IMDb-BEWERTUNG
6,7/10
9142
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA road trip through Louisiana transforms three strangers who were originally brought together by their respective feelings of loneliness.A road trip through Louisiana transforms three strangers who were originally brought together by their respective feelings of loneliness.A road trip through Louisiana transforms three strangers who were originally brought together by their respective feelings of loneliness.
- Regie
- Drehbuch
- Hauptbesetzung
Emanuel Cohn
- Doctor Leonard
- (as Emanuel K. Cohn)
Lucy Faust
- Snotty Girl
- (as Lucy Adair Faust)
Aimée Spring Fortier
- Teenage Mother
- (as Aimee Fortier)
Empfohlene Bewertungen
A perfect crescendo. During an admittedly slow first half of the film, the audience is drawn in to the actors and the cajun background, its lush greenery and its languid place in Americana.
The actors hold up brilliantly at this pace -- William Hurt is a standout and a more-than-worthwhile Oscar candidate as the sullen, "ghost"-like ex-con and Eddie Redmayne jumps to the fore as a bizarre, overgrown child. The scenery and the pull of post-Katrina New Orleans is powerful, forcing personal choices and sticking in the back of our minds.
Then, when the action turns, and the plot suddenly speeds forward for the latter half of the movie, the viewer has already been drawn so deep inside these rich, pained characters and the twisted swampland that its emotional force, punctuated by minute changes in Hurt's eyes, knowingly elicits empathy and sympathy.
The force of the movie is the slowness, the languid pace that draws the viewer in, and the acting, as good an ensemble as anything that I've viewed this year. It is slow, but slow can be good, good as a cajun conversation.
The actors hold up brilliantly at this pace -- William Hurt is a standout and a more-than-worthwhile Oscar candidate as the sullen, "ghost"-like ex-con and Eddie Redmayne jumps to the fore as a bizarre, overgrown child. The scenery and the pull of post-Katrina New Orleans is powerful, forcing personal choices and sticking in the back of our minds.
Then, when the action turns, and the plot suddenly speeds forward for the latter half of the movie, the viewer has already been drawn so deep inside these rich, pained characters and the twisted swampland that its emotional force, punctuated by minute changes in Hurt's eyes, knowingly elicits empathy and sympathy.
The force of the movie is the slowness, the languid pace that draws the viewer in, and the acting, as good an ensemble as anything that I've viewed this year. It is slow, but slow can be good, good as a cajun conversation.
This film rewards you....it is worth every moment of your watching time. The beauty of its title, the sweetness and affirming image of a yellow handkerchief...like a yellow ribbon is about waiting,welcome and coming home. The Yellow Handkerchief is a road trip movie. It is a quiet, quirky ride around the roads of Louisiana. It plays like real people who make real reconciliations and whose lives keep us captured and moving and flowing forward. William Hurt gives a performance of a supreme subtlety and beauty. Kristen Stewart, Eddie Redmayne and Maria Bello breath life into their characters. It is so rare to find such a sensitive cast that really click...a great ensemble piece ...all with a quiet nobility. Watch it.
I really enjoyed this movie! The performances were subtle, layered, charming and fascinating and I'm surprised this movie didn't get noticed during the awards season. The raw landscapes, isolated buildings and the retro car they make there journey to a fresh start all make a hauntingly beautiful setting. The movie has a quiet confidence, artistic and a involving, star crossed story that for the first half leaves you in suspense, it follows Brett Hanson played by William Hurt who was recently released after 6 years from prison for manslaughter and hitches a ride to go back home to his wife with a young duo Martine and Gordy played Kristen Stewart in another great indie performance and she was stunning in this movie, Eddie Redmayne plays an awkward oddball but in a touching way and Maria Bello who isn't seen as much plays the wife May was excellent as always and man is she sexy. It just has a great story told in a real, beautiful way and is very relatable that makes it even more effective topped off with a very satisfying and touching ending that makes this an almost flawless indie. Highly recommended! More of a 4.5 out of 5 stars.
We saw this as part of a preview cinema club we belong to. And we're happy we did.
The Road Movie is one of Hollywood's long-standing (some would say overused) idioms. From It Happened One Night through Butch Cassidy, Bonnie & Clyde, and Thelma & Louise, to Little Miss Sunshine, good road movies can be a joy. Bad ones, though, are a major drag.
This is a GOOD road movie. Three things make it special. First, it's about three losers, or -- let's just say it -- weird people. None of these characters start out with much appeal (except Kristen Stewart's great looks), but each grows right in front of our eyes throughout the movie. By the end, we like and find ourselves rooting for each, for different reasons. (In this way, the film reminds me most of the wonderful Hackman/Pacino 1970s vehicle Scarecrow, a much under-appreciated film.)
Second, there is splendid acting throughout. Kristen Stewart is headed for stardom, William Hurt does justice to a role only Jeff Bridges could play as well (have we forgotten what a great actor he is?), and the most surprising piece, young British actor Eddie Redmayne, does a terrific turn as a strange kid with a car.
Third, there's the film's perspective, about tolerance, acceptance of things as they are, and forgiveness -- for loved ones and above all for ones self.
Watch it!
The Road Movie is one of Hollywood's long-standing (some would say overused) idioms. From It Happened One Night through Butch Cassidy, Bonnie & Clyde, and Thelma & Louise, to Little Miss Sunshine, good road movies can be a joy. Bad ones, though, are a major drag.
This is a GOOD road movie. Three things make it special. First, it's about three losers, or -- let's just say it -- weird people. None of these characters start out with much appeal (except Kristen Stewart's great looks), but each grows right in front of our eyes throughout the movie. By the end, we like and find ourselves rooting for each, for different reasons. (In this way, the film reminds me most of the wonderful Hackman/Pacino 1970s vehicle Scarecrow, a much under-appreciated film.)
Second, there is splendid acting throughout. Kristen Stewart is headed for stardom, William Hurt does justice to a role only Jeff Bridges could play as well (have we forgotten what a great actor he is?), and the most surprising piece, young British actor Eddie Redmayne, does a terrific turn as a strange kid with a car.
Third, there's the film's perspective, about tolerance, acceptance of things as they are, and forgiveness -- for loved ones and above all for ones self.
Watch it!
If you are planning on seeing this, DO! It is a bit slow but you will come to love the characters and their flaws. It is not average road-trip to self discovery it is more. The lead characters have a tense and fearful journey ahead. As they open themselves up to each other we see the story take a journey that reminds me of To Kill A Mockingbird as we see the film from two innocent teenagers points of view. The writing is sarcastic and not at all Hollywood flashy it is down to earth and heart warming. A truly uplifting story to all who to let your teenager nature over-run them for 2 hours. You just might believe there is a happy ending in life for everyone. You should watch this movie, it is not one to miss!!
Wusstest du schon
- WissenswertesTo prepare for the role, William Hurt spent a night in Louisiana State Penitentiary - better known as Angola.
- PatzerAt the beginning of the movie, after Brett enters the shop he request a beer. The woman brings him the beverage she pour into the glass and leaves the bottle on the table. A few shots later the bottle disappears.
- VerbindungenRemake of The Yellow Handkerchief (1977)
- SoundtracksBlack Bayou
Performed by Ida Guillory and Al Rapone
Written by Al Rapone (as Albert J. Lewis)
Published by Neil Music Corp. and LaBonne Musique, administered by Neil Music Corp.
Courtesy of GNP Crescendo Records
By arrangement with Ocean Park Music Group
Top-Auswahl
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- How long is The Yellow Handkerchief?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- The Yellow Handkerchief
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 15.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 318.623 $
- Eröffnungswochenende in den USA und in Kanada
- 37.296 $
- 28. Feb. 2010
- Weltweiter Bruttoertrag
- 318.623 $
- Laufzeit
- 1 Std. 42 Min.(102 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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