Füge eine Handlung in deiner Sprache hinzuA thirty-something columnist becomes legal guardian of her Amish sister's five children and ends up 'using' the kids' lives as stories for her column, causing them to feel betrayed, since th... Alles lesenA thirty-something columnist becomes legal guardian of her Amish sister's five children and ends up 'using' the kids' lives as stories for her column, causing them to feel betrayed, since they had believed she was truly concerned for them.A thirty-something columnist becomes legal guardian of her Amish sister's five children and ends up 'using' the kids' lives as stories for her column, causing them to feel betrayed, since they had believed she was truly concerned for them.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Gewinne & 1 Nominierung insgesamt
- Norma
- (as Yolanda Wood)
- Lady Tourist
- (as Micaela T. Nelligan)
- Anna Mae Cottrell
- (as Danielle Chuchran)
- Samuel King
- (as John Cruz)
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And while this has one or two moments which are a bit contrived, or even slightly preachy, or maybe even after-school-specialish, on the whole it isn't too heavy handed. And a genuinely interesting story, as well as some solid performances (especially by Lisa Pepper as Sarah), make this a worthwhile effort.
On the downside, the available material as far as culture clash, individual and group identities, and the relationship with the outside world isn't too deeply mined, and we instead get a surface treatment with a few symbolic moments which seem to be treated as needed plot devices, rather than moments for a deeper exploration of character or human behavior. The story and characters could have benefited from a more thoughtfully developed script in some of these moments.
But the writing is stronger on the subject of family relationships, which is more the focus here than the relationship with the outside world. And the film does well here, exploring Sarah's relationships with her departed sister, with the man who wants to marry her, and with the family she had for too long lost contact with. The least engaging performance there may have been Tom Tate, as Bryan. But while he does come across as a bit wooden, and dull, that is pretty much what the character required. It is obviously part of the message of the film, that Sarah at times hasn't been as appreciative of the plain, but reliable and virtuous Bryan as she maybe ought to have been.
And, ultimately, the film itself takes on some of the same characteristics it seems to admire in Bryan and in the Amish. It is a bit simple, and at times dull, and at others a bit too preachy, but overall solid, reliable, and well intentioned, and able to find joy in the simpler pleasures of life.
Perhaps I shouldn't be surprised then that this was directed by Michael Landon, Jr. The overall approach is similar to that of the "Little House on the Prairie" series in which his father starred. You might add or subtract a star or two according to whether that appeals to you.
Whatever the limitations of the genre however, this type of family entertainment can be done poorly, or it can be done well, and this example is at least above average.
I would have given the film a 10 until I saw the deleted scenes on the DVD and thought they left the best parts of the story on the cutting room floor. Perhaps they were removed because the theme of family, love, and God might have been viewed as too strong, or one-sided, or forcing someone else's beliefs on the audience. Their absence may have caused some to regard it as 'sappy', or then again, maybe not. Each of us sees things from our own perspective. What I consider my loss - the deleted scenes, some others' loss (in my opinion) - what it was really all about.
I live in Lancaster, PA. This movie is so full of inaccuracies about the Amish that I can't give it a full recommendation. Please don't watch this and assume you've learned about the Amish and their way of life.
We laughed when we heard the Amish 'elder' speaking--Amish don't have German accents! And Amish bonnets don't look like that. I could go on.
Suffice to say, the Amish aren't at all as innocent of our way of life as we'd like to believe them to be.
Wusstest du schon
- WissenswertesThe character mannerisms and wardrobe for 'Elliot Gould''s newspaper editor character are based on Tim Fitzpatrick, a deputy editor at The Salt Lake Tribune. Fitzpatrick's father is a former publisher of the newspaper. When the crew arrived to film scenes in the Tribune newsroom, they loved Fitzpatrick's look so much they copied it down to the last detail.
- Zitate
Josiah Cottrell: You don't have stars here.
Sarah Cain: Yeah, we do. You just can't see them very well because of all the city lights.
Josiah Cottrell: Don't you miss seein' 'em?
Sarah Cain: I guess I've gotten used to not seeing them.
Josiah Cottrell: Oh, I could never get used to that. Dat always said stars are pinholes in the curtains of heaven.
- VerbindungenReferenced in It's Always Sunny in Philadelphia: The Gang Squashes Their Beefs (2013)
- SoundtracksIs This What You Wanted
Words and Music by Jill Phillips
Performed by Jill Phillips
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Saving Sarah Cain
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 2.349.352 $ (geschätzt)
- Laufzeit
- 1 Std. 43 Min.(103 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.78 : 1