Skin - Schrei nach Gerechtigkeit

Sophie Okonedo is so beautiful and such a great actor! I still think she should have won an Oscar for her portrayal of Tatiana Rusesabagina in Hotel Rwanda. Again, she does an excellent job in Skin.

This film follows the tragic story about a girl named Sandra Laing attempting to define who she is as a person during the repressive time of apartheid. Born into a white family, yet having a dark skin tone, commonly referred to scientifically as polygenetic inheritance, Sandra is constantly questioning her sense of identity and belonging amongst people that, supposedly, love her. The film powerfully encapsulates this woman's struggle throughout her arduous life, and as a viewer leaves you inspired by her courage and effort to simply live a happy and liberated life. In essence, it's a tragic yet inspiring story that should be heard and acknowledged by all people.

Background: A dramatization of the life of Sandra Laing who we see speaking in the end credits. This South African story begins in 1966 during the apartheid era with a white store owner and their two children one of whom, Sandra Laing, has features that would be controversially classified as "coloureds" (mixed ethnic/racial & commonly w/white males) along with blacks & whites & Asians (mostly Indian).

Criticism: Whenever white, mostly Dutch, Afrikaners are presented they are almost all portrayed as vile & as nasty as can be. Could this have been so universally true?

Story: At the time people were defined/registered by their skin color. We see Sandra undergoing a magistrate's exam by having her skin examined & a pencil placed into her hair to test for holding power meant to distinguish coloureds & blacks from whites. Later we hear a courtroom geneticist testimony that most Afrikaners (white Dutch) carry "black" genes (guffaws from the white audience on hearing that) thus a recombination could produce darker skin & hair (called polygenic inheritance). Later in our story the registration laws were changed to make descent rather than appearance the determining factor. We follow Sandra into the '80s as she grows up & the alienation from her family. You get a feel for the effects of racism on a person that no written story could convey. How it divides & breaks whatever goodness is in people. We see Sandra at the end with her Rainbow Tuck Shop (a very small shop selling food, etc.). And this from her, "It's what's in the inside of you that matters, not the outside."

Comment: I can think of some politicians, particularly one, raised in a wealthy privileged setting w/servants that while growing up could have benefited from seeing this story.

It's 1965 Eastern Transvaal, South Africa. Sandra Laing is the young daughter of white Afrikaner parents Abraham (Sam Neill) and Sannie Laing (Alice Krige). She is kicked out of her all-white school for her African features despite being born as white. She is reclassified as colored and Abraham overturns it in court. At 17 in 1973, she has a relationship with black Petrus which drives a rift in between her family.

It's a compelling intriguing real life story. It takes a look at Apartheid from a different angle. There is a tough question at the center of the movie that is left uncertain. It does leave the movie at a disadvantage dealing with real people. Nothing is quite as clean in real life.

Anthony Fabian's 'Skin'is a powerful drama of South Africa's shameful history of white colonial Apartheit rule,that was thankfully overthrown. The story starts in 1965 when a young ten year old girl, Sandra has been thrown out of school for being black,despite the fact that she is of white,European parents. Her father,Abraham (played by screen veteran,Sam Neill)fights to get her back in school,by challenging the South African courts to insist that she's white). When he is unsuccessful,the family resigns to the fact that their daughter has to deal with the burden that she will be treated badly,because she is regarded as black. As the years go by,Sandra (now played as an adult by Sophie Okonedo,who absolutely shone in 'Hotel Rwanda')has grown into a beautiful woman,who is desired by one of the black locals, which disturbs Abe much (Abe is as much a vile racist as the rest of the population of the town). The rest of the film spans over a twenty plus year time frame that tells much of South Africa's social history,set against Sandra's tempestuous own personal history. The cast is rounded out by Alice Krige (as Sandra's long suffering mother,Sannie),Tony Kgorogue,as Sandra's lover & father of her children, who turns out to be hot tempered & abusive toward Sandra, as well as a cast of South African actors that turn in shining performances. The screenplay (written by Helen Crawley,Jessie Keyl & Helena Kriel) makes the most out of what was easily a dark period in South Africa's social history (and what some,even to this day,would love nothing better than to do but bring back). Rated PG-13 by the MPAA,this film contains some strong language,brief nudity & sexuality,and some truly disturbing images of racist fueled violence.