U.S. Marshal Mary Shannon muss Zeugen für Bundesfälle im Zeugenschutzprogramm jagen, während sie gleichzeitig eine eher dysfunktionale Familie und ihr eigenes Privatleben verwalten muss.U.S. Marshal Mary Shannon muss Zeugen für Bundesfälle im Zeugenschutzprogramm jagen, während sie gleichzeitig eine eher dysfunktionale Familie und ihr eigenes Privatleben verwalten muss.U.S. Marshal Mary Shannon muss Zeugen für Bundesfälle im Zeugenschutzprogramm jagen, während sie gleichzeitig eine eher dysfunktionale Familie und ihr eigenes Privatleben verwalten muss.
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Mary McCormack is amazing and has great platonic chemistry with Frederick Weller. It's a simple, fun cop procedural and everything works. The dysfunctional family and love life are all great.
I do agree that the mother and sister are best in small doses, but they do provide a nice slightly off-balance counterpoint to the thoroughly professional handle Mary has on her work life. One line describes the relationship beautifully: in replying to her n'er-do-well sister's question about why Mary won't just get rid of her defective car, she says "because, like my family, I love it a little more than I want to kill it." The people she's protecting have been getting better and better with each successive show. The most recent, David Foley, was a real hoot as an assassin's middleman.
All in all, I don't care if it's not exactly as law enforcement would do it. I'm not looking for authenticity in a summer show. I'm looking for fun, and In Plain Sight has it in spades.
So I don't like cop shows. Except.....
Mary Shannon has to be the most irascible, sarcastic, cynical, wry, blunt pretend LEO to ever pin on a TV badge. I love every minute she and Marshall are on the screen. Whoever writes for the show, especially the dialogue, is a genius. Practically every other line Mary utters is something that I wish I had thought of. At the same time, I identify with both her partner Marshall, and her supervisor Stan. Mary is the sort of partner and subordinate that you love to work with while simultaneously dreading whatever they're going to do next.
The show is hardly a model of realism, but I've given up on Hollywood ever getting that right. I watch the show because I want to see Mary cause Stan to pull out the rest of his hair, to hear her lay into some pompous FBI agent, to tell some protectee or family member just what an idiot they are, or to cause Marshall to go off on some existential tangent. You go girl!!
The plot was complex but only because more than one story overlapped and the pilot should probably have been 2 hours instead of 90 minutes to help develop some of the themes and the characters, but there was no problem in following what was happening.
I hope the relationship between Mary and Raphael develops. She obviously wants more but sees herself as either not capable of such a relationship or because her job won't let her have a solid relationship.
But will she develop a relationship with detective Dershowitz? That would be interesting.
We look forward to the next episode.
My husband and I blew a rainy Saturday watching one episode after the next on Netflix. As rainy Saturdays go, it was a good one.
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- WissenswertesThe building used in exterior shots as the office building for the U.S. Marshals' Albuquerque office is the historic Sunshine Building in downtown Albuquerque, designed by famous architect Henry C. Trost.
- PatzerSeveral episodes including the Pilot and S2E1 have a county coroner van. In New Mexico, there are no such things as county coroners. Medical forensics and death in New Mexico are handled by a state level agency called Officer of the Medical Investigator, and all autopsies are handed in Albuquerque.
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Mary Shannon: [intro] Since 1970, the Federal Witness Protection Program has relocated thousands of witnesses, some criminal, some not, to neighborhoods all across the country. Every one of those individuals shares a unique attribute, distinguishing them from the rest of the general population. And that is, somebody wants them dead.
- VerbindungenFeatured in The Tonight Show with Jay Leno: Folge #18.29 (2010)
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