Payback - Zahltag

Payback revisited and a whole new ending. I wanna get this off to begin with; I really like the original cut. It's been circulating for years that it was the result of studio tinkering and the director wasn't all that pleased with the final version. Given that many films suffer similar fate and with disastrous results I thought maybe Payback was the exception.

Gone here is the blue bleach filter look, a lot of the music score which has been filled in with new cues, some alternate scenes throughout and some excised and a whole new final act. Everything is good here. I liked Porter's confrontation with his wife (brutal and uncompromising), the music score does help in giving it a darker tone and the new ending is fitting.

But I must say that the difference in quality between this Director's Cut and the original theatrical one isn't huge. Call me crazy but I actually miss Mel's voice over and I thought the bluish look suited the film. The humour has been downsized drastically and Porter's mean side has been fleshed out a bit more, which is good by the way. I just don't think one can be called great and the other crap.

The film plays more like a direct homage to the old 70's crime flicks and as the director explains that was what he was going for. The original does feel a bit lighter but that wasn't maybe such a bad thing. This darker version leaves more unanswered as to how Porter got back from the dead (but probably everyone has already seen the theatrical cut so they already know) and is more understated and mood driven.

To sum it up; Payback: Straight Up is an excellent companion piece to a first rate film. It's good to see director Helgeland's cut restored to his liking and it thoroughly deserves to be seen. Now fans can pop the film in the player that best suits their mood. The original a bit lighter and the latter more moody. It doesn't go wrong either way.

This delayed director's cut made drastic changes, warranting its own listing on IMDb, that positively effected the quality of this revenge thriller. 'Payback: Straight Up (2006)' pits a relatively unsympathetic anti-hero protagonist against an arguably even more unsympathetic bad-guy and just lets him off the leash. The film isn't perfect, though its better in this form than in the washed-out and narration-heavy studio-mandated theatrical cut, but some brutal action, a callous disregard for likeability and an engaging plot mean that this is an entertainingly, and refreshingly, downbeat affair. 7/10

Before studio execs and Mel Gibson got all uppity with Brian Helgeland, Payback was a darker, meaner film. But after an apparently poor test screening in 1997(honestly, what IS the point of these?) they put Payback on hold for over a year so Mel could do Lethal Weapon 4 before going back for some re-shoots, with a new director, to make the film happier.

So they approved a script of a dark, moody revenge thriller, green-lighted it for production and changed their minds to make it lighter because a ragtag audience didn't understand/like it? Man, Hollywood is one weird town.

The resulting film, which was eventually released in 1999, seemed a bit tacked together. There were scenes that just seemed out of place and irregular. It was obvious that any scene actually shot back in 1997 was shot on location and any scene shot for the 1999 cut was just shot in the generic 'street set' on the Warner back-lot. Despite all of this, Payback was still a fun film that failed to go all the way with it's concept.

The new DC is a superior version, no doubt and is about 33% different. There are new scenes and odds and ends through out the running time and the last act is completely different. Kris Kristoffersen is gone and replaced by Sally Kellerman (voice only, Bronson is never seen). James Coburn and John Glover also have smaller roles. The narration from Porter is gone as well as the blue tint to most of the film. Now most scenes are just lit as normal without any post-production filtering.

There is also a new musical score. The jazzy feel to the opening scenes is still there but through-out the rest of the film the score is more atmospheric and understated. Both are as good as each and fit the differing tones, so there's no better of the two.

It does end a bit abruptly and without any truly satisfying conclusion. I guess this is what annoyed test audiences. But a disgruntled audience should not be a decision-making committee when it comes to making movies.

What made the 1999 cut of the movie so great was its entertainment value. It was an incredibly fun movie to watch, with a cool fun style and soundtrack and some nice twists and turns to its story. All of that is basically gone in this version and its a much darker and serious one.

After production finished the Brian Helgeland was deemed too dark and not suitable for the mainstream public. A re-write got done and scene's got re-shot by a different director for the original theatrical release. 90% of the times that a studio decides to do this and changes a movie entire, it isn't for the best. Director's cuts are therefor often way better than the original released versions. However this time I have to say I agree with the studio. This version is a much poorer written and constructed one that lacks whit, charm and whatever more. The 1999 "Payback" was an original and fun movie to watch, "Payback: Straight Up - The Director's Cut" however is just one typical revenge flick that just isn't among the best the genre has to offer.

You could say that this movie is more of a thriller, while the original, even though it was more entertaining, was done much more film-noir style, that was also a more violent one as well.

What is surprisingly different as well in this movie are its characters. It's amazing what some editing, a visual- and musical style and different scene additions can do to a character. The main character is much darker and seems basically depressed all of the time. It just makes Mel Gibson less great to watch in this version. Also most of the other characters don't work out halve as effective. The whole Maria Bello story-line and character in particular don't work out at all and seem totally out of place.

The movie is just overall also often too slow and dull to watch. Some sequences drag on for too long and not everything in the flows well.

The movie story-wise actually isn't that much different from the original release, until its final 30 minutes or something. The movie its ending is a totally different one. I must say that the ending of this movie is just a much weaker one that besides comes far too sudden and isn't really very satisfying.

Lacks all of the whit, charm, originality and entertainment of the original version. As a director's cut this movie is nothing but a disappointment. Just watch the 1999 "Payback" instead.

6/10

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Director's Cut could mean any number of things...studio interference, re- shoots, poor test screenings. Most of the time that just means a couple more minutes added but sometimes there are drastic differences from the original released. This is one of those big changes. I liked this movie with it's sharp writing and nice mix of violence with dark humor. 'Like' has become 'love'. If you've never seen it and your a big film buff I'd say watch both versions to see the difference. If you've never seen it, Straight Up is hands down the way to go.