Saw 4

So I went to see Saw IV yesterday night. What do we actually gain from this movie? Basically it shows nothing new, it's like a reprise of Saw III. And the question is, do we prefer Saw III or Saw? Saw started with only two guys, chained in a bathroom, wondering where they are and what's this all actually about, and those questions are typical for existentialism. The point of this movie reminded me a lot of "No Exit", written by Jean-Paul Sartre.

Both Saw II and Saw III distinguish from the first Saw but Saw IV doesn't bring anything new. It sticks to its prequel. We get to see the same scenes (flashbacks), the same places and again we face those Jigsaw traps that never seem to end. I think that we all know by now what Jigsaw really wants and how we are supposed to play. But the detectives and agents seem to lack intelligence and don't listen to his rules. That's how we face again the catastrophe of this spectacle. We also get to see a bit of John's past and his ex-wife, Jill. I thought she was there to reveal something new about John but she never does.

Actually, Saw IV offers quite a lot, many traps, many people who got into them, many stories and also a lot of blood and violence. The truth is, I don't want to see those things anymore. I have already seen all of that in Saw III. It's like the creators of the movie are falling with every sequel deeper and deeper into meaninglessness. They have forgotten a long time ago about the meaning of this whole thing and rather decided to focus on blood and violence. Too bad the team Leigh Whannell and James Wan, the founders of Saw, does not any longer exist. Nothing can save Saw anymore.

But the director Darren Lynn Bousman keeps on trying, which is actually a big plus. He really can create the atmosphere that fits best to the movie.

I have also nothing against the new actors that appear in Saw IV, p.e. Costas Mandylor and Scott Patterson, who played really professionally for those two roles that they got.

I guess I still hope that they will save Saw, because I'm a big fan, although I already assume that the situation is hopeless. They have sunk too deep.

Good luck with the next sequel. You will definitely need it.

7/10

Saw IV gives us more gore, less brains. Wait, poor choice of words. I should say we are *shown* more brains but not required to use our own.

Jigsaw, having been killed in an earlier movie, comes back but in the stupidest, most anticlimactic way possible. Almost as if the writers were sitting around 5 minutes til deadline, having elaborated on all the gory stuff, then suddenly realizing 'whoa wait, jigsaw is dead. Who's going to be behind all this crap? Aha..!' (I won't spoil it)

Aside from that, even the killings lack the poetic irony that made all the other movies so fun to watch. The whole gimmick of the Saw franchise is that the killings are each part of some twisted morality lesson, sorta like Mother Goose on psychotic drugs. But here, there didn't seem to be much effort put into the karma content; instead they focused on wacky gadgets that mutilate people in interesting ways. Cool stuff, but you're left wondering 'What did that have to do with anything?'

Example: Some drug addict is put into a contraption where the only way to free himself is to slice his face up with knives. Get it? I didn't either. But as the killer hastily explains: "Because you've acted so UGLY in life, now you'll have to live your life being UGLY!" Get it? I didn't either.

Ultimately the movie wasn't all bad because it held my attention hoping for some grand epiphany at the end. There is indeed a "surprise twist" but it seemed to be thrown in just for the sake of a surprise twist.

I'm pretty bummed because I bought the whole Saw set and was enjoying them all up until now. But SAW 4 threw a real WRENCH in the works.

Darren Lynn Bousman directing again on par with grotesqueness as III still not as good enjoyable as previous 3 films yet has the madness to purify any horror fan! Going through all the Saw's recently is kinda nice and sinister I used to get stomach aches watching gross movies now I seem to desensitized it's bizarre. The traps ares so complex I wonder how they craft together such vile things for the movies. This has a lot more to do with detectives and randoms always that have done something sinful to get them in the situation Jigsaw didn't pick the saints he chose people that have done something bad in their life or some just in place for no reason. I love these movies no matter how good or bad!

Jigsaw is dead, but his game is far from over. A detective is on the hunt for clues around the city, in which he must act in the same manner as Jigsaw with the victims he finds. He must do this in order to find the location of two of his colleagues and save them.

It's easy to see how the SAW franchise, as it is now called, is turning into the same mess that struck Friday the 13th, Halloween and Nightmare On Elm Street. The story is over, but the cash flow still has some juice in it. In this installment Jigsaw is dead, but his cruel game continues. How you might ask? Well, if I were to explain that, it would ruin the film, but it's hard to review this film without leaking something.

The original SAW redefined the horror genre, so much so that there are now countless imitators. It packed the goods in gore and a shocking twist at the end. The sequel, which really was not needed, tried to capitalize on the same system. It failed. Yet still made boatloads of money. Hence the 3rd, and this film and of course the next one. SAW IV becomes a parody of itself, unintentionally mind you. It tries to re-capture the essence of the original from plot points to the twist, which is a staple in the series now. Why SAW IV doesn't work as well as it wants to, is because it's far too confusing and doesn't satisfy it's audience, instead it leaves more holes, that will be filled in by it's sequel, much like how this one filled in some from the 3rd.

SAW IV answers the questions, such as who the blonde woman was in Jigsaw's dreams and why he covered the tape in wax. Yet leaves out other things, specifically what the letter said to Amanda. It could have easily been explained, but they wanted to leave as much story as possible to continue this franchise, which should have been over at 1 and could have been wrapped up completely with 3. This leaves the audience confused, as well as angry. When the final credits rolled up I sat back in my chair and asked myself if they really answered anything as to why it ended the way it did…it doesn't. It throws in that twist that is expected, but doesn't bother to explain it. I guess we have to wait another year to find out why things happened the way they did.

SAW IV is gory, probably the worst out of all of them, but not quite as nerve flinching as the others. It doesn't have any scenes that make you squirm in your seat like when Dr. Gordon saws off his foot, or when Amanda falls into the pit full of needles, or even when Detective Matthews smashes hiss foot with the toilet cover. Those small things are the ones that get the audience; this film simply shows the bloody entrails of people.

I will give credit to where it's due. The film stays consistent with the others and I applause the actors and writers for continuing certain characters through out the entire series. It gives fans goose bumps when they see a familiar face. Also, the twist, which fails in comparison to the first two but it better then the third, is adequate. In fact there is more then one twist. We also get some more background history on Jigsaw, who he was before he became a psychopath. A little hint as to why as well.

We can't connect to any of these characters. Characters from the previous films that show up here, have very little screen time and are killed off. Why have them survive through all this stuff just to kill them off. It cheapens the films in which we root for them to live; we know their fate in the end. There may have been characters that you cared for in previous installments that were trapped in Jigsaw's game, this time around, unless you knew them from before, we know their fate, we know we don't care.

The ending will confuse the hell out of a lot of people; I had to take a minute to figure it out myself. Maybe because it was really well written, or horrible executed, I haven't decided yet. I found myself sitting there with a confused look across my face, wanting more, not simply because I wanted more, but because the film needed more. The film has a lot of stuff going on, it's not to know who' who, who's dead, what's going on where and so on.If you've missed one film in the series, you will most likely be lost in this film. It asks you, as do the others, to pay attention to the previous films. I really enjoy that; it asks the audience to think a little bit, which is usually missing from horror films these days.

It's a tad better then the second and third, but falls apart near the end. This time around we can't seem to care for the guy whose trapped in Jigsaw's mind game. We've come to expect the unexpected, we've comes to be grossed out. Have the makers of this series run their course? Well, after the next film, to tie everything up, I hope the answer is yes. The first is still the best and I cannot imagine the next one being any better.

Without a doubt, Saw has become an absolute phenomenon. I find it quite impressive how a small $1 million horror film garnered strong word of mouth and made it big, spawning a franchise which has become Lionsgate Films' yearly bread and butter. I've really enjoyed the Saw films and have been there since the beginning, viewing the first film on opening day in the UK. It was refreshing to see something original and to my surprise, the sequel, Saw II was just as good. However, the third instalment (still good) showed signs of clutching at straws.

SWAT Commander Rigg (Lyriq Bent) has become obsessed with finding Jigsaw (Tobin Bell), particularly since his fellow officers have died via his sadistic games. However, Jigsaw finds Rigg and has him play his own game. With two of his colleagues, Officer Matthews and Hoffman (Donnie Wahlberg, Costas Mandylor) held captive in one of Jigsaw's traps, Rigg has 90 minutes to try and find them. Meanwhile FBI Agents Strahm and Perez (Scott Patterson, Athena Karkanis) question Jigsaw's ex-wife Jill (Betsy Russell) in an effort to uncover Jigsaw's mysterious accomplice.

Saw IV is a sequel that is struggling to stay consistent with the numerous plot strands and filling up of plot holes. It almost feels like an extreme connect the dots puzzle as one tries to piece together all the characters and incidents from the previous instalments. Even when watching it, I could already imagine Internet forums swarming with hundreds of questions.

What made the first film so unique was that the victims are often people who essentially deserved to be punished, be they drug dealers or con artists frantically trying to save themselves from the macabre situation they were in. With Jigsaw as judge, jury and executioner, do we as an audience side with his objective, or do we sympathise with the wrongdoing victim during their last few seconds before they die a fantastic death? As the sequels have progressed, saving oneself appears to have been completely abandoned, for in the third instalment as well as this one, some victims simply have to wait to depend upon someone to help them. Also some supposedly innocent (?) people are dragged in (the guy with his eyes sewn shut is involved in the film's best trap, but who the hell was he?), while some injured victims are merely swept aside and we never know if they live or die.

In an effort to try and make a bigger sequel, games are no longer in one confined space, but set in different locations across the city, pushing 'suspension of disbelief' to the limit. For example, Rigg's apartment is turned upside-down within a matter of minutes, with blood on the walls, pictures hanging from the ceiling and how someone managed to get a scalping chair up there without anyone noticing is beyond me! Some may like the distancing from the previous movies, but for me this is a slight shift towards conventional slasher movies.

Acting wise, it's rather mediocre. Apart from Tobin Bell, quite a bankable name now because of the Saw franchise, a number of small stars litter the film and help keep the costs down. For me, the only other name that stands out is Donnie Wahlberg, and even he is somewhat wasted.

As expected, it's reliant on flashbacks, some of which made me feel like I was watching a soap opera rather than a horror. However director Darren Lynn Bousman does fulfil on account of gore, pushing Saw IV with 'in-your-face' violence and close ups that probably wouldn't have passed through the BBFC with an uncut 18 certificate five years ago.

If you've been following the franchise then you can't help but be roped along for the ride. I certainly was. For something that was written, shot, edited and practically gift-wrapped all inside one year, it still works. It's just a shame that what was once so original three years ago now feels stale with hardly anything new to offer. Hell, there aren't even any jumpy moments! Given the rush-job nature at dishing out sequels, maybe they'll have more fun at turning it into some kind of weekly/monthly TV series.

I really do hope that this is the last one, because really now, enough is enough. But as Jigsaw says, "the games have just begun."

Rating – five out of ten.