, Michael visits a former camp himself. The trial divides the seminar, with one student angrily saying there is nothing to be learned from it other than that evil acts occurred and that the older generation of Germans should kill themselves for their failure to act then. But Michael is conflicted on what to do, if to speak out on Hannah's behalf on some of her innocence in the murders or keep quiet.

This is one of the most powerful movies I have ever seen, it was so incredible and just heart breaking. One of the things I respected about the film was the way they handled the awkward "love story" between Michael and Hannah, she's older, he's younger, but it's not even a perverted thing, so strange to say that. I don't know how to put it exactly, but their connection was real and in some sense they both needed each other. If you have the chance to see this movie, I seriously suggest that you take it, the powerful performances really make this film captivating. The story is so heart wrenching and painful, but was told so well. Kate now finally has the award she's deserved for so long and pulls in a terrific performance with The Reader.

10/10

Directed by Stephen Daldry and written by David Hare, "The Reader" is a thought-provoking and surprising drama that takes the viewer in several different directions. Though some reviewers on this site are critical of Daldry and the film, in lesser hands, "The Reader" would be a total, erratic mess.

The story is told in flashback as the adult Michael Berg (Ralph Fiennes) remembers his youth. As a 15-year-old boy, the young Michael (David Kross) has his first forays into sex with an older woman, Hanna Schmitz (Kate Winslet) in 1958 Berlin. She helps him when he winds up on her doorstep, ill with scarlet fever; he returns to thank her when he's well. The two enter into a sexual relationship. As part of their time together, Hanna has Michael read to her. One day, Hanna simply disappears. The next time Michael sees her is in 1966, when he is a law student in Heidelberg and his class travels to watch a trial. It is then he realizes not one secret that Hanna carried with her, but two.

"The Reader" is, above all, a very human story of real, conflicted human beings, and the brilliant performances reflect this. David Kross is exceptional as the young Michael, in the throes of first, blinding passion, who, in the face of the truth about the woman he loved, endeavors to understand her nonetheless. Kate Winslet is magnificent, and that's the only word for her. Hardened by life and her unsentimental and uncompromising view of the world, she is cut off from people due to a secret she considers shameful. With Michael she allows herself some softness, and gives in to not only passion but emotion, sobbing when Michael reads a sad story to her. Winslet shows us all of this, her need to connect with someone, and her strict view of life. Ralph Fiennes turns in another excellent performance; Michael's world and his own isolation were shaped by Hanna. As an adult, he still grapples with a decision he made and his own guilt; he still tries to understand not only her but how he could love her, and in the midst of all of these complex emotions, he believes he owes her something. He ends up giving her the greatest gift he could - her dignity.

As with "Dead Man Walking," there is more to a person than his or her actions, reprehensible though they may be. We are not, after all, what we do but who we are. While some crimes are unforgivable, there is, shockingly, at times a connection with the perpetrator that allows us to see the person and extend a consideration that person never gave another. Thus murderers have loving parents and family, and someone who showed inhumanity to others has a little humanity shown them.

A very remarkable story.

Before I start reviewing, let me say something personal: As a German, one can hardly watch movies about the Holocaust, WWII or any related topic unbiased. As I have discovered myself, no German family is without a history related to the Third Reich, almost none are without grave guilt, or at least the fear thereof, and most who say otherwise either lie knowingly, or simply try to evade further inquiry.

Reading some of the other reviews, I realized that for me, the movie conveyed something slightly, but decisively different: It is not so much about understanding HOW people could ever do the things they did, but rather how it is possible, that people we love, and people that have been loved by people we love could be so guilty and so loving, so despicable and lovable at the same time. It is about how we expect the guilt to show up somehow, how we expect to know the killer, the monster, at first sight and say: how could anyone not have seen it? Yet we have to admit sooner or later, that we were wrong, or were we? The question really is: How could I have ever loved someone who did things as horrible and disgusting as Hannah did? And just as much: If I am unmerciful now, having learned of their guilt, is it because they did what they did, or because they disappointed my own belief in their innocence?

At one point, Hanna Schmitz asks the judge: "What would you have done?", and I think that therein lies an even more disturbing and unsettling question: What would I have done? What would you have done? How can anyone know for sure what WE would done? It is too easy to think of oneself as morally sound, with a firm belief in what is right and wrong. It's what Germans call the "mercy of late birth" - the luxury of not having been in the position to make that choice.

So, what made this movie worth giving the full 10 points out of 10? It is well-crafted, well-played, believable, at times even beautiful. It captures both the fascination Michael feels with Hannah, and his disbelief, even disgust while exploring the ugly truth about her past. It conveys the struggle between our compassion and the reluctance to show mercy against the ones who did not. It leaves the viewer with the same, disturbing questions that have not been answered sufficiently in the past 60 years (nor will they ever be). It does not provide simple answers, but rather raises more questions, left to be unanswered. As Lena Olin's Character says: "If you want Catharsis, go to the theater!"

Other than providing beautiful, well-toned cinematography, a well-written script, love of detail and convincing performances even by the supporting cast - what more can you expect from a truly great movie?