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Barda

  • 2007
  • 1 Std. 32 Min.
IMDb-BEWERTUNG
7,0/10
16.575
IHRE BEWERTUNG
Barda (2007)
DramaKriminalitätThriller

Eine Gruppe von Freunden versammelt sich in der Bar eines Freundes, in der sie den Abend verbringen, und macht sich auf den Heimweg, als sie von fünf Fremden mit einer Waffe bedroht wird.Eine Gruppe von Freunden versammelt sich in der Bar eines Freundes, in der sie den Abend verbringen, und macht sich auf den Heimweg, als sie von fünf Fremden mit einer Waffe bedroht wird.Eine Gruppe von Freunden versammelt sich in der Bar eines Freundes, in der sie den Abend verbringen, und macht sich auf den Heimweg, als sie von fünf Fremden mit einer Waffe bedroht wird.

  • Regie
    • Serdar Akar
  • Drehbuch
    • Serdar Akar
    • Volkan Sümbül
    • Emre Özdür
  • Hauptbesetzung
    • Nejat Isler
    • Hakan Boyav
    • Serdar Orçin
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,0/10
    16.575
    IHRE BEWERTUNG
    • Regie
      • Serdar Akar
    • Drehbuch
      • Serdar Akar
      • Volkan Sümbül
      • Emre Özdür
    • Hauptbesetzung
      • Nejat Isler
      • Hakan Boyav
      • Serdar Orçin
    • 19Benutzerrezensionen
    • 2Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 3 Gewinne & 8 Nominierungen insgesamt

    Fotos37

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    Topbesetzung36

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    Nejat Isler
    Nejat Isler
    • Selim
    Hakan Boyav
    Hakan Boyav
    • Patlak
    Serdar Orçin
    • 45
    Erdal Besikçioglu
    Erdal Besikçioglu
    • Nasir
    Volga Sorgu
    • Çirak
    Dogu Alpan
    • Nail
    Burak Altay
    • Tgg
    Melis Birkan
    • Nil
    Nergis Öztürk
    • Sevgi
    Sezen Aray
    • Pelin
    Meltem Parlak
    Meltem Parlak
    • Aynur
    Samil Kafkas
    • Alis
    Salih Bademci
    • Cenk
    Sarp Aydinoglu
    • Barbo
    Eray Özbal
    • Savci
    Yildiz Durucan
    • Hemsire
    Didem Yalinay
    • Muayenehanedeki Kiz
    Aytug Civan
    • Bar Görevlisi
    • Regie
      • Serdar Akar
    • Drehbuch
      • Serdar Akar
      • Volkan Sümbül
      • Emre Özdür
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen19

    7,016.5K
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    Empfohlene Bewertungen

    2abdullahtez

    showing the violence is not being creative

    they think that if we show the violence in a different way we will be more creative ...but they do not respect to mother identity..and they don't want us to watch all the film because we couldn't stand it only one hour.... everyone left the place... No human being can afford to stay meanwhile those guys are having fun with the girls that will make you think if they were your girlfriends or anyone you know.We should not make producers think they are on the way to win with this film.We must think clearly that anywhere anything may happen to anyone but the way to be more conscious is not the way on this movie to watch.People that will be conscious by the help of the film are not much more than ones that will probably make those behaviours unconsciously or consciously on another people so this way is wrong to be object lesson
    5serim-paker

    I could NOT watch till the end

    This is one of the VERY few movies i couldn't stand till the end. Is it because the movie is bad? No, Not at all. May be the film was way too good that I Really felt the sorrow of the victims. What hit me for the first place was, the victims were just like people like me or my friends or my family. NORMAL, usual people. Not heroic or "angel-good" movie characters.

    With a pure emphatic approach I felt that I would do exactly the same as the victims... Disturbing. A dark catastrophe surrounds you in the dark saloon of the movie. I couldn't stand it till the end. Not to spoil the joy of watching such a good handled movie I will not give any details of the violence but I can not pass prising the cast. The actors are amazing and well fit for their rolls.

    If you decide to watch the movie i just wish you GOOD LUCK.
    8ruhi-yaman

    In some ways better than Haneke

    Turkish cinema is constantly maturing. This is one of the best explorations of the social divide and culture of envy present in modern Turkey. Inevitable comparisons are made to works of Haneke, particularly to Funny Games. The film does not have the virtuosity of Haneke, but it also does not have Haneke's patronising, barely disguised sermons against bourgeoisie. The middle class young people are not hedonistic, divorced from reality buffheads. They exist within a different reality from the nether class hoons that invade their world. Some left-leaning Turkish viewers that would like to see any city-dwelling Turk from a non-working class background as vermin will not be pleased. However, social strata in Turkey is not black and white anymore - if it ever were...

    It won't be a spoiler to state that the violent scenes are difficult to watch and some might find those out of place in a film that is decidedly anti-violence. To me, the uber-realism of those scenes carried the subtext of the film: Do not kid yourself. Violence is ugly, brutal and it never leads to anything positive. There is no justification for it.

    Thanks to the viewer that had recognized the directors at the end of the film. I would have missed that message if it weren't for him/her. Not that it would have made any difference to my assessment.
    9soysaldeniz

    The results of lack of communication, social and moral values, the justice system...

    This movie depicts human relations.It shows the inevitable gaps between people and like the movie "Babel" it also shows how important communication is; because most of the things throughout the movie happen because of lack of communication. It also questions the judicial system in Turkey. People don't understand each other and in fact sometimes they don't want to. Most of the people evaluate others with the things they own, they wear or with their occupations. As if the Social status of a person has become the criterion of being a human. I mean if your social status is low, you are not respected, you are accepted as a "non-human" You see what one can do when he has nothing to lose. "It's only after you lose everything that you are free to do anything" (quote from fight club) Selim and his gang have nothing to lose, so they are free -actually they think they are free to do anything; because what else they can lose? People's non-existing respect? Money? What? The answer is nothing. You can't lose what you don't have. Torturing is their self-masturbation, destruction is their revenge. Yet this is questionable: "Do we have the right to take justice into our hands." Nothing is unreal in the movie. Loved it
    e_karasan

    Hard to swallow, deserves "reconsideration"

    This is not a Haneke film, they are not in the same league. This fact doesn't harm this special film. It's special because it gives the universal brutality of human nature in a local way. Bad guys are doing wonderful job in their particular performances. Nejat Isler, playing brutal yet charismatic gang leader in a very convincing way. Other bad guys were also doing wonderful job, they are so hateable! Many of movie goers didn't like the "tgg"(reconsider) philosophy in the movie. I don't agree, this is some kind of call for sanity, even after such a brutal experience. Being human or just not being... I highly recommend this hard hitting film, makes you go hmm...

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    Handlung

    Ändern

    Wusstest du schon

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    • Wissenswertes
      Based on a real life event that happened in Ankara, Turkey in 1997. Even though a gang assaulted a Bar singer and "his" friends, the assault happened in a house located in a very rich district of the city, not in a bar.
    • Zitate

      Hakim: Justice is not something invented to ease people's consciences. That's why your conscience may not be relieved. Such an incident should never have happened, I wish it hadn't. Maybe one day you all will be able to say this.

    • Verbindungen
      Followed by Barda (2024)
    • Soundtracks
      Degisen Ne?
      Written by Selim Demirdelen

      Performed by Türkay Türkmen

      Courtesy of 101 Records Istanbul

    Top-Auswahl

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    FAQ18

    • How long is At the Bar?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 2. Februar 2007 (Türkei)
    • Herkunftsland
      • Türkei
    • Sprache
      • Türkisch
    • Auch bekannt als
      • At the Bar
    • Drehorte
      • Istanbul, Türkei
    • Produktionsfirma
      • Filmakar
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    Box Office

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    • Weltweiter Bruttoertrag
      • 1.261.116 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      • 1 Std. 32 Min.(92 min)
    • Farbe
      • Color

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