Shelter

It is a film deserving be loved. That is all what can be said about it. The first motif - seductive simplicity. A clean film about family, youth, surfing, love, duties, dreams. The second one - the acting. Not the last, the absence of demonstrations, so often preferred in this film genre.

Two guys and their love. Not stereotypes, no manifestos. Beautiful images and convincing message. A short of return to normality.

So, Shelter.

This has got to be the best film I've seen at the San Francisco LGBT film festival in years. The director and cast were in attendance at the world premiere and they were given a worthy standing ovation. Writer/director Jonah Markowitz did a fantastic job of flushing out real characters. Trevor Wright was a real natural and convincing as someone struggling to come out. He really made you feel his pain. The story about his codependent sister is dead-on. Brad Rowe is like a young Greg Kinnear. You can't help liking him. The soundtrack was excellent and I hope to see it released. This is the first film from here! Network and I hope to see more of this quality. Incidentally, I've noticed on the IMDb search that there are two other films being released in 2007 with the title "Shelter" and there a half dozen films in the past with the same title. Also, on the allmovie guide (AMG) site there is an Italian film with the same title. Interesting enough, that film is being shown at the SF LGBT festival and was changed to Shelter Me. Hopefully, the "surfer gay movie" will stand out.

This film is inspiring and the acting is superb. Trevor Wright does an amazing job in making us believe he is struggling to be everything to his family while dealing with his sexuality. Brad Rowe is also incredible. Casting him with Trevor was perfect. They are a true couple in this story. Jonah will go far in his career if he continues to make outstanding films like this one! Nice job to here! Networks for producing such quality work. I would like to know how Jonah came up with the idea for Shelter? As the film gets distributed in theaters, I also hope it makes it to GLBT youth programs so that young audiences can see this film, and be proud of who they are.

When I first watched this film, I was unprepared for and deeply moved by the honest and touching screenplay by director Jonah Markowitz and the superb quality of acting by a fine cast. Trevor Wright can be proud of his convincing and moving portrayal of a young man at a point in his life at which he is confused about and questioning his sexual orientation. Trevor Wright develops his character, Zach, in a completely natural and unforced manner. His control of his body language and facial expression -- particularly his eyes -- has to be seen to be believed in an actor of his age. His dialog flows naturally, giving one the impression that it is all being said for the first time. This last is true of the entire cast attesting to the knowing guidance of their director.

Also brilliant are the performances by Brad Rowe, Tina Holmes, Ross Thomas, Katie Walder and Jackson Wurth. Repeated viewing of the film makes even more clear the depth of characterizations by this very able cast. Most impressive is the emotion expressed by eye contact achieved between Trevor Wright and Brad Rowe -- something very uncommon and unforgettable in a film of this kind.

My only criticism is that a few scenes seem a little rushed. Another 8 to 10 minutes wouldn't have hurt this fine film. One example is the night scene in Zach's (Trevor Wright) backyard, beautifully shot incidentally, with the lights of the Vincent Thomas bridge in the background. A little more time could have been given to Zach's indecision to go to Shaun (Brad Rowe) and allow the scene to flow more naturally; a closeup of Zach's looking out at the bridge and then a shot of the bridge that will take him to Shaun might have been nice.

It is regrettable that this fine movie has not been given wide theatrical distribution.

What an amazing movie about love, family, and relationships. It was great to watch a film that used characters that stepped outside of the gay stereotypes seen in most films. It was even better to see a movie that focused on the love (rather than the sex) between the two lead characters.

While there are some scenes that scream "low budget," the end product as a whole was very rewarding. The acting, writing, and directing were all solid.

After so many disappointing gay films, I'm thrilled to have a movie like this come along. If this is a sign of things to come in gay cinema, then I am excited about future films. If you haven't seen "Shelter" yet, go give it watch. You'll be glad you did. Enjoy.