The Final Winter

Just saw Final Winter at the Sydney Film Festival and could not believe how good it is . The re-creation of the game was very effective.It was like sitting on the side lines of a first grade game. The real impact and violence is sanitized by television but by clever technique the director/cinematographer ? have captured the bone jarring impact ! I could hardly bare to watch. A good test of the quality of any movie is when you've totally forgotten that you're watching a bunch of actors such is the reality of their performance. I've always been suspicious of these actors who spend years 'studying their craft ' and still act like wooden Indians.I think they're called NIDA graduates ? I think you've just got it or you haven't. These guys/girls did well. The movie flew past.It was exciting,interesting and emotive and I will be recommending it to my friends and family.Can't wait to see it again !Congratulations to cast and crew.Thank You.

I was privileged to get an invite to the cast and crew screening of the final cut of The Final Winter, and was pretty well blown away.

This is a great film - exciting, heart-wrenching, funny - beautifully written, wonderful performances, excellent cinematography, and some great cameos from the likes of Thomas Kenneally and real life Newtown Jets legends, Phil Sigsworth and Tom Raudonikis.

One of the most enjoyable Aussie films I've seen in years - and not just for football fans. A look around the audience at the end of the film saw all of the women, and a lot of the men in the audience, furtively, or openly wiping away tears. A knockout performance by Matt Nable who wrote and co-produced the film and took the challenging main role. He brings an appealing pathos and depth to the role. He's definitely one to keep an eye on. Equally great performances by John Jarratt, Raelee Hill, Nathaniel Dean and Matty Johns in his first serious dramatic role.

Keep an eye out for it in Cinemas later this year. Highly recommended.

The Final Winter (2007), directed by Brian Andrews and Jane Forrest, is a powerful and raw Australian drama that centers on the world of rugby league in the 1980s, a time of significant change for the sport. The film is a heartfelt ode to the old-school values of the game, portraying the struggles of a veteran player grappling with the shifting dynamics of professional rugby.

**Plot and Structure** The story follows Mick "Grub" Henderson (Matt Nable, who also co-wrote the script), a tough-as-nails rugby league player who is fiercely loyal to his team and the traditional ethos of the sport. As the game begins to change, moving toward commercialization and professionalism, Mick finds himself at odds with the direction the game is heading, as well as with the people around him. The film explores themes of loyalty, pride, and identity as Mick faces his own personal and professional crossroads.

The Final Winter is structured like a character study, focusing heavily on Mick's inner turmoil as he struggles to adapt to a changing world. The film's pacing is deliberate, allowing the audience to immerse themselves in the emotional depth of the story while also showcasing the brutal physicality of rugby league.

**Performance and Emotional Depth** Matt Nable delivers a standout performance as Mick Henderson, portraying the character's toughness, vulnerability, and inner conflict with authenticity and intensity. Nable's depiction of a man caught between his love for the game and the harsh realities of the modern world is gripping, making Mick a complex and sympathetic figure. His physical presence on the field contrasts sharply with the emotional battles he faces off the field, giving the film an added layer of depth.

The supporting cast, including Nathaniel Dean and John Jarratt, provide solid performances that flesh out the rugby league community and those closest to Mick. Their interactions bring to life the camaraderie and tension that define both the sport and the relationships within it.

**Themes and Tone** At its core, The Final Winter is a film about change, and the personal cost of holding on to traditions in the face of a rapidly modernizing world. It delves into the loss of identity that many athletes, and by extension fans, experience when their sport transforms from a gritty, working-class passion into a professional, commercialized enterprise.

The film also touches on broader themes of masculinity, pride, and the sacrifices that come with dedicating one's life to a physically punishing sport. Through Mick's character, the movie explores what happens when the values and identity tied to a beloved game are challenged, forcing tough choices about loyalty and legacy.

**Direction and Visuals** The direction by Andrews and Forrest emphasizes the harshness of rugby league, both on the field and in the lives of the players. The film captures the brutal, physical nature of the game, with its bone-crunching tackles and raw physicality, while also highlighting the emotional weight of Mick's struggles. The cinematography is gritty and grounded, reflecting the rough, working-class world in which the characters exist.

The use of period-appropriate settings and costumes helps to evoke the sense of the 1980s, a time when rugby league was beginning to move from its grassroots origins toward a more commercial future. The authenticity of the era enhances the film's atmosphere, drawing the audience into the tension between tradition and progress.

**Conclusion** The Final Winter is a gritty, emotionally charged film that captures the essence of rugby league and the personal battles that come with a changing sport. With a strong central performance by Matt Nable and a focus on character-driven storytelling, the film offers a compelling look at the human side of professional sports. It's a must-watch for rugby league fans, but its themes of loyalty, identity, and change make it a universally resonant story.

Rating: 7.5/10 A raw and heartfelt portrayal of rugby league and its impact on those who live for the game, The Final Winter delivers a powerful message about tradition, pride, and the challenges of adapting to a changing world. The film's authenticity and emotional depth make it a standout sports drama.

I saw this movie yesterday evening where it had its premiere as part of the Sydney Film Festival. It was with much anticipation and a great deal of interest that I went to see this film, as there have been few Australian films centered around Rugby League (as opposed to AFL or Australian Rules Football - The Club, Australian Rules, The Great McCarthy etc). I was not disappointed. 'The Final Winter' is set in the early 1980's and follows the story of Grub, a working class married father of two who has been a loyal player for the Newtown Jets for many years. Grub finds himself at a crossroad in his life when the the teams administration decides that they do not need him and are moving towards a corporate style of management particularly in regard to their players. The film follows his journey, with the help of family and friends, as he reassesses his priorities and how he has defined himself. While the film is essentially a drama there are plenty of comic moments with cameos by some well known Rugby greats. And while the performances are excellent all round particular mention must go to Matt Nable's moving performance as Grub; and Raelee Hill as his wife Emma, her performance is astonishing in a film predominated by men. However it must be said that all the female characters in the film are strongly drawn or written, which is refreshing and gives the film a complexity and depth that other films, that center around all male sport teams, have lacked. There is a great soundtrack of early 80's Aussie songs to help recreate the era and set the mood. In particular 'Short Note' by Matt Finnish. At the end of the screening the audience was informed in a Q & A that the film has been picked up by Paramount. I am not surprised. This is a film which should get a wide release and deserves success. Recommended.

I arrived in Sydney in the mid-1980's as a dyed-in-the-wool rugby union man - ex-player, avid follower. But when I saw Sydney rugby league, hard, uncompromising, skillful, I fell in love with it. It was the era dominated by Parramatta and Canterbury. I'd heard about Newtown - foundation club and so on - but like a defeated Prime Minister, the club was gone, and no-one had much interest in it any more.

This movie goes back a few years, to the early 80's, when Newtown was struggling to survive. The old-school league men were being replaced by businessmen. It was an approach that didn't save Newtown, and a decade or so later, when greed and big business combined to create the Super League wars, it drove people away from the game in, well, droves, including me. From someone who used to immerse himself in the game from Friday to Sunday nights, my interest declined to where it is today - about zero.

But nevertheless, I found this movie intensely interesting, arousing some desire to perform further research into the Newtown era. Matt Nable, the Charles Bronson look-alike whom I've never heard of before, and the driving force behind the movie, has done a terrific job of creating a (mostly) polished product. Matthew Johns and Kate Mulvaney were good in supporting roles, but the standout for me was Raelee Hill. I'd seen her in a few TV roles, but in this, she was perfect. The kids were good too.

I wouldn't class this alongside, say, Romulus My Father, but it was still a surprisingly good Aussie movie.