CJ7 - Nicht von dieser Welt

For someone like me, born and raised in China in a poor family, Chow's work was absolutely fantastic! CJ-7 constantly reminds me of those poorly happy times I have spent with my friends and family during my childhood, flashing to my mind those very basic and simplistic values of living to an average Chinese boy like myself. Nostalgic with a touch of humor, to me this movie is simply a 10 star hit! But, viewing it from a more literal perspective, people will see this work as "the same old stuff"... over and over again... that is true, from the use of mo lei tau comedy to computer CG, Chow has not made any improvements not to mention innovation ever since his "Shaolin Soccer" world class movie debut. This generally deducted the 2 stars from the rating.

But compared with a lot of the 3rd rated movies released in 2008 out there, this is sure worth the time!

Stephen Chow has brought many good films and never let die hard fans down for once. Yet I find it pretty hard to comment on this new work from Chow esp. after 3 year long waiting. There was plenty of joy while watching it, but it's not what I expected. If I have to summarize , then probably tiny bit slapstick + kiddish scenes + Chinese ET + family theme = CJ7

If you love shaolin soccer and kungfu hustle, you may feel very different about CJ7, even disappointed, because it feels almost nothing like a Chow movie, except for some very funny jokes. Sure you will still laugh at few scenes where dark humor or hard jokes fly around. The story is no longer serious or ambitious, it's simply about a kid who discovered a new alien cute friend and learned the meaning of life.

After many years, I think Stephen Chow finally can sit down and build a story of his own without worrying about film market or what other people may think.This time he is not even the leading actor in this film. No Kungfu, no strange costumes, no play-like-a-fool jokes, it's pure imagination for kids, maybe one of Chow's dream when he was a child.

I don't plan to spoil any more details , but I have to warn those who haven't seen this movie but very looked forward to seeing it. It's a movie that aims for young audience and it's not any movie like shaolin soccer or kungfu hustle(well, some part still yes, same enjoyable maybe). If you don't mind watching a family/feel good movie, or specially you have children to go with, don't hesitate to see it. It will be worth the one and half hour of your life.

You will not laugh like an idiot, but I am sure you will still smile like a fool.

It's been a long and almost 3 year wait for the coming of Stephen Chow's new movie CJ7, on the heels of his international success with Shaolin Soccer and Kung Fu Hustle, both of which were adapted/parodied/copied in the other two competitive movies this holiday season in Kung Fu Dunk and Ah Long Pte Ltd. If imitation is the best form of flattery, that goes to show who's the boss and who calls the shots in the innovation and creativity departments, that there's only one force to be reckoned with in drafting comedy that appeals to the world.

You might think that I'm singing praises of Chow and his works, but yes, that's the skyrocket high expectations that he had built for himself over the years with his rapid fire mo-lei-tau (nonsensical) comedic movies entertaining the masses pre and post 1997 Hong Kong, and now he can afford to take his time in releasing his movies once they pass through his perfectionist quality control. Sitting through CJ7, I had initially thought that it was amongst his weaker works, but then came the final act, which while it was emotionally manipulative, I cannot deny that I both laughed and cried at the same time, which is extremely rare, and only pulled off by Chow's knack of structuring his scenes.

Chow has shown his pedigree in becoming a good storyteller. If he is not already being considered one, then CJ7 is a sign of better things to come, as slowly, it can be seen that he's giving up his presence on screen, and turning his attention to behind the camera instead. Even with movies like Shaolin Soccer and Kung Fu Hustle, while he was the lead actor, he still made room for his supporting casts to shine through.

This time though, he had totally taken the backseat and gave the spotlight to the child actress Xu Jiao who plays Dicky, the son (yes you read that right) of Chow's construction worker character Ti. Being poor, Ti works extremely hard to send his son to a premier school to receive a good education, in the hopes that he will be able to break out of the poverty circle in time to come. But in being in an elite school, Dicky becomes automatic fodder for rich school bullies, who look down on him because of his social status. Much of the movie dwells on this schoolyard politicking, and with Ti trying hard to impart good principles to his son that it becomes somewhat repetitive.

In trying to pacify his son who yearns for the latest toy in town, a high-tech robotic dog called CJ1, Ti goes back to his favourite haunt, the junkyard, and picks up a green ball outfitted with an antenna, as a replacement toy. Without his knowing of course, this ball turns out to be an alien lifeform, and Dicky soon uncovers that it has magical abilities. Christened CJ7, much of the laughs come from CJ7 and Dicky, in the form of spoofs ranging from Mission: Impossible 2 to Asian fare like Crouching Tiger, Hidden Dragon, and also takes a spin from Chow's previous 2 movies.

But don't expect the jokes to be of the mo-lei-tau type, as there aren't that many jokes to begin with. Gone are the days of laugh-a-minute type comedy from Stephen Chow. While toilet humour is still quite staple, Chow seemed to have embraced special effects even more this time, starting with a totally animated CJ7, which has "cute" plastered all over it, making it a delight amongst the young and the female audience. I tell you, if it's not already available, someone should make the plush toy right now and milk it for all it's worth. Most of the jokes and fun sequences were spruced up by special effects, but there were a moment or two which I felt was quite unnecessary.

In most ways, CJ7 isn't really your typical outright comedy. By the end of it, I thought its dramatic moments were tugging at the heartstrings, as I mentioned earlier, and indeed this somehow represents a shift by Chow to a somewhat different territory, building up his movie with comedy being peripheral or secondary to the main plot. There are moments of fun balanced by moments which are touching, episodes of the ridiculous balanced by episodes which made you reflect. And any more which features great songs, get my vote of approval too, with Boney M's Sonny getting plenty of airplay, and I Love Chopin coming on at just the very appropriate moment.

However, what is still suspect though, is Chow's ability to weave more flesh into what are essentially flower vase roles in the female characters who play opposite him as love interests. With Shaolin Soccer, Vicky Zhao was unfortunately quite pedestrian, and with Kung Fu Hustle, the scope given to Huang Shengyi was worse. Kitty Zhang continues the trend as good looking teacher Mrs Yuen, who takes pity on Dicky, but nothing more.

Having seen all the Lunar New Year movie premieres for this week, I can safely say CJ7 came out tops, because it had a lot more moments in the movie that makes it family friendly entertainment, and yet imparting and giving out reminders of good values that will almost certainly rub off on the young, and the young at heart. Not at his best, but Chow delivers yet another crowd pleaser, for sure. Recommended!

"It can be demonstrated that the child's contact with the real world is strengthened by his periodic excursions into fantasy. It becomes easier to tolerate the frustrations of the real world and to accede to the demands of reality if one can restore himself at intervals in a world where the deepest wishes can achieve imaginary gratification." Selma H. Fraiberg, Child Psychologist

Stephen Chow is a big star in Asia, and his fantasy CJ7 is a big hit. Although I'm not sure American audiences will return a Jackie-Chan-like box office bundle for this E. T. knock off, I do know that allegorical, off-the-wall, science fictional kid flicks like this are rare and fun if you give yourself into their absurdity.

Some critics liken Chow to Jerry Lewis; Chow is much more imaginative than Lewis, relying as Chow does less on slapstick and more on the intriguing impulses of a small Chinese boy, whose poverty serves as a catalyst for his life-defining experience discovering an outer space dog-like companion and his own love for a hapless but adorable father. Overcoming the bullying about his status in the playground and finding love in a classmate, teacher, father, and alien are enough for most of us in a lifetime.

Chow handles the eccentric material with ease as he minimizes CGI and marginalizes himself for the impressive talents of young Jiao Xu (actually a girl) as the growing-up-fast Dickey. The film comes close to Lassie-like sentiment but never fully settles in that territory. The requisite moralizing, in this case about the importance of love and education, is not suffocating, and the imaginative dream sequences are just that: out-there fantasies of a boy who needs a faithful toy and loving father.

The Yangtze River is known as "Changjiang" in Mandarin, therefore the shortened "CJ," which is also the name for Chinese activities such as space probes. No matter, for these multiple references serve to emphasize the lighter than air world of a man, his boy, and a space dog.

E. T. has come home again in a different form with much less fanfare, yet every child has to love the anarchy.

Stephen Chow is huge, no doubt about that. In the West, he is known through his latest films (Shaolin Soccer and Kung Fu Hustle), but in the East he's been a comedy phenomenon for years. He started his career in the early 90s as an actor, launched by several famous Hong Kong directors. It didn't take him long to start directing films himself, which brought him his current fame.

A new Chow film is probably the most important public film event throughout the larger part of Asia. That said, the stakes were high for CJ7.

Chow is best known for his typical comedy formula: a mix of Hong-Kong humor, parody and crazy special effects that make his films stand out from the crowd. In that sense, CJ7 will be a surprise to many viewers. Talking about viewer expectations, Chow's new film could be compared to Danny Boyle's Millions. A film from a director that throws himself at the children's market without losing too much of its own identity, but with the chance of losing many of its initial fans.

CJ7 contains enough typical Chow humor to make it recognizable, but at the same time CJ7 is targeted at a younger audience, with many themes lifted directly from other children's films. Take ET, add some Totoro, mix it with Chow's comedy and what you have is something close to CJ7. It's probably a good thing to realize this before going into the movie, as many will go in with the wrong idea and will be left disappointed by the film.

If you get used to the idea that this film is a bit different from Chow's other films, it turns out to be a pretty sweet, nifty and funny film after all. Most of the main roles are played by small kids, and they do a pretty great job. The main role is a bit too soft maybe, but the mini-triad kid is hilarious, the fat kids are plain weird (I wonder how they were filmed) and the little girl is really too cute.

Of course there's also the alien, which is a cuddly little animal. It's digitally created but feels like a living, breathing, rubber bath toy. An awesome creation that plays a large part in the film's charm. To make it complete, Chow himself takes on the role of the father, which he does well (as usual). I think Chow's style of acting can easily put people off, as he seems pretty aware of the comedic scenes he's delivering (much like Takeshi Kitano), but his presence on screen is warm and compelling enough not to be bothered by it.

The film looks pretty lush and colorful, Chow really made some progress in the visual department. Although the special effect are still behind Hollywood standards, Chow keeps them functional and funny at all times, which makes the lacking technical qualities easy to forgive. The soundtrack could have been a bit less dramatic I think, although I guess those are the downsides of making a film mostly targeted at kids.

CJ7 is still a funny film, though the number and range of gags is a lot smaller. They are replaced by a pretty typical but warm children's tale. The result is a film that could charm you as easily as it could disappoint you. Chow is enough of a director to pull it off, but those wanting another typical Chow comedy will be left with empty hands. Those willing to go along with Chow's fluff will be treated to a fun and cutesy film. 4.0*/5.0*