Ein Naturwissenschaftslehrer, seine Frau und ein junges Mädchen kämpfen um das Überleben einer Plage, die dazu führt, dass die Infizierten Selbstmord begehen.Ein Naturwissenschaftslehrer, seine Frau und ein junges Mädchen kämpfen um das Überleben einer Plage, die dazu führt, dass die Infizierten Selbstmord begehen.Ein Naturwissenschaftslehrer, seine Frau und ein junges Mädchen kämpfen um das Überleben einer Plage, die dazu führt, dass die Infizierten Selbstmord begehen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Gewinne & 10 Nominierungen insgesamt
M. Night Shyamalan
- Joey
- (Synchronisation)
Empfohlene Bewertungen
I'm not sure exactly why this movie has been bashed and low rated so much, maybe it's just a bandwagon thing? I'll admit it's no movie of the year and was a little cheese at parts. However overall it was actually quite entertaining, the plot moves along steadily and it was a standard 90 minutes. Anyway long story short my last point is that I believe M.Night was attempting to do a sort of throwback to the 50's and 60's era of film making. I see many Hitchcock styling within this film and I think he actually did an excellent job of creating a modern version of "The Birds" I mean let's face it this is the birds re-done. and re-done fairly well. The color, the music, the overall atmosphere, quite similar and well done. Maybe kids these days just can't appreciate this type of film, maybe they would low rank The Birds as well. As for the claims on "confusion" or not being realistic enough I don't understand that either. I think it is fairly clear that the cause is not going to be understood but likely has something to do with the plants and some sort of biologically active chemicals they emit. This is actually completely within the realm of possible. Trees and shrubs release chemicals into the air that can have subtle and sometimes overwhelming affects on human emotion and behaviour. Example is essential oils (the oils in plants that give them their smells).
Love him or hate him, Shama has a quirky vision and some very interesting ideas in his films. He also works with some paltry budgets by Hollywood standards, and cares more about story than effects. Does it always work? No. But considering just how effective his best work is - - 6th Sense, Unbreakable, Signs, The Visit--it's a pretty great body of work. I predict there will be a reappraisal of his work in the future, and with some bigger budgets and some careful rewrites, his remakes will reveal what a brilliant guy he is.
The Happening is a small movie - - simple concept, low budget - - that doesn't try to be anything other than what it is, a cool spooky flick about a mysterious pandemic of suicide gripping the Northeast. Sign me up! Even if it comes across as lightweight by the end, like The Village, these armchair auteurs who trash MNS should try making even half an effective film as those two.
Good for a rainy afternoon, probably not much else. But that's fine with me.
The Happening is a small movie - - simple concept, low budget - - that doesn't try to be anything other than what it is, a cool spooky flick about a mysterious pandemic of suicide gripping the Northeast. Sign me up! Even if it comes across as lightweight by the end, like The Village, these armchair auteurs who trash MNS should try making even half an effective film as those two.
Good for a rainy afternoon, probably not much else. But that's fine with me.
I'm a Shyamalan fan. He's not afraid to take chances. And he believes in himself and his story. Most of the time, that helps. Gems like Unbreakable en The Village would never have seen the light of day if someone other than Shyamalan came up with it. His direction always makes sure his story gets the maximum effect. I like his screenplays because they always consist of two things: originality and well written characters. His new feature has neither. It's that simple. As a Shyamalan fan, I felt this disappointment a little with Lady in the Water. But now, it's twice in a row.
In a nutshell: Beginning in Central Park NYC, people are effected what is first believed to be a neurotoxine causing people to behave irrational, even to the point of suicide. But then the survivors start to uncover signs that it's not terrorists, but nature itself spreading this virus: yes, it's nature against men. And nature is winning.
I thought Wahlberg was a very poor choice. His range as an actor is far too narrow to play in any production that needs a little nuance. In other words: he shouldn't be in anything else than a movie about cops or (ex-)marines. Also the rest of the cast is surprisingly aloof. This includes Zooey Deschanel, who looks like she's a live-action version of a Manga character. Can those eyes be any wider?
The way the information is brought to the viewer is simple. There is a hinge of a critical message about massmedia, how we get our information and how we as a society are depended on TV, mobiles phones etc. to get in touch with each other. But it's nothing major. Because there really isn't much to tell. The first 15 minutes are the most interesting. Although the very first scene with the two women on a bench in the park (in hindsight) is telling. I really had my doubts about everything: the acting, the actions taken by the characters, the total mood and feel of the film. Once it goes into the 2nd act, the movie becomes more and more (non intentional) laughable and silly.
After seeing this I read that Shyamalan intended this to be an expensive B-movie, in the tradition of Romero etc. If that's the case, then my original rating of 5 (outta 10) should be a 3. Because nowhere in the movie does this become apparent. If you want a good homage, take a look at Zach Snyder's Dawn of the Dead (although that's really a remake.) I don't like a these talented filmmakers who want to take $100 million budgets, to make movies who look like they've been made for $10.000. But at least someone like Tarantino or Rodriquez adds originality and a real love for the genre.
The Happening is really bad as a serious film. As an homage it's boring and without heart. Take your pick. But you will be disappointed either way.
In a nutshell: Beginning in Central Park NYC, people are effected what is first believed to be a neurotoxine causing people to behave irrational, even to the point of suicide. But then the survivors start to uncover signs that it's not terrorists, but nature itself spreading this virus: yes, it's nature against men. And nature is winning.
I thought Wahlberg was a very poor choice. His range as an actor is far too narrow to play in any production that needs a little nuance. In other words: he shouldn't be in anything else than a movie about cops or (ex-)marines. Also the rest of the cast is surprisingly aloof. This includes Zooey Deschanel, who looks like she's a live-action version of a Manga character. Can those eyes be any wider?
The way the information is brought to the viewer is simple. There is a hinge of a critical message about massmedia, how we get our information and how we as a society are depended on TV, mobiles phones etc. to get in touch with each other. But it's nothing major. Because there really isn't much to tell. The first 15 minutes are the most interesting. Although the very first scene with the two women on a bench in the park (in hindsight) is telling. I really had my doubts about everything: the acting, the actions taken by the characters, the total mood and feel of the film. Once it goes into the 2nd act, the movie becomes more and more (non intentional) laughable and silly.
After seeing this I read that Shyamalan intended this to be an expensive B-movie, in the tradition of Romero etc. If that's the case, then my original rating of 5 (outta 10) should be a 3. Because nowhere in the movie does this become apparent. If you want a good homage, take a look at Zach Snyder's Dawn of the Dead (although that's really a remake.) I don't like a these talented filmmakers who want to take $100 million budgets, to make movies who look like they've been made for $10.000. But at least someone like Tarantino or Rodriquez adds originality and a real love for the genre.
The Happening is really bad as a serious film. As an homage it's boring and without heart. Take your pick. But you will be disappointed either way.
Who keeps giving M. Night Shyamalan money to make these movies? Seriously, what studio executive read this script and thought that making this movie would be a good idea? After the disaster that was Lady in the Water Shyamalan comes back with a movie which unbelievably, almost impossibly, may actually be worse. Lousy acting, laughably bad dialogue and a story which is just downright stupid combine to make one terrible movie.
Anyhow the story here is that starting in New York City and then quickly spreading through the Northeast everyone is suddenly killing themselves. Everyone drops what they're doing, seemingly goes catatonic for a moment and then offs themselves anyway they can. Fling themselves off the top of a building, shoot themselves in the head...whatever. What could possibly make people do this? Obviously it must be some kind of terrorist attack or so everyone thinks. There certainly is something bad in the air and people need to flee. And here we meet our main characters, a Philadelphia high school science teacher and his wife along with his friend and his friend's daughter. They get out of the city, inevitably get stuck in the middle of nowhere, the characters begin to do and say things which make no sense whatsoever and the whole movie falls apart as we watch people try to run away from the wind.
Mark Wahlberg has the central role here and his performance is truly awful. Certainly he isn't helped by the hideous script but it really seems as if Wahlberg can do nothing right. He seems rather emotionless for a guy trying to figure out why everyone's engaging in mass suicide. As his wife, Zooey Deschanel goes through the film with a blank stare on her face. Some of the corpses show more life. Most of the other characters we meet make a bad impression if they make any impression at all. Some truly bizarre people wander in and out of this movie. And all of them are forced to spout dialogue which is so bad it often becomes unintentionally funny. Somebody wrote that? Really? Ha-ha. But as bad as the acting and dialogue are it's the story which is the biggest problem. Once the movie reveals what actually is happening it becomes impossible to take the story seriously. Stupid. So very, very stupid. The premise makes no sense, doesn't work at all, and thus the movie is doomed to failure. I really can't fathom that after reading the script anyone actually encouraged Shyamalan to go ahead and make this movie. The Sixth Sense sure was a long time ago.
Anyhow the story here is that starting in New York City and then quickly spreading through the Northeast everyone is suddenly killing themselves. Everyone drops what they're doing, seemingly goes catatonic for a moment and then offs themselves anyway they can. Fling themselves off the top of a building, shoot themselves in the head...whatever. What could possibly make people do this? Obviously it must be some kind of terrorist attack or so everyone thinks. There certainly is something bad in the air and people need to flee. And here we meet our main characters, a Philadelphia high school science teacher and his wife along with his friend and his friend's daughter. They get out of the city, inevitably get stuck in the middle of nowhere, the characters begin to do and say things which make no sense whatsoever and the whole movie falls apart as we watch people try to run away from the wind.
Mark Wahlberg has the central role here and his performance is truly awful. Certainly he isn't helped by the hideous script but it really seems as if Wahlberg can do nothing right. He seems rather emotionless for a guy trying to figure out why everyone's engaging in mass suicide. As his wife, Zooey Deschanel goes through the film with a blank stare on her face. Some of the corpses show more life. Most of the other characters we meet make a bad impression if they make any impression at all. Some truly bizarre people wander in and out of this movie. And all of them are forced to spout dialogue which is so bad it often becomes unintentionally funny. Somebody wrote that? Really? Ha-ha. But as bad as the acting and dialogue are it's the story which is the biggest problem. Once the movie reveals what actually is happening it becomes impossible to take the story seriously. Stupid. So very, very stupid. The premise makes no sense, doesn't work at all, and thus the movie is doomed to failure. I really can't fathom that after reading the script anyone actually encouraged Shyamalan to go ahead and make this movie. The Sixth Sense sure was a long time ago.
Allow me to provide some background information on my relationship with the films of M. Night Shyamalan: I adored "The Sixth Sense" and still think of it as one of the best films of 1999 and one of the best supernatural thrillers in ages. "Unbreakable" was a fascinating take on the superhero genre. I loved parts of "Signs" to bits and consider the sequence in the basement towards the end of the film one of the finest examples of suspenseful build-up in recent film history. I even liked "The Village" and could easily dismiss "Lady in the Water" as a mere misfire. I was greatly anticipating "The Happening", especially as it seemed to be echoing one of my favorite guilty pleasures- the paranoid 70's sci-fi thriller.
Let's get one thing out of the way- "The Happening" is unbelievably, impossibly, ridiculously, hilariously, inconceivably bad. Normally I would refuse to rate any film that had any good scenes or that was well-directed less than four out of ten, but "The Happening" has to have one of the worst scripts among recent big-budget Hollywood films. It's absolutely shocking how retarded the logic behind this is and how poor so much of the dialogue is. This script began as "The Green Effect", a tremendously poor (trust me, I read parts of it) script by Shyamalan that was soundly rejected and eventually reworked into "The Happening". Having seen the critical reaction to "The Happening" prior to going into the film I found myself pleasantly surprised by basically the first thirty, forty minutes of the film. It was nothing special but it had something going for it, Shyamalan's direction was top-notch, and Wahlberg was playing the sort of goofy science teacher I'd loved (and loved to hate on occasion) in high school.
Then the descent began. The bulk of this film is some of the most hilariously awful crap produced by a talented filmmaker since Schaffner's "Sphinx". Shyamalan, who was using close-ups and steadicam shots to frankly brilliant effect early on, begins to use the same shots to comical effect. There is one painfully, painfully long close-up of Mark Wahlberg pleading for time to think and then calling for his group to 'keep ahead of the wind' that is up there with Nicolas Cage in "The Wicker Man" in terms of hilariously awful acting. That scene may very well be the turning point in the film, with Wahlberg's acting becoming more ridiculous by the second, culminating in a performance that essentially wipes from memory all his tremendous recent achievements as an actor. I don't blame Wahlberg for this, I blame Shyamalan. Wahlberg claims Shyamalan tried to force him into real paranoia so his performance would work better. What happens here (no pun intended) is that Wahlberg ends up looking amazingly uncomfortable for the last hour of this thing and struggles to deliver any reasonable line deliveries.
Okay, I do have to credit Zooey Deschanel for making this movie watchable. Besides being amazingly, ridiculously gorgeous she is a fine actress and creates a sympathetic character (and a fairly well-drawn one at that- one of the few pros in Shyamalan's script). There's also the score: oh my it's gorgeous. Seriously, ignore this film and just buy the score CD by James Newton Howard- it's brilliant.
"The Happening" starts out well but ends up being an absolute embarrassment. I was prepared for a mediocre offering- perhaps a misguided effort such as "Lady in the Water". I was not expecting a disaster on the level of "The Happening". Its last forty minutes and especially its last ten minutes or so are among the worst I have seen in a long time.
Have you ever wondered if it was possible for a film to go from enjoyable to absolutely horrendous in the space of ten or fifteen minutes? "The Happening" is proof that it can, pardon the (intentional) pun, happen.
3/10
Let's get one thing out of the way- "The Happening" is unbelievably, impossibly, ridiculously, hilariously, inconceivably bad. Normally I would refuse to rate any film that had any good scenes or that was well-directed less than four out of ten, but "The Happening" has to have one of the worst scripts among recent big-budget Hollywood films. It's absolutely shocking how retarded the logic behind this is and how poor so much of the dialogue is. This script began as "The Green Effect", a tremendously poor (trust me, I read parts of it) script by Shyamalan that was soundly rejected and eventually reworked into "The Happening". Having seen the critical reaction to "The Happening" prior to going into the film I found myself pleasantly surprised by basically the first thirty, forty minutes of the film. It was nothing special but it had something going for it, Shyamalan's direction was top-notch, and Wahlberg was playing the sort of goofy science teacher I'd loved (and loved to hate on occasion) in high school.
Then the descent began. The bulk of this film is some of the most hilariously awful crap produced by a talented filmmaker since Schaffner's "Sphinx". Shyamalan, who was using close-ups and steadicam shots to frankly brilliant effect early on, begins to use the same shots to comical effect. There is one painfully, painfully long close-up of Mark Wahlberg pleading for time to think and then calling for his group to 'keep ahead of the wind' that is up there with Nicolas Cage in "The Wicker Man" in terms of hilariously awful acting. That scene may very well be the turning point in the film, with Wahlberg's acting becoming more ridiculous by the second, culminating in a performance that essentially wipes from memory all his tremendous recent achievements as an actor. I don't blame Wahlberg for this, I blame Shyamalan. Wahlberg claims Shyamalan tried to force him into real paranoia so his performance would work better. What happens here (no pun intended) is that Wahlberg ends up looking amazingly uncomfortable for the last hour of this thing and struggles to deliver any reasonable line deliveries.
Okay, I do have to credit Zooey Deschanel for making this movie watchable. Besides being amazingly, ridiculously gorgeous she is a fine actress and creates a sympathetic character (and a fairly well-drawn one at that- one of the few pros in Shyamalan's script). There's also the score: oh my it's gorgeous. Seriously, ignore this film and just buy the score CD by James Newton Howard- it's brilliant.
"The Happening" starts out well but ends up being an absolute embarrassment. I was prepared for a mediocre offering- perhaps a misguided effort such as "Lady in the Water". I was not expecting a disaster on the level of "The Happening". Its last forty minutes and especially its last ten minutes or so are among the worst I have seen in a long time.
Have you ever wondered if it was possible for a film to go from enjoyable to absolutely horrendous in the space of ten or fifteen minutes? "The Happening" is proof that it can, pardon the (intentional) pun, happen.
3/10
Wusstest du schon
- WissenswertesMark Wahlberg admitted that he regrets working on this movie, but said, "You can't blame me for wanting to try to play a science teacher. At least I wasn't playing a cop or a crook."
- Patzer(at around 58 mins) A man refuses to let Elliot and his companions into his house because he does not want to let the "poison gas" inside. However, all the house's windows are open.
- Zitate
Mrs. Jones: Planning on stealing something?
Elliot Moore: No, ma'am, we're not.
Mrs. Jones: Plan on murdering me in my sleep?
Elliot Moore: What? No!
- Crazy CreditsMoving clouds form the backdrop for the opening and closing credits. On the end credits, they've become stormclouds with lightning. On the end credits, M. Night Shyamalan's name vanishes.
- Alternative VersionenGerman version was edited prior to submission to the FSK by the director himself to secure a "Not under 16" rating. These cuts included:
- a needle piercing a throat during a suicide
- a man's arm being bitten off by lions
- a man dying under a lawnmower This version was released on DVD in the UK. However, for the German home video release the complete version was submitted. Ironically, this version was rated "Not under 16" as well (making the cut version even more redundant as guidelines for home video are stronger than for theatrical releases).
- SoundtracksBlack Water
Written by Patrick Simmons
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Details
- Erscheinungsdatum
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- Offizieller Standort
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- Auch bekannt als
- El fin de los tiempos
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Box Office
- Budget
- 48.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 64.506.874 $
- Eröffnungswochenende in den USA und in Kanada
- 30.517.109 $
- 15. Juni 2008
- Weltweiter Bruttoertrag
- 163.404.284 $
- Laufzeit1 Stunde 31 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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