Noroi

I, for one, absolutely loved this movie. A progressive and experimental approach to horror.

It is not a "typical Asian horror" where you would see a gruesome looking ghost (usually a woman) that is going around scaring people. You barely see any ghosts for a majority of the film, but the way this movie keeps you interested in the plot and characters is genius.

This is not the movie for you if you're into gore or jumpscares, but this movie has an underlying "creepy" factor throughout the entire movie which I loved.

Don't let the documentary-style of filming turn you off (why should it?). It is on par, if not superior, to the Blair Witch Project - it really feels like you're watching something that you're not supposed to be seeing.

I can't praise this film enough. It had a lot of that hand-held, first-person shaking camera which I love (and some hate, because it makes them sick), like REC, Cloverfield and Blair Witch Project.

It is a long movie for its kind, but I didn't even notice because the film was so interesting. By just showing the footage from a paranormal reporter's work the movie keeps up the pace, making it a real-time experience for the viewer.

While I would never call this film the "scariest horror ever made", I'd have to say it's certainly one of the best I've seen. The fear factor here is constructed by details in the images, camera glitches, events linked to one another which lend a very mysterious and haunting tone to the movie. The horror is more in what is not shown, but left to our imaginations. The ending is perfect, and be warned that you might have nightmares afterwards. A second viewing is highly recommended, though.

Watch this one alone in the dark, don't expect anything and you'll have fun.

Suffice to say I have never seen a film quite like "Noroi". It is perhaps THE creepiest film I have ever watched. Note that I say "creepy", not "scary". There is nothing that will make you jump in this movie, but there is a level of terror and suspense you'll be hard-pressed to find anywhere else. Think "The Blair Witch Project", only stretched out through a longer runtime and a (much) more complex story.

Much like "The Blair Witch Project", the movie is filmed mostly on camcorders and tries (though not nearly as relentlessly as "The Blair Witch Project") to pass itself off as a true story. Purporting to be last documentary of paranormal investigator Masafumi Kobayashi, the movie's real genius is in its construction. It begins with several, seemingly unrelated plot threads, each one kicked off by some mysterious, creepy event. Kobayashi records a bizarre EVP while investigating a reclusive woman's house, a young girl displays psychic powers on a television program, an actress goes into convulsions while investigating a haunted temple. The tension in the movie is maintained beautifully, rising at a steady pace throughout the entire film as bizarre, seemingly supernatural events begin happening to and around the characters. The real horror in the film comes from seeing how these events are all related, a realization the viewers will reach long before the characters, though the plot threads do eventually converge.

A sense of rising horror pervades this entire movie, and by the time the climax rolls around the tension has built to such a screeching pitch it's almost unbearable. Combined with the fact that the last twenty minutes or so contain some of the most unsettling scenes I have ever seen, and you've got a cinematic punch that will stay with you for days. A couple points come off for one character's delirious overacting (although he does play something of a nutcase), but otherwise this movie's got it all. The only question is...are you ready for it?

Released at the tail end of the J-Horror boom, Noroi is not quite a masterpiece like Ringu (1998), Kairo (2001), and Ju-On (2002). Nonetheless, it is a rare example, and almost certainly the best example, of a found footage movie from the heyday of Japanese horror in the late 90's through mid 00's.

Noroi is a remarkably intricate mockumentary about a journalist's investigation of a series of strange occurrences linked to a folk demon called Kagutaba. In fact, it may be a little too intricate for its own good, and the stream of eccentric characters and disparate video clips threatens to overwhelm us viewers. But critically, Noroi manages to carefully build the creepiness factor and unleash some truly hair-raising scares when the time is right. These scares are mostly of the "supernatural events that are only visible when reviewing video camera footage" variety, and although that is one of the more ridiculous clichés in modern horror, it is extremely effective in the right hands, as it is in Lake Mungo (2008) and here in Noroi.

My only real criticism is that about 50% of the plot is explained in a few perfunctory sentences of narration right at the end, inserted as if the filmmakers had finished the movie and then realized that almost nothing was satisfactorily resolved or explained. I don't necessarily mind baffling movies (Kairo for example is almost completely incomprehensible if you haven't seen the inferior American remake), but as Noroi is based entirely on the investigation of a mystery, I feel like it kind of dropped the ball a little bit right at the end, even with the shoehorned narration.

Found footage seems to be a particularly personal thing when it comes to being terrified; millions (including me) consider The Blair Witch Project (1999) the most frightening movie of all time, while millions of other people think Blair Witch is some kind of joke, and Paranormal Activity (2007) is where the real scares are. Whether Noroi will scare the crap out of you or not is hard to predict, but there is little doubt that this is good stuff. Worth any horror fan's time.

"Noroi" is a found-footage horror film that follows the story of a documentary filmmaker who becomes increasingly obsessed with a mysterious cult and paranormal phenomena. The film is known for its unsettling atmosphere, eerie imagery, and slow-burn approach to horror. The film's controversial found-footage style adds an extra layer of realism to the already tense narrative, making the viewer feel as though they are part of the story.

If you know that you can handle the unconventional "found footage" narrative, then you're in for a treat. With its use of sound and visuals, the movie successfully creates a sense of tension and dread. The film's central mystery of the cult and its sinister dealings is both intriguing and chilling, keeping viewers glued to the screen until the very end, as long as they are okay with this format.