An einem antarktischen Forschungsstandort führt die Entdeckung eines außerirdischen Schiffes zu einer Konfrontation zwischen der Doktorandin Kate Lloyd und dem Wissenschaftler Dr. Sander Hal... Alles lesenAn einem antarktischen Forschungsstandort führt die Entdeckung eines außerirdischen Schiffes zu einer Konfrontation zwischen der Doktorandin Kate Lloyd und dem Wissenschaftler Dr. Sander Halvorson.An einem antarktischen Forschungsstandort führt die Entdeckung eines außerirdischen Schiffes zu einer Konfrontation zwischen der Doktorandin Kate Lloyd und dem Wissenschaftler Dr. Sander Halvorson.
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- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 6 Nominierungen insgesamt
Jonathan Walker
- Colin
- (as Jonathan Lloyd Walker)
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Different enough from the original that it feels pretty unique, and takes a bit of a different spin on a good story.
Glad they cast M E. W as the lead as she's just a great actress, and for me, this and Cloverfield Lane are some of her best performances in my opinion.
Graphics feel a little dated now, but there was only really one instance where it felt a little lower budget.
Only removing a few stars because I think there could have been a little more tension, and I wanted a more solid ending that what was offered.
A worthwhile watch which I wish kept me more on my toes, but delivered in great monster design and enough nods to the original without being a copy.
Glad they cast M E. W as the lead as she's just a great actress, and for me, this and Cloverfield Lane are some of her best performances in my opinion.
Graphics feel a little dated now, but there was only really one instance where it felt a little lower budget.
Only removing a few stars because I think there could have been a little more tension, and I wanted a more solid ending that what was offered.
A worthwhile watch which I wish kept me more on my toes, but delivered in great monster design and enough nods to the original without being a copy.
In 1982, the Norwegian Dr. Sander Halvorson (Ulrich Thomsen) invites the paleontologist Kate Lloyd (Mary Elizabeth Winstead) to join his team in his research in the Artic. On the arrival, she learns that they have discovered a spacecraft deep below in the ice. They find a frozen alien life form nearby and they bring to their facility for research. Out of the blue, the alien revives and attack the scientists, contaminating them and assuming the shape of his victim. Kate finds means to identify the creature, but maybe it is too late to save the team members.
In 1982, the master John Carpenter remade the 1951 "The Thing from Another World" ans his movie has become a masterpiece. The story of a shape-shifting alien that can assume any human form is tense, supported by a claustrophobic and depressing scenario, paranoid characters with Kurt Russell in the top of his successful career, haunting music score by Ennio Morricone and John Carpenter's top-notch direction.
This remake disguised in prequel is not totally bad, but follows the format of the present Hollywood movies, supported by special effects but without the atmosphere and the psychological horror of the 1982 movie. My vote is six.
Title (Brazil): "O Enigma do Outro Mundo" ("The Enigma of Another World")
In 1982, the master John Carpenter remade the 1951 "The Thing from Another World" ans his movie has become a masterpiece. The story of a shape-shifting alien that can assume any human form is tense, supported by a claustrophobic and depressing scenario, paranoid characters with Kurt Russell in the top of his successful career, haunting music score by Ennio Morricone and John Carpenter's top-notch direction.
This remake disguised in prequel is not totally bad, but follows the format of the present Hollywood movies, supported by special effects but without the atmosphere and the psychological horror of the 1982 movie. My vote is six.
Title (Brazil): "O Enigma do Outro Mundo" ("The Enigma of Another World")
Now now children, some people will have different opinions than you and just because it's different, doesn't make it wrong. Having read the first couple of pages of reviews here and having just seen the film only quarter of an hour ago, I felt compelled to write something about this prequel to the 1982 'The Thing'.
It's fair to say that opinion is divided on the merits of this offering, but it's also fair to say that most opinions that lambast this film are from die-hard Carpenter fans who are woefully disappointed by what they have seen, and fair play to them. No, it's not like the original movie. Go figure. It's nearly thirty years later. If you want to see the same film, go and rent it (and then watch it) twice.
Having seen the original movie maybe three or four times in the past thirty years (I was fourteen when I will have first seen it in 1983) I was quite pleasantly surprised by the end of this prequel. True, it lacks some of the tension of the original and the acting from most, if not all, was below par. I remember the wonder of the special effects taking my breath away in the early eighties. This effort failed to bring me those same kind of delightful terrors. However, this is not due to the realism or effort on the part of the film-makers.
This is purely down to my experience of horror movies throughout the past thirty years. My expectations at 42 are not the same as that 14 year old boy and I am a grisled and wisened old movie cynic these days as opposed to a wide-eyed horror newbie. I think I watched this around the same time as my pirate VHS copies of The Evil Dead and Poltergeist.
In short, this wasn't half bad. It was faithful enough the original film for my liking, though having only seen it a few times, I am far from an authority on the subject matter. Continuity sputtered from time to time and there were slightly too many plot lines left dangling for comfort, but altogether, this was an enjoyable hour and a half. Yes, it's true that you didn't feel for the characters as much as say MacReady (or whatever Russell's name was) in the first film and some of the blame for this should fall squarely on the writers. After all, bad though the acting may have been, they can only read what's on the page in front of them.
Don't be put off by the comments you read here that tell you this is nothing more than an awful pile of monkey doings, because that is judging it too harshly. It's never going to be the classic that Carpenter's film ended up being, but given the last decade of truly terrible remakes we have been forced to sit through, horror-wise, this is almost a breath of fresh air. Remember what decade you're in be thankful that whilst this is not a classic, it is better than much of what we've seen recently.
It's fair to say that opinion is divided on the merits of this offering, but it's also fair to say that most opinions that lambast this film are from die-hard Carpenter fans who are woefully disappointed by what they have seen, and fair play to them. No, it's not like the original movie. Go figure. It's nearly thirty years later. If you want to see the same film, go and rent it (and then watch it) twice.
Having seen the original movie maybe three or four times in the past thirty years (I was fourteen when I will have first seen it in 1983) I was quite pleasantly surprised by the end of this prequel. True, it lacks some of the tension of the original and the acting from most, if not all, was below par. I remember the wonder of the special effects taking my breath away in the early eighties. This effort failed to bring me those same kind of delightful terrors. However, this is not due to the realism or effort on the part of the film-makers.
This is purely down to my experience of horror movies throughout the past thirty years. My expectations at 42 are not the same as that 14 year old boy and I am a grisled and wisened old movie cynic these days as opposed to a wide-eyed horror newbie. I think I watched this around the same time as my pirate VHS copies of The Evil Dead and Poltergeist.
In short, this wasn't half bad. It was faithful enough the original film for my liking, though having only seen it a few times, I am far from an authority on the subject matter. Continuity sputtered from time to time and there were slightly too many plot lines left dangling for comfort, but altogether, this was an enjoyable hour and a half. Yes, it's true that you didn't feel for the characters as much as say MacReady (or whatever Russell's name was) in the first film and some of the blame for this should fall squarely on the writers. After all, bad though the acting may have been, they can only read what's on the page in front of them.
Don't be put off by the comments you read here that tell you this is nothing more than an awful pile of monkey doings, because that is judging it too harshly. It's never going to be the classic that Carpenter's film ended up being, but given the last decade of truly terrible remakes we have been forced to sit through, horror-wise, this is almost a breath of fresh air. Remember what decade you're in be thankful that whilst this is not a classic, it is better than much of what we've seen recently.
I didn't go see The Thing in 2011 for two reasons. One, I was reluctant to support a prequel when what I had really wanted for thirty years was a sequel. Two, the movie seemed to have vanished from the theaters only after a few weeks. In the meantime, I only heard negative things(no pun intended) about this film so I didn't feel like I was missing out.
However, something really weird happened when I finally caught it on HBO. I liked it! No, I mean I really liked it. To be clear, the criticisms about it being an unnecessary and almost too similar story to John Carpenter's classic are all fair. And, like most sic-fi movies today, there is more cgi than I would care to see. But the people making this movie clearly worship Carpenter's movie every bit as much as any die hard Thing fan. They go to great lengths to match up to the events suggested from the 1982 version and I personally appreciate them doing so. I also liked their method of detecting who was the Thing. It was different than MacReady's test but it was original.(Nothing will ever top the petri dish sequence and dialogue, Carpenter and Russell just nail it).
If you're a fan of the original looking for something completely different or a "new take" on The Thing From Another world, than this movie is not for you. But if you're like me, and always wondered who put that ax through the door or what events led up to the two-headed thing burnt up in the snow at the Norwegion compound than I highly recommend this flick.
However, something really weird happened when I finally caught it on HBO. I liked it! No, I mean I really liked it. To be clear, the criticisms about it being an unnecessary and almost too similar story to John Carpenter's classic are all fair. And, like most sic-fi movies today, there is more cgi than I would care to see. But the people making this movie clearly worship Carpenter's movie every bit as much as any die hard Thing fan. They go to great lengths to match up to the events suggested from the 1982 version and I personally appreciate them doing so. I also liked their method of detecting who was the Thing. It was different than MacReady's test but it was original.(Nothing will ever top the petri dish sequence and dialogue, Carpenter and Russell just nail it).
If you're a fan of the original looking for something completely different or a "new take" on The Thing From Another world, than this movie is not for you. But if you're like me, and always wondered who put that ax through the door or what events led up to the two-headed thing burnt up in the snow at the Norwegion compound than I highly recommend this flick.
You're stationed at an isolated outpost in Antarctica when you inadvertently discover a flying saucer type spacecraft beneath the frozen surface. Not long after you discover the alien pilot, trapped inside the ice sheet, looks like he may have been there for some time. Unfortunately, after recovering the entombed alien the protocols of containment are soon dispatched to a nearby bin and, before you know it, a rather excitable shapeshifting beast, who likes to take the form of bodies that have been turned inside out, and various other parts that should be internal and not external, is causing chaos and carnage and mayhem and disaster.
While not as good as the 1981 take, it is still a spectacular piece of masterful horror that continually delivers upon each subsequent viewing and provides some depth to the John Carpenter thriller.
While not as good as the 1981 take, it is still a spectacular piece of masterful horror that continually delivers upon each subsequent viewing and provides some depth to the John Carpenter thriller.
Wusstest du schon
- WissenswertesThe producers convinced Universal Studios to allow them to create a prequel to John Carpenter's Das Ding aus einer anderen Welt (1982) instead of a remake, as they felt Carpenter's film was already perfect, so making a remake would be like "painting a mustache on the Mona Lisa". However, the prequel still has the title of the original film, because they couldn't think of a subtitle (for example, "The Thing: Begins") that sounded good.
- Patzer(at around 5 mins) When Kate is introduced, she is examining a cave bear. She is doing so under normal room temperature conditions. Hence the corpse of the animal will thaw and rapidly decay. Specimens like frozen animals are kept frozen all the time to prevent the decay.
- Zitate
Adam Finch: So, I'm gonna get killed because I floss?
- Crazy CreditsSPOILER: There are a few short scenes during the first part of the end credits, which tie the ending of this film to the beginning of the 1982 film.
- VerbindungenFeatured in De wereld draait door: Folge #7.31 (2011)
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- In the 1982 film, it's mentioned there were a total of 10 people stationed at the Norwegian base, yet there's 16 total in the movie. Is this an error?
Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- La cosa del otro mundo
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 38.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 16.928.670 $
- Eröffnungswochenende in den USA und in Kanada
- 8.493.665 $
- 16. Okt. 2011
- Weltweiter Bruttoertrag
- 31.505.287 $
- Laufzeit1 Stunde 43 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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