IMDb-BEWERTUNG
5,6/10
1015
IHRE BEWERTUNG
Im Frankreich des 19. Jahrhunderts bemüht sich ein bäuerlicher Winzer, den perfekten Jahrgang zu kreieren.Im Frankreich des 19. Jahrhunderts bemüht sich ein bäuerlicher Winzer, den perfekten Jahrgang zu kreieren.Im Frankreich des 19. Jahrhunderts bemüht sich ein bäuerlicher Winzer, den perfekten Jahrgang zu kreieren.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Gewinne & 3 Nominierungen insgesamt
Stephane Garneau-Monten
- Young Soldier
- (as Stephane Garneau)
Empfohlene Bewertungen
The film is slow, ethereal, yes. It's interesting with too notch acting. I rather like it. Religious, thought provoking, a bit. Very French! Focus on the small, emotional things. Unsaid the larger pragmatic points of the plot. I am not sure how you could speed up the pace of a film like this. I like the slowness for a slow afternoon film. I feel it culminates.
It's 19th century France. Sobran Jodeau is a peasant working for a château winemaker. He wants to make more than peasant wine. During one drunken night, he is rescued by angel Xas who offers him special seeds in exchange for meeting him one night every year for the rest of his life. Sobran marries Celeste (Keisha Castle-Hughes) and starts a family. The Chateau's Baroness Aurora de Valday (Vera Farmiga) returns from Paris. It's a fable of love, passion, and wine.
Niki Caro, who wrote and directed 'Whale Rider', has created a melodrama about French vine during the Napoleanic age. It's a bit of a grind. It's long and melodramatic like an old romance novel. It does go off in unexpected directions. The passion for the vines do come through the screen. Jérémie Renier has a shiftiness that is unappealing and distracts from the assumed passion from Sobran. His European accent don't match either Vera or Keisha. Keisha is underused and is no more than a face. Another lead could tie the whole movie together. This movie struggles to find solid ground but I do like the wine making.
Niki Caro, who wrote and directed 'Whale Rider', has created a melodrama about French vine during the Napoleanic age. It's a bit of a grind. It's long and melodramatic like an old romance novel. It does go off in unexpected directions. The passion for the vines do come through the screen. Jérémie Renier has a shiftiness that is unappealing and distracts from the assumed passion from Sobran. His European accent don't match either Vera or Keisha. Keisha is underused and is no more than a face. Another lead could tie the whole movie together. This movie struggles to find solid ground but I do like the wine making.
Didn't know about a book, had no expectations. Surprised by supernatural element involving an angel. Being impatient, the slow moving pace left me wanting, but I stuck through because I liked the strength of the actors, especially the lead. Glad I did by the end. Was ambivalent about the many allegories about wine making and life spoken by the angel, but eventually these ideas did became more than words. Betrayal, reconciliation, the many shades of love and loss. Eventually you understand.
Didn't like the dark color palette in the beginning, but was impressed by the authenticity of the dirt and grunge of the peasant laborers. Much like the Game of Thrones franchise in that way. And when the lead becomes richer by his Wine taking risks, the velvet brocade and ruby wine bedazzles the scene like darkly gorgeous vintage. Very pleasing.
The film is odd because it seems to have a Christian spiritual feel, yet it is decidedly gray area rather than black and white. It is even hedonistic, existentialist and atheistic, while also speaking about heaven and hell in a manner reminiscent of how Frankenstein's monster spoke with his creator in Mary Shelley's violent and philosophical book. Where "Frankenstein" is violent though "A Heavenly Vintage" is intensely erotic in a way that is sometimes like violence except sublimated into passion. The slow burn nature of "A Heavenly Vintage" coupled with its underlying eroticism (and sometimes homoeroticism) is mysteriously affecting, even while being an oddly uplifting tale based in an extraordinary humanism.
Didn't like the dark color palette in the beginning, but was impressed by the authenticity of the dirt and grunge of the peasant laborers. Much like the Game of Thrones franchise in that way. And when the lead becomes richer by his Wine taking risks, the velvet brocade and ruby wine bedazzles the scene like darkly gorgeous vintage. Very pleasing.
The film is odd because it seems to have a Christian spiritual feel, yet it is decidedly gray area rather than black and white. It is even hedonistic, existentialist and atheistic, while also speaking about heaven and hell in a manner reminiscent of how Frankenstein's monster spoke with his creator in Mary Shelley's violent and philosophical book. Where "Frankenstein" is violent though "A Heavenly Vintage" is intensely erotic in a way that is sometimes like violence except sublimated into passion. The slow burn nature of "A Heavenly Vintage" coupled with its underlying eroticism (and sometimes homoeroticism) is mysteriously affecting, even while being an oddly uplifting tale based in an extraordinary humanism.
This film, which transports us to 19th century France, is so beautiful in so many ways. It seeps in and touches you with the delicacy of a fine wine. The pace of it let's you digest each moment and allows you to linger in a wonderful world of passion, desire, spiritedness as well as death and anguish. Which is why I loved the film so much...the duality of it. It's not like your typical Hollywood movie in which one thing or another is forced onto you. The film takes you on a journey where you can think about, and more importantly feel the duality of life...the duality of your own life and spirit. It awakens an understanding within yourself through the characters and the script. The acting is superb...Vera Farmiga is at her best and Keisha Castle-Hughes has become a fierce woman with such raw vibrancy I was wishing for more of her. The script takes the kind of turns and risks you can only hope for when watching a film. Filled with such feeling and thought it's a tale that lingers on long after leaving the theater....isn't that what art is all about.
Having read the novel by Elizabeth Knox I had high hopes for the film. I bought the DVD and when I got round to the viewing I was impressed by Niki Caro's rendition. The movie was beautifully crafted from start to finish with the exception of the wasted screen time establishing the landscape. Too much screen time was dedicated to the albeit beautiful French/New Zealand landscape. The casting was perfect, each of the protagonists had a part to play romantically to Sobran Jodeau. Celeste (Keisha Castle Hughes) was the physical, the Baroness (Vera Farmiga) being Intelletual and Xas (Gaspard Ulliel) the spiritual. One factor I found disappointing was the relationship between Sobran and Xas in the novel played a significant role in influencing the fruition of Sobran's dreams to create a wine never tasted, yet in the film the relationship seemed downplayed. Which is a shame because it seemed like the film missed something which would have brought justice to the novel. However I definitely think that this movie is a gem which touches on a mythical theme not explored in the film Industry. The introduction of the angel Xas seemed very believable and I believe Niki managed to bring to life Elizabeth Knox's story of a vintner and his angel to life.
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- Budget
- 8.500.000 € (geschätzt)
- Weltweiter Bruttoertrag
- 136.295 $
- Laufzeit
- 2 Std. 1 Min.(121 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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