Ein Kuchenbäcker, der die Macht hat, Tote wieder zum Leben zu erwecken, löst Mordgeheimnisse mit seiner wieder-erweckten Kindheitsliebe, einem zynischen Privatdetektiv und einer liebeskranke... Alles lesenEin Kuchenbäcker, der die Macht hat, Tote wieder zum Leben zu erwecken, löst Mordgeheimnisse mit seiner wieder-erweckten Kindheitsliebe, einem zynischen Privatdetektiv und einer liebeskranken Kellnerin.Ein Kuchenbäcker, der die Macht hat, Tote wieder zum Leben zu erwecken, löst Mordgeheimnisse mit seiner wieder-erweckten Kindheitsliebe, einem zynischen Privatdetektiv und einer liebeskranken Kellnerin.
- 7 Primetime Emmys gewonnen
- 35 Gewinne & 81 Nominierungen insgesamt
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When I first saw this advertised on television I thought it might be a fun little show, I didn't think it would be something I'd want to own on DVD though... I soon realised that this was something special; the colours are all brighter than normal, the dialogue is more wordy than people really use and the plot is surreal to say the least. All these things could have lead to a disaster but it worked perfectly for me. The cast did a great job bringing their surreal world to life.
Ned isn't like ordinary people; he can bring the dead back to life with a single touch, there are two major catches though, if he touches that person a second time they will die forever and if he leaves a person alive for more than a minute somebody else nearby must die. Using this skill he is able to help private detective Emerson Cod by questioning murder victims. Things change for Ned when one of the victims he revives is his childhood sweetheart Charlotte "Chuck" Charles. He can't bring himself to touch her again which apart from causing somebody else's death leads to a very difficult relationship between them. When Ned isn't dealing with dead people he cooks in The Pie Hole, the pie-restaurant he owns.
Most of the episodes are of the murder-of-the-week variety although there are some continuing threads to the story. The murders are never anything normal; their strangeness reminded me of the 1960s series "The Avengers". As well as having two great leading characters the supporting cast does a great job, I especially liked Kristin Chenoweth's portrayal of the diminutive Olive Snook a Pie Hole employee with a soft spot for Ned but who does not know his strange secret.
It is a shame that the series was cut short but I'm glad that it was given a proper ending even if there were a few loose ends left untied the main story had nice conclusion. This series won't be for everybody but if you want to watch something a bit different I'd recommend giving this show a chance.
Ned isn't like ordinary people; he can bring the dead back to life with a single touch, there are two major catches though, if he touches that person a second time they will die forever and if he leaves a person alive for more than a minute somebody else nearby must die. Using this skill he is able to help private detective Emerson Cod by questioning murder victims. Things change for Ned when one of the victims he revives is his childhood sweetheart Charlotte "Chuck" Charles. He can't bring himself to touch her again which apart from causing somebody else's death leads to a very difficult relationship between them. When Ned isn't dealing with dead people he cooks in The Pie Hole, the pie-restaurant he owns.
Most of the episodes are of the murder-of-the-week variety although there are some continuing threads to the story. The murders are never anything normal; their strangeness reminded me of the 1960s series "The Avengers". As well as having two great leading characters the supporting cast does a great job, I especially liked Kristin Chenoweth's portrayal of the diminutive Olive Snook a Pie Hole employee with a soft spot for Ned but who does not know his strange secret.
It is a shame that the series was cut short but I'm glad that it was given a proper ending even if there were a few loose ends left untied the main story had nice conclusion. This series won't be for everybody but if you want to watch something a bit different I'd recommend giving this show a chance.
When Pushing Daisies was on, it always made my day. I just loved how funny, quirky and clever it was. So I was saddened when it ended as abruptly as it did, it may have had a rocky start however it did get much better very quickly and had even more time to progress if given the chance.
I loved Pushing Daisies for several reasons. With skillful photography and striking clothes, lighting and sets, the visuals were constantly very colourful. The music had a lot of charm and quirkiness about it too, the writing was witty and engaging and the stories were clever with an original and imaginative concept. The characters were always fanciful and likable, Jim Dale's narration was sardonic and beautifully delivered, Kristen Chenoweth brightened up every scene she appeared in as did a fair number of those who guested on the show and Lee Pace and Anna Friel were very endearing in their own way.
In conclusion, a gem that ended too soon. 9/10 Bethany Cox
I loved Pushing Daisies for several reasons. With skillful photography and striking clothes, lighting and sets, the visuals were constantly very colourful. The music had a lot of charm and quirkiness about it too, the writing was witty and engaging and the stories were clever with an original and imaginative concept. The characters were always fanciful and likable, Jim Dale's narration was sardonic and beautifully delivered, Kristen Chenoweth brightened up every scene she appeared in as did a fair number of those who guested on the show and Lee Pace and Anna Friel were very endearing in their own way.
In conclusion, a gem that ended too soon. 9/10 Bethany Cox
This was my number one show to watch. I have decided not to start watching a new show so that I won't be disappointed because of it's abrupt end. I loved the show. Even though it was frustrating regarding the plot line, the writing and humor got me every show. They could have found a loophole. There is always a loophole, especially with such a magical plot line. Everyone on the show was very talented, and I could believe their fanciful characters. The musical numbers helped drive the suspension of disbelief. Glee has show us that. The only reason I turned to Glee was because of the loss of Pushing Daisies. It is much less mature and negative in humor, but it has it's fun parts too. I wish that a show like this would get more support.
Pushing Daisies is just a lovely fairy tale, with shades of "Amelie"'s aesthetic and romance. It's got a beautiful palette, its shots well thought out and detailed, its names and dialogue whimsical and too cutesy to be real, its imagination great, and its romance deep.
Watch the blue in the sky pop out at you, as blue can't be found in the rest of the sets or shots (with few exceptions).
Watch a weirdly natural and totally satisfying song break out of a scene.
Its score is gorgeous, its cast is supremely likable, there's great music, and the two leading romantic stars can't touch each other or she'll die. How much more sexual tension do you need? (Actually, I had wished they found a way around this one, but c'est la vie).
It is simply a show that it is a pleasure to spend an hour with, and I recommend it highly. There hasn't been other television quite like it, and I would like to see more. It got me through a flu one crappy week, as it makes for good company.
Bring it back!
Watch the blue in the sky pop out at you, as blue can't be found in the rest of the sets or shots (with few exceptions).
Watch a weirdly natural and totally satisfying song break out of a scene.
Its score is gorgeous, its cast is supremely likable, there's great music, and the two leading romantic stars can't touch each other or she'll die. How much more sexual tension do you need? (Actually, I had wished they found a way around this one, but c'est la vie).
It is simply a show that it is a pleasure to spend an hour with, and I recommend it highly. There hasn't been other television quite like it, and I would like to see more. It got me through a flu one crappy week, as it makes for good company.
Bring it back!
This show is addictively wonderful. The writing and acting are fantastic. Funny, touching, and also intrigue all wrapped into one. Be sure to get this into your DVD player and enjoy it from the beginning to the unexpectedly short end. Watch it, watch it, watch it! There are some great characters and great guest appearances that only help add to the endearing aspect of the show. Kudos to the writers for developing a great storyline that only gets better over time. I just don't understand why this wasn't interesting for the American TV public. Bad time? Too quirky? Not enough studio support? I suspect that the production costs were very high, but all parts of the show (directly, special effects, costumes, sets) are great. Thank goodness it's on DVD, and I can only hope that it somehow comes back in one way, shape, or form.
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- WissenswertesBased on a rejected plotline for Dead Like Me - So gut wie tot (2003) where Ellen Muth's character couldn't collect any souls because somebody was resurrecting them with a touch.
- PatzerThroughout the series, the way Ned's gift works contradicts itself. Most notably, his entire business is based around touching dead fruit to make it ripe again for use in his pies. When he touches the fruit, it is restored to its pristine physical shape. However when he touches a sentient creature that has died, the broken/harmed/rotted body remains that way.
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- 44 Min.
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- 1.78 : 1
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