Mad Detective

Not a masterpiece, but an interesting angle on a police drama with a lot of atmosphere, and definitely entertaining. This cop pulled out of retirement is like a comic book character - he has the power to see people's inner selves/personalities (sometimes multiple), and he can also instantly ascertain who's committed a crime if he immerses himself into some aspect of it. For example, during the opening credits he figures a crime out by having himself put into a suitcase and tossed down several flights of stairs, and he learns more in the main story by digging a grave out in the woods and burying himself. He's formidable but he's off the force for a reason - he's a little unhinged (hence the title), having sliced off an ear ala Van Gogh when his boss retires, and seeing an imaginary version of his wife from the past who's left him. The character allows for a film that's filled with shifting points of view, where we see what's in his mind's eye and then reality as he tries to prove the crimes of a dirty cop, which was pretty fun. There was also a nice little dark tinge in the ending, with the hint that the pattern recurs, something I also liked.

is the best HK movie I've watched ever since 'running out of time'. The idea of having the talent of seeing the split personality in person is refreshed and extraordinary. The 'ghost' mentioned in the movie were referring to the thoughts established after people were bullied, manipulated, pushed, forced to lose important things in their lives. Even the detective himself has ghost inside when he was forced out of his wife's life. When he explained why he cut off his ear, i was so shocked that I would consider myself doing some outrageous things just for the hell of it when I had the honour facing a man with no ghost inside. The gun shooting scene at the end is a classic. The camera shooting and editing must be a tremendous job to finish in order to represent the ghosts mirroring the gun holders. Wonderful movie

Johnnie To and Ka-Fai Wai have reinvented the detective genre and things will probably never be the same.

Inspector Ho is stumped by the disappearance of a detective 18 months earlier.Desperate for a break he looks to Bun, a genius profiler with whom he briefly worked years before...when Bun went crazy and was thrown off the force. A funny, tense un-nerving cop drama where nothing is certain. Is Bun a genius or crazy? Has Ho lost his mind? Where will it all end? Its a trip. I'd tell you more but I'm still trying to process what I saw since things shift from our reality to Bun's, often so its not clear. Its a trip and then some. Actually I'd be very surprised if this film doesn't end up with a cult following, an American remake and lots of articles written about it. Its just a nifty little thriller.

Definitely worth a viewing or two.

Eighteen months before this movie begins, two cops pursued a suspect into a forest. The suspect got away. One cop came out. Since then, the missing man's gun has been used in a wide variety of robberies. Inspector Andy On is in charge of the case so far as the robberies and attendant murders are concerned. He has run out of leads. So he recruits Ching-Wan Lau, a disgraced former cop whose career ended in apparent madness in which he claimed supernatural powers.

There's no madness in the Chinese title; it means "Hard Boiled." The English title is supposed to clue the audience into the fact that there's at least one insane cop here, but as the story advances, the question of who is mad becomes murky. Is it On, whose efforts to close the case become increasingly unhinged? Is it Lau, who has ceased to take his prescribed anti-psychotic medicines, and who has constructed a fantasy world in which he is still with his ex-wife, Kelly Lin? Or is it the dead man's partner, who says he is investigating what he believes is his partner's murder? It all ends in a shoot-out in a hall of mirrors, but will anything really be resolved?

Directors Johnny To and Ka-Fai Wai have created another stylish crime drama in To's signature blue-lit world in the midst of blackness that constantly shifts the size and shape of the audience's frame. It's all very interesting to watch, but in the end there is no release from the nightmare world that is traditional for detective stories, even one as murky as this.

The story follows a somewhat not-so-sane Hongkong police detective Bun (Lau) who, after solving a crime in "his own way" during the opening sequence of the movie, cuts half his ear off, gets suspended from the force and has to lead on his miserable private life, mainly communicating with the creations of his own mind. As some years have passed, another cop in HK police gets missing in action and Ho (On), a former member of Bun's investigation unit, gets the case and decides to call Bun for help.

The flick is (as title refers) a bit on the side of madness. Though, it doesn't truly get deeply attached to the theme, offering a light view of one side of it. Seems that directors Johnny To and Ka-Fai Wai decided to rule out everything that would "ruin" the picture for audiences more on the side of police-thriller. Bun's tendency to descend to schizophrenia is opened to the viewer quite early in the film and also simply, making it clear that it's just a part of film we wouldn't miss. So everything is opened up for the viewer, just enjoy the story (which doesn't offer too much) and enjoy the acting. A bit of non-linear scene-switching, but that wouldn't bother anyone who doesn't still live in 60's.

Bun's character is the star of this film and Ching Wan Lau plays the role well. Comic at times (a super-cop with half an ear and - during most of the film - a bloody bandage wrapped around his head, looking like a bum after a weekly party) but mainly socializing with inner world of himself and - as he states he can see the 'inner personality' of people - those around him. Especially the lovely relationship with his imaginary wife: everything that's worthy to love in her, everything feminine, was hooked to the image of his mind, so when the real wife (now an ex) finally showed up, the only qualities left for her were those of a mean bitch's.

The film would've been quite Hitchcock's style, if the schizophrenic part of Bun had been left unveiled for a longer period of the movie (as the master hinted to play with the audience, not only caress them). What bothered the most - these god damn in fashion hair cuts - why do the characters have to look like the cover picture of some fashion magazine? It's one of the weakest links in almost all modern Asian movies.

3/5