I Sell the Dead

What's this? Another recent title? It'd be ridiculous for your fellow ghoul not to keep current with today's releases. I'll try to keep this one brief because I'm still unsure of my opinion in terms of the outcome.

I Sell the Dead is about a man by the name of Arthur Blake (played by Dominic Monaghan, commonly recognizable as Charlie from Lost and also a hobbit in The Lord of the Rings trilogy) who confesses his grave robbing crimes to a priest named Father Duffy (your neighborhood friendly Ron Pearlman). Set in the Victorian era, Blake goes into detail concerning the exploits of his misadventures with his partner Willie. They soon come into contact with a rival grave-plundering gang led by the vicious corpsegrinder Cornelius Murphy.

Several twists and turns are contained within peppered by obvious comedic elements. Unfortunately, I've seen better attempts at black comedy on BET. As I mentioned earlier, rating this film is not an easy task. Part of me thoroughly enjoyed the artistic approach and silly premise. On the other hand, I had a difficult time interpreting the pace. Several scenes felt disjointed and out-of-place, leaving me to ponder whether or not it was intentional. The acting is solid, of course. If you enjoy the mixture of comedy and horror (which, to be honest, I'm touchy about) then I would recommend checking this one out. Shut your brain off and enjoy the show...just don't expect anything groundbreaking.

I saw this movie as part of the Midnite Madness at Sitges. Set in 18th century England, the plot covers the life of Arthur Blake from his first outing as an apprentice grave robber to his final confession on the eve of his execution.

The plot moves along via a series of misadventures involving Arthur and his partner encountering various unsavory characters and bizarre situations.

The first thing that strikes you about this movie is how accurately they managed to capture the look of the Hammer period horrors, the atmosphere is set with lots of fog laden graveyards, rowdy tavern scenes and excellent set/costume design.

For a movie titled I Sell the Dead, I was expecting the emphasis to be mostly on horror – don't get me wrong there are some jumpy moments and gore, but the tone is very much comedic, driven by the situations the characters get themselves into and their dialog. The closest comparison to the scenes between the two leads (Larry Fessenden and Dominic Monaghan) is the character interaction seen in the classic English comedies Only Fools and Horses, the Two Ronnies and Morecambe and Wise.

The acting is strong and the casting of very familiar faces in Ron Perlman and Angus Scrimm lift the movie above many of the others on view in Sitges.

Overall the movie offers something very different to the current crop of mainstream horror and will leave a smile on your face.

I confess, I only watched this because I enjoy Ron Perlman, but I stayed with it because it is a hoot! It is neither excessively gory nor bloody, but it keeps its horror creds kinda side-wise, and kept me chuckling throughout. I find it hard to categorize this odd flick, but if you have the 90 or so minutes, give it a try - it is fun! The story line allows you to expect a bigger payoff than you get, but the actual story more than makes up for it. First you meet the apparent villain and his church appointed accuser. It rapidly becomes apparent that the real issues are not mundane but seriously supernatural!Vampires, zombies, grave robbers. The world is not as simple as you might wish. Oh MY - laugh and enjoy - it is worth the visit!

I went to see Glenn McQuaid's "I Sell The Dead" in it's North American premiere at the Toronto After Dark Film Festival. Seeing as this is the second showing worldwide I didn't quite know what to expect of this film, especially having not seen the short film that inspired this big screen adaptation.

I'll start off with a slightly more elaborate plot synopsis, without giving away any spoilers.

This movie is about Arthur Blake, how he became a grave robber and the interesting and supernatural discoveries that both he and his mentor discovered.

The costume and set design in this film were excellent. I was amazed to hear that the entire film was shot in and around New York. The costumes were very accurate to the time, really bringing you as a viewer into the mindset of the time. This movie works just as well as a period-piece as it does a horror-comedy.

The interaction between the two leads was very fluid. They played off each others acting with ease. The dialogue between the two was very well written, with Glenn adding his comedic touch even in tense situations.

The story is very encompassing and the ball gets rolling from the very start. I'd compare it to a visual page turner, always wondering just what will happen next. The characters themselves are all very vivid and unique adding different emotional layers to the film itself.

All in all, I recommend this film for anyone in the mood for some dark humour, with a bit of horror mixed in.

9/10

This movie totally surprised me; I was expecting your run-of-the-mill zombie apocalypse, with the usual who's-gonna-get-killed-first gamble, but I was wrong: It is about the lives and times of two grave robbers in the mid 1800s England. It is horror in a blasé way, and a comedy by circumstance more than by design.

It is by no way a summer blockbuster; There are no spectacular explosion and CGI, nor there is any romancing "for the female crowd"; It is an old-fashion, hand-made movie with lots of love.

This love is apparent in the actors' play, which is a testimony to their great direction: The two main characters have a synergy that works very well (they look as if they played together for ages) and every other actor in the movie are characterized and unique, even the background and silent ones. The music score, robust and in the right tone, adds to the grim ambiance.

It may not have a spectacular development or a intricate storyline, but it is easy listening due to the anecdotal way it is told and the smooth camera work. I still have pleasure re-watching it, even more-so with a couple of brews under the belt.

7 out of 10: Not a true classic in the cinematographic sense, but certainly worth a try.