Troubled Water

When "troubled teens" are embroiled in gangs (ONCE UPON A TIME IN America) or drugs (TRAINSPOTTING, REQUIEM FOR A DREAM), it is a life decision, a commitment to those lifestyles that drives their drama.

In the Norwegian film, TROUBLED WATER, a teen commits one thoughtless act that has life-shaking consequences long after he tries to atone for it. He was not driven to it by desire for money, addiction, or broken family, just one lapse in judgment.

Pål Sverre Valheim Hagen won a Norwegian film award for this breakout role as Jan Thomas, who, as a teen, kidnaps a 5-year-old boy. We catch up with Jan in his early 20s, as he completes his sentence in a juvenile jail. We learn he is a principled, sensible guy and a talented organist. He still has flashbacks of that fateful day (that reveal ever more harrowing details) but he wants to put it behind him as he starts a job as a church organist.

Jan seems to find his feet, the church job including an apartment, a bike, welcoming staff (like Terje Strømdahl, who asserts "if he can't get a second chance here, then where?") - and a female priest hot enough to be in ABBA (Ellen Dorrie Petersen as Anna, in her second film role). And Jan gets to rock out with his stops out.

Until the mother of the kidnapped boy recognizes him.

Agnes (veteran Norwegian actress Trine Dyrholm), still mourning her son, mother to two other daughters and a husband who looks like Bjorn Borg (Trond Espen Seim) realizes who Jan is as he performs a stirring version of Simon And Garfunkel's Bridge Over Troubled Water.

Erik Poppe (Scandanavian Director of the Year 1994) constructs this tale (written by Harald Rosenløw-Eeg) out of chronological order. As details of Jan's crime are revealed, so too is Agnes's life of subsuming pain for the sake of her family, now opening scabs that will seemingly never heal.

Our allegiances keep flipping from Jan to Agnes and we end up wondering if there is any right resolution to this horrible escalating drama. We are shown every nuanced side of human reaction, from both sides: anger, denial, emptiness, vengeance, warmth, fear, loss of innocence.

As Jan's life coalesces into couplehood with the hot priest and her own 5-year-old, Jens (Fredrik Grøndahl), Agnes is resolute in destroying that relationship completely, to make him feel the loss that he made her feel.

Outside the American system, TROUBLED WATER doesn't need to conform to any arc of redemption. The sun almost shines for Jan, then the waters get dark and cloudy. Wade in...

"deUsynlige" (English title "Troubled water") is Norwegian director Erik Poppe's third film in his Oslo-trilogy where the first is "Schpaaa" from 1998 and the second is the fabulous "Hawaii, Oslo" from 2004.

All films are of a great caliber, and Poppe is proving to be a director who knows his ways. You are marked after watching one of his films, and this is so far the best, actually more or less flawless.

Of course, there are things which could have been done differently, but every scene in his films are carefully woven into the story. Here's no coincidences, though his films are full of them. Life's coincidences. Well, is it coincidental, or is it faith? Is it bound to happen? This seems to be something Poppe is also very concerned with, together with his equally fabulous manuscript writer Harald Rosenløw-Eeg.

"deUsynlige" (something like "The invisibles" directly translated into English) obviously uses "deus" in the meaning of God, and this is also a film with religious themes and setting, this being about guilt, truth and forgiveness. But more reconciliation than forgiveness. Some things can't be forgiven...

Is it possible for a couple to forgive a kidnapper being the reason for their sons death or disappearance. The boys never found. How evil is the main character? This gives the film suspense in more than one way.

You want this film to be interesting, and it is. You want it to be exciting? Well, it is! You want a film to be heartfelt. It is! As well as highly believable, scary, thought provoking, romantic, disturbing... Well, it's all of that, just like "Hawaii, Oslo".

It is impossible not to like this film. What I find most interesting is Poppes experimenting through the film. The story is told both ways, which is very unusual on the big screen, and still this works great. It's actually adding to the excitement.

The actors do their job flawlessly, with Pål Sverre Valheim Hagen making a fabulous character. The rest is just as good, even the smallest kids. Many actors were cast for this, and Poppe himself says that the amount of great actors in Norway is the reason that there comes out so any great film from Norway now. - It makes it possible to make even more difficult movies in the future, Erik Poppe has said.

Well, being impressed with Poppe once more, I promise you a great two hours sitting down to watch this. This is why I love watching movies. What a treat!

This is not an easy film to watch--for many reasons. On the simplest level, it is a foreign film which demands the viewer read subtitles; more importantly, it is a film without an exact beginning, middle and end, instead developing a story of guilt and redemption by delivering several points of view, which may confuse viewers accustomed to a quick and easy narrative with simple solutions. It is compellingly acted by an ensemble cast, features some amazing music from a cathedral organ as well as that in the background, and is paced so that tension is continuously maintained. This is a film for adults who want challenging experiences from film.

In a nutshell, this film had some fantastic music, especially on the organ. It features great performance by Pål Sverre Valheim Hagen as Jan Thomas, a man imprisoned for a murder of a boy he says he didn't commit; Ellen Dorrit Petersen as Anna, the pastor he gets involved with; and Trine Dyrholm as Agnes, the mother of the murdered boy.

The film also features some incredible cinematography, and brilliant direction by Erik Poppe.

It is about redemption and forgiveness; about starting over after a heinous crime has been committed. The fact that Jan Thomas continues to have flashbacks makes us believe that he is not as innocent as he claims.

A beautiful film about lives gone wrong, and lives damaged by evil.

I thought this film was very delicate, very sad, and beautiful. A story of forgiveness and second chances, atonement and renewal. Several motifs I thought were well used, water being one – representing cleansing and new beginnings. Also the use of an out of focus close-up shot of a face (there were 4 or 5 used), in my opinion, to offer the notion of doing something so awful you become unrecognizable even to yourself.

The main character plays the organ, and is mainly the only music used in the film. Which I think works very well, leaving space for moments of contemplation. The two main characters represent polar opposites in what they are trying to do in life (trying to move on from the past v. trying to hold onto the past) – both actors were excellent. I also enjoyed the way the film was divided and structured.