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4,7/10
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Füge eine Handlung in deiner Sprache hinzuA shy, stuttering professor brings Aleister Crowley back to life.A shy, stuttering professor brings Aleister Crowley back to life.A shy, stuttering professor brings Aleister Crowley back to life.
Terence Bayler
- Professor Brent
- (as Terrence Bayler)
Geoffrey Breton
- Young Symonds
- (as Geoff Breton)
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On the whole I like this movie because its about the only film I know that deals with Alaistor Crowley - an incredible man who is long overdue for a major film of his life. Unfortunately the makers of this film go for the easy option and make Crowley into a right evil sod..........killing people whenever it takes his fancy.........all in pursuit of the "chemical wedding".
Now in reality Crowley sounds like he was a man to be feared and avoided but he didn't go around killing people - despite all the newspaper garbage of the time about him being the most wicked man in the world, etc, etc. Why the makers chose this approach to an interesting subject is anybody's guess - but it probably comes down to box-office! Dress up Crowley as the occult's answer to Hannibal Lector and it will ring up megabucks at the box-office........or at least the makers hope! However despite those reservations its still quite an unusual film and well worth seeing - even if its just for Simon Callows marvellous OTT turn as Crowley. But as I've indicated the definitive film on the Great Beast is still to be made. Lets hope British film-makers do it before Hollywood does!
Now in reality Crowley sounds like he was a man to be feared and avoided but he didn't go around killing people - despite all the newspaper garbage of the time about him being the most wicked man in the world, etc, etc. Why the makers chose this approach to an interesting subject is anybody's guess - but it probably comes down to box-office! Dress up Crowley as the occult's answer to Hannibal Lector and it will ring up megabucks at the box-office........or at least the makers hope! However despite those reservations its still quite an unusual film and well worth seeing - even if its just for Simon Callows marvellous OTT turn as Crowley. But as I've indicated the definitive film on the Great Beast is still to be made. Lets hope British film-makers do it before Hollywood does!
"To pee or not to pee?" Aleister Crowley, infamous British occultist who liked to be called The Beast 666, was something of a boyhood hero of mine, I read numerous books and articles about his fascinating life and beliefs. This movie starts off in his final year of 1947, two young scholars drive a vintage car to the residential home where he spent his final days. Those road markings look awfully modern, oh dear! Move on 43 or 50 years into the future (different websites give different years but I can't be bothered to re-watch the film to find out. What I do know is that there are some cars shown that wouldn't have been built yet!). An experiment about virtual reality takes place at Trinity College, Cambridge, and Crowley is reincarnated, taking the place of a Prof Haddo. It's a fairly interesting and ambitious idea but it is also very confusing which in my opinion ultimately fails. Simon Callow plays both Crowley and Haddo. He is a lot of fun to watch as The Beast but his Haddo character is quietly spoken and has a bad - in more ways than one - stutter, which I found annoying. Crowley is actually played by two actors, the other one being John Shrapnel, I don't know why. Fans of Iron Maiden may be drawn to this film because it was part written by frontman Bruce Dickinson. He also plays a couple of small parts and the soundtrack features a few Maiden tracks - plus George Formby! In the DVD extras he and director Julian Doyle explain that they didn't have the budget to do a period film about Crowley, hence the idea of saving money by bringing him to the modern day. Fair enough. Crowley liked to shock and he used a lot of sex in his magick. Rated BBFC 18 the movie features a great deal of swearing and sexual language, nudity, drug taking and some violence. Those with weak stomachs may not like the bodily fluids of urine, semen and excrement on display (all fake). Callow gives good value playing Crowley but this is a million miles from being a biographic account of the man. Chemical Wedding is a curiosity of science fiction, horror and magick, if you are curious about the real Crowley then I would suggest reading something like "The Great Beast" by John Symonds. For me this film proved to be a mixed bag, Crowley himself was entertaining but the plot was silly, some of the acting was poor and after 107 minutes I'd had enough.
AKA: Chemical Wedding
Rating: 3 out of 5
Genre: Horror, Science Fiction, Occult
Director: Julian Doyle
Stars: Robert Ashby, Jared Ashe, Terence Bayler, Antonia Beamish, Esmé Bianco, Geoff Breton, Simon Callow, Jud Charlton, Lucy Cudden, Lily Dumont, Richard Franklin
Synopsis: At an English academy the most powerful computer in the world is used to perform time sensitive experiments. When an experiment goes awry and the spirit of Aleister Crowley inhabits a professor participating in the experiment.
Thoughts: I could explain the plot but I can't really do it justice. The detailed script written by the director and Bruce Dickinson (from the metal legends Iron Maiden) is pretty good with you enough twisted Crowley debauchery to keep you engaged. The first thirty or so minutes are a bit slow so hang in. As you can guess a horror film that borrows from the depraved life of the "Wickedest Man in the World" gives you such perverted pleasures as orgies and canning. The script does get a bit bogged down in the final act when its more lofty, SciFi conventions kick in but hey it delivers the weird goods.
In Conclusion: Yup we get treated to Iron Maiden and Dickinson tunes throughout the film. Not enough but that's just me. Say didn't the mighty Bruce become a born-again Christian? An odd choice and subject for a horror movie I believe.
Rating: 3 out of 5
Genre: Horror, Science Fiction, Occult
Director: Julian Doyle
Stars: Robert Ashby, Jared Ashe, Terence Bayler, Antonia Beamish, Esmé Bianco, Geoff Breton, Simon Callow, Jud Charlton, Lucy Cudden, Lily Dumont, Richard Franklin
Synopsis: At an English academy the most powerful computer in the world is used to perform time sensitive experiments. When an experiment goes awry and the spirit of Aleister Crowley inhabits a professor participating in the experiment.
Thoughts: I could explain the plot but I can't really do it justice. The detailed script written by the director and Bruce Dickinson (from the metal legends Iron Maiden) is pretty good with you enough twisted Crowley debauchery to keep you engaged. The first thirty or so minutes are a bit slow so hang in. As you can guess a horror film that borrows from the depraved life of the "Wickedest Man in the World" gives you such perverted pleasures as orgies and canning. The script does get a bit bogged down in the final act when its more lofty, SciFi conventions kick in but hey it delivers the weird goods.
In Conclusion: Yup we get treated to Iron Maiden and Dickinson tunes throughout the film. Not enough but that's just me. Say didn't the mighty Bruce become a born-again Christian? An odd choice and subject for a horror movie I believe.
Aleister Crowley, one of the greatest of the magicians, is dead. But what if someone were to synthesize his essence in a computer program, and import it into the human mind... could Crowley be reborn, or at least simulated? England is about to find out, thanks to a program called Z93. As one might expect from Crowley (and Iron Maiden's Bruce Dickinson), chaos ensues.
My background on this film was mixed. I had heard largely unkind things said about it, including suggestions that it wasn't even worth viewing. As for the subject matter, my knowledge is relatively minimal. I've never been an Iron Maiden fan, and although I have read Crowley's "Diary of a Drug Fiend", that is more or less the extent of my awareness of him. I do, however, know a bit about Eliphas Levi, who is referenced in the film.
Despite the rash of bad reviews this film received, I have to say I thoroughly enjoyed it beginning to end. I found the idea very clever and original, Simon Callow's portrayal of Crowley to be flawless (especially playing two diverse characters), and the film's pushing of the limits to be a welcome surprise. I've seen the limits of violence pushed, but rarely in horror do we see sexual magick pursued with such graphic imagery. One scene involving a fax machine is particularly interesting. The images in general are vivid and alluring. Director Julian Doyle knows how to get his vision on film and does it here.
Besides Callow, the other performances are also top notch. The professors and the female lead are superb. The lead in particular was both sexy and graceful and had all the skills of a seasoned actress. I am not familiar with her work, but if we see her more often, this wouldn't be a surprise at all and may be a pleasant addition to the list of recurring actresses working in cinema today.
I had two minor concerns. First, why is getting a photo of Crowley so hard? One of the subplots involves the school's newspaper looking for a photo and they either never find one or fail to for several scenes. The film takes place in 2000, so the Internet should be available, and even without it, any occult book should have one of the more common photos (such as with Crowley wearing the pyramid on his head). Also, maybe it's me (it's probably me), but I found Mathers and Victor to be confusing. Once Victor gets scarred, there's no problem, but before that I wasn't always clear which one was on screen. Am I alone on this?
I encourage you to see "Crowley" as soon as you can. I find more and more often the few enjoyable films I view are re-issues of classic or forgotten titles, usually foreign. "Crowley" departs from that, breaking the mold... it may just be the first good horror film of 2009 (excluding re-issues). And based on what I'm seeing on the horizon, it will likely not have much competition.
My background on this film was mixed. I had heard largely unkind things said about it, including suggestions that it wasn't even worth viewing. As for the subject matter, my knowledge is relatively minimal. I've never been an Iron Maiden fan, and although I have read Crowley's "Diary of a Drug Fiend", that is more or less the extent of my awareness of him. I do, however, know a bit about Eliphas Levi, who is referenced in the film.
Despite the rash of bad reviews this film received, I have to say I thoroughly enjoyed it beginning to end. I found the idea very clever and original, Simon Callow's portrayal of Crowley to be flawless (especially playing two diverse characters), and the film's pushing of the limits to be a welcome surprise. I've seen the limits of violence pushed, but rarely in horror do we see sexual magick pursued with such graphic imagery. One scene involving a fax machine is particularly interesting. The images in general are vivid and alluring. Director Julian Doyle knows how to get his vision on film and does it here.
Besides Callow, the other performances are also top notch. The professors and the female lead are superb. The lead in particular was both sexy and graceful and had all the skills of a seasoned actress. I am not familiar with her work, but if we see her more often, this wouldn't be a surprise at all and may be a pleasant addition to the list of recurring actresses working in cinema today.
I had two minor concerns. First, why is getting a photo of Crowley so hard? One of the subplots involves the school's newspaper looking for a photo and they either never find one or fail to for several scenes. The film takes place in 2000, so the Internet should be available, and even without it, any occult book should have one of the more common photos (such as with Crowley wearing the pyramid on his head). Also, maybe it's me (it's probably me), but I found Mathers and Victor to be confusing. Once Victor gets scarred, there's no problem, but before that I wasn't always clear which one was on screen. Am I alone on this?
I encourage you to see "Crowley" as soon as you can. I find more and more often the few enjoyable films I view are re-issues of classic or forgotten titles, usually foreign. "Crowley" departs from that, breaking the mold... it may just be the first good horror film of 2009 (excluding re-issues). And based on what I'm seeing on the horizon, it will likely not have much competition.
I want to like this movie more as it is connected to Bruce Dickinson.
I liked the concept and the basic story structure enough to make up for the massive flaws in this movie. I thought at times the movie was more gratuitous than it needed to be for no good reason... and I hate to say it, but the music was done poorly. That's not to say I don't like it, but that there were points in the movie where dialogue was impossible to understand because the music was louder. I also got confused at the end, but to be fair it's probably because the copy I watched was scratched during about three minutes- right at the climax of the movie.
I thought it was interesting though. The plot was well thought-out even if it was a bit scrunched. I liked all the references to occultism and quantum physics. If Bruce Dickinson writes another movie, I'll watch it... but I'll hope for better next time.
I liked the concept and the basic story structure enough to make up for the massive flaws in this movie. I thought at times the movie was more gratuitous than it needed to be for no good reason... and I hate to say it, but the music was done poorly. That's not to say I don't like it, but that there were points in the movie where dialogue was impossible to understand because the music was louder. I also got confused at the end, but to be fair it's probably because the copy I watched was scratched during about three minutes- right at the climax of the movie.
I thought it was interesting though. The plot was well thought-out even if it was a bit scrunched. I liked all the references to occultism and quantum physics. If Bruce Dickinson writes another movie, I'll watch it... but I'll hope for better next time.
Wusstest du schon
- WissenswertesChristina Chong and Gemma Hiles's debut.
- PatzerHaddo states that both Jesus and Samson from the Bible were Nazarenes. Though Jesus was a Nazarene (a person from Nazareth), Samson was a nazarite, which is a person who has taken certain vows in early Judaism.
- Zitate
Haddo: Why do you not take my laws seriously?
Victor Nuberg: YOUR laws?
Haddo: "Do what thou wilt. Love is the law, love under will."
Victor Nuberg: Who is it you think you are?
Haddo: Victor, who is it you think I am?
Victor Nuberg: You are Oliver Haddo. H-A-D-D-O, Haddo.
Haddo: Oh, Victor, would you deny me thrice before the cock grows?
- Crazy Credits[statement before end credits] On the seventh day the old king gave me a golden medal, bearing on one side the words ART IS THE PRIESTESS OF NATURE and on the other NATURE IS THE DAUGHTER OF TIME.
- the Chymical Wedding (1616)
- SoundtracksChemical Wedding
Written by Bruce Dickinson (as Dickinson)/Roy Ramirez (as Ramirez)
Performed by Bruce Dickinson
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- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Crowley - Back from Hell
- Drehorte
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Box Office
- Budget
- 2.500.000 £ (geschätzt)
- Weltweiter Bruttoertrag
- 9.439 $
- Laufzeit
- 1 Std. 49 Min.(109 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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