IMDb-BEWERTUNG
6,6/10
6978
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA romantic drama about a brief, unexpected love affair that catches two people completely off-guard.A romantic drama about a brief, unexpected love affair that catches two people completely off-guard.A romantic drama about a brief, unexpected love affair that catches two people completely off-guard.
- Auszeichnungen
- 2 Gewinne & 2 Nominierungen insgesamt
Mohamed Abdel Fatah
- Customs Officer
- (as Mohammed Abdel Fattah)
Empfohlene Bewertungen
the movie was really good Um Kalthoum's great songs were amazing background music for the movie and Abdel Halim Hafez's too, the marvelous sites of Egypt and the sound of the Adan (the call for the Muslim prayer) all were fantastic...but as an Egyptian there were some stuff that were not realistic to me.
First was the accent of Tarek in the movie it wasn't Egyptian at all..
Second it only showed the crowded messed streets of Cairo and describing Cairo as "such a mess" disappointed me as an Egyptian living in Cairo, it didn't show the neat sites like Maadi, Heliopolis or Zamalek which the hotel supposed to be located at, which I believe must be a five stars hotel being by the Nile yet bizarrely the receptionists were not working at night which was extremely weird and doesn't happen at any place in the world!!!
Ruba Nadda wanted to convey a specific ancient image of Cairo but this can't be the whole image about Cairo now,, that movie would be realistic but 50 years ago..
First was the accent of Tarek in the movie it wasn't Egyptian at all..
Second it only showed the crowded messed streets of Cairo and describing Cairo as "such a mess" disappointed me as an Egyptian living in Cairo, it didn't show the neat sites like Maadi, Heliopolis or Zamalek which the hotel supposed to be located at, which I believe must be a five stars hotel being by the Nile yet bizarrely the receptionists were not working at night which was extremely weird and doesn't happen at any place in the world!!!
Ruba Nadda wanted to convey a specific ancient image of Cairo but this can't be the whole image about Cairo now,, that movie would be realistic but 50 years ago..
Juliette Grant (Patricia Clarkson) travels from America to Cairo to meet her husband Mark (Tom McCamus), who belongs to the high echelon of UN and is settling refugees in Gaza. On the arrival, Juliette is welcomed by Tareq Khalifa (Alexander Siddig), an Egyptian that had worked with Mark and now is retired.
Mark has a problem in Gaza and can not come to Cairo, and the gentle Tareq invites Juliette to sail in the Nile and visit the pyramids. Juliette learns that she can not walk alone on the streets of Cairo since she is offensively harassed by the male locals, and she sightsees the city with Tareq. The proximity with her husband's friend and his attention to her make Juliette too attracted for Tareq. Will they have a love affair?
"Cairo Time" is a delicate and sensitive romance about companionship evolving to romance for mature audiences. Immediately after watching this pleasant film, I said to myself: this is certainly a film directed by a woman and I was right. The sensitiveness of the director and author Ruba Nadda is impressive.
"Cairo Time" has magnificent cinematography and locations and the underrated Patricia Clarkson is excellent and with a perfect chemistry with Alexander Siddig. The music score is very beautiful and the conclusion of the affair of Juliette and Tareq is stunning. My vote is eight.
Title (Brazil): "Meus Dias no Cairo" ("My Days in Cairo")
Mark has a problem in Gaza and can not come to Cairo, and the gentle Tareq invites Juliette to sail in the Nile and visit the pyramids. Juliette learns that she can not walk alone on the streets of Cairo since she is offensively harassed by the male locals, and she sightsees the city with Tareq. The proximity with her husband's friend and his attention to her make Juliette too attracted for Tareq. Will they have a love affair?
"Cairo Time" is a delicate and sensitive romance about companionship evolving to romance for mature audiences. Immediately after watching this pleasant film, I said to myself: this is certainly a film directed by a woman and I was right. The sensitiveness of the director and author Ruba Nadda is impressive.
"Cairo Time" has magnificent cinematography and locations and the underrated Patricia Clarkson is excellent and with a perfect chemistry with Alexander Siddig. The music score is very beautiful and the conclusion of the affair of Juliette and Tareq is stunning. My vote is eight.
Title (Brazil): "Meus Dias no Cairo" ("My Days in Cairo")
Cairo Time is beautifully filmed - like a love poem to Egypt. I adored the slower pace of the movie because it felt like it gave me a chance to breathe, to enjoy the gorgeous scenery, and sink into the feeling of the movie. It was wonderfully nostalgic of many of the things I experienced on a trip to Egypt I took 2 years ago, and I found myself laughing out loud a few times, remembering.
I was also reminded of the allure of Egyptian men - yes, they are very obvious, in-your-face, and verbal to women, which I'm not used to as a Canadian woman. Yet paradoxically, many are very much gentlemen, cordial. I liked seeing this in Tareq's character, as he put Juliette on a pedestal which you really come to feel she deserves.
I also liked how the love story was actually quite innocent and told a story of pure love and appreciation for a fellow human being. It felt like it portrayed exactly those moments of stillness and deep feeling that we only share with select few in our lifetimes. Experiences that we recall with our eyes closed...like secret, subtle moments the heart remembers and cherishes.
I was also reminded of the allure of Egyptian men - yes, they are very obvious, in-your-face, and verbal to women, which I'm not used to as a Canadian woman. Yet paradoxically, many are very much gentlemen, cordial. I liked seeing this in Tareq's character, as he put Juliette on a pedestal which you really come to feel she deserves.
I also liked how the love story was actually quite innocent and told a story of pure love and appreciation for a fellow human being. It felt like it portrayed exactly those moments of stillness and deep feeling that we only share with select few in our lifetimes. Experiences that we recall with our eyes closed...like secret, subtle moments the heart remembers and cherishes.
Québécois writer and director Ruba Nadda favors stories that deal with love between Muslim and non-Muslim and her latest film CAIRO TIME follows that path - to an extent. According to Nadda she views this film as a 'luscious, serene, languid romance', a story that crosses two unlikely and emotionally unavailable people who approach momentary bliss in the beauty of Cairo. It is a slow film, the type of movie that encourages the viewer to sit back and enjoy an adult romance.
Juliette Grant (Patricia Clarkson) arrives in Cairo for a vacation with her UN employee husband Mark (Tom McCamus) only to discover that Mark is in Gaza on 'business': she discovers the information from a retired ex-assistant to Mark, Tareq Khalifa (Alexander Siddig), who offers her honest companionship until Mark returns. Tareq now owns a coffee house and spends his days playing chess. Juliette meets Kathryn (Elena Anaya), another associate of Mark, who offers her company, but Juliette prefers to be alone. The magic of Cairo - the smells, the muezzin calls to worship, the street shops, the sunsets - all begin to work on Juliette's lonely mood and she wanders into the city, fends off young men's attentions, and encounters Tareq in his coffee house (a men only club). Tareq offers to show her Cairo, especially the pyramids, but Juliette says she promised Mark to share those with him. A trip down the Nile and walks in the fascinating city draw Juliette and Tareq together, and when the two encounter Yasmeen (Amina Annabi), a friend and ex-lover of Tareq, the two are invited to Yasmeen's daughter's wedding in Alexandria. Telephone calls from and to Mark reveal that Mark will be delayed in Gaza, and after Juliette makes an attempt to travel to Gaza to see Mark and is prevented by the military she returns to Cairo, determined to make the best of her extended stay there. She goes to Alexandria with Tareq, they enjoy the wedding, and when they return to Cairo they mutually decide to visit the pyramids. The magic is there and the longing between them is palpable, but as soon as they return, Mark appears at the hotel. The Cairo time is over and the viewer is left guessing how the emotions generated by the time and place will play out.
Among the many lovely details of this film are views about the gender barriers in the Middle East and the customs of a city that, while modern, is still a culture of men. As Juliette and Tareq wander the streets of Cairo we recognize subtleties that exist, subtleties that director Nadda never forces. The gorgeous cinematography is by Luc Montpellier and the musical score is by Niall Byrne. This film is more a poem than a story, a welcome change from the usual youngster-oriented love stories and more of a mature episode of ageless flirtation. Grady Harp, August 10
Juliette Grant (Patricia Clarkson) arrives in Cairo for a vacation with her UN employee husband Mark (Tom McCamus) only to discover that Mark is in Gaza on 'business': she discovers the information from a retired ex-assistant to Mark, Tareq Khalifa (Alexander Siddig), who offers her honest companionship until Mark returns. Tareq now owns a coffee house and spends his days playing chess. Juliette meets Kathryn (Elena Anaya), another associate of Mark, who offers her company, but Juliette prefers to be alone. The magic of Cairo - the smells, the muezzin calls to worship, the street shops, the sunsets - all begin to work on Juliette's lonely mood and she wanders into the city, fends off young men's attentions, and encounters Tareq in his coffee house (a men only club). Tareq offers to show her Cairo, especially the pyramids, but Juliette says she promised Mark to share those with him. A trip down the Nile and walks in the fascinating city draw Juliette and Tareq together, and when the two encounter Yasmeen (Amina Annabi), a friend and ex-lover of Tareq, the two are invited to Yasmeen's daughter's wedding in Alexandria. Telephone calls from and to Mark reveal that Mark will be delayed in Gaza, and after Juliette makes an attempt to travel to Gaza to see Mark and is prevented by the military she returns to Cairo, determined to make the best of her extended stay there. She goes to Alexandria with Tareq, they enjoy the wedding, and when they return to Cairo they mutually decide to visit the pyramids. The magic is there and the longing between them is palpable, but as soon as they return, Mark appears at the hotel. The Cairo time is over and the viewer is left guessing how the emotions generated by the time and place will play out.
Among the many lovely details of this film are views about the gender barriers in the Middle East and the customs of a city that, while modern, is still a culture of men. As Juliette and Tareq wander the streets of Cairo we recognize subtleties that exist, subtleties that director Nadda never forces. The gorgeous cinematography is by Luc Montpellier and the musical score is by Niall Byrne. This film is more a poem than a story, a welcome change from the usual youngster-oriented love stories and more of a mature episode of ageless flirtation. Grady Harp, August 10
Very well-cast crew. Incredibly perceptive and observant director. Took me back to Cairo. Alexander Siddiq is so cute in this movie. Its good to see a movie that does not follow the typical Hollywood American action crap with a climax and a happy ending.
This movie in my opinion was not a typical movie with a plot but more like a trip to Cairo. A sweet memorable trip very identical to my trip and experience there last year, minus the lovely Alexander..
Well done Rubba. Keep them coming... wouldn't mind watching a Granada time or Barcelona time..Beirut time or Istanbul or Kathmandu time...if u can do the same thing with those cities, u'r my hero...
This movie in my opinion was not a typical movie with a plot but more like a trip to Cairo. A sweet memorable trip very identical to my trip and experience there last year, minus the lovely Alexander..
Well done Rubba. Keep them coming... wouldn't mind watching a Granada time or Barcelona time..Beirut time or Istanbul or Kathmandu time...if u can do the same thing with those cities, u'r my hero...
Wusstest du schon
- WissenswertesAlthough playing an Egyptian, Alexander Siddig hails from Sudan (although his mother is English).
- PatzerThe position of the women during the wedding sequence changes constantly.
- Zitate
Juliette Grant: I always wanted to be a singer.
Tareq Khalifa: What stopped you?
Juliette Grant: My voice.
- VerbindungenFeatured in The Rotten Tomatoes Show: Despicable Me/The Kids Are All Right (2010)
- SoundtracksLet's Go
Performed by Catlow
Written by Natasha Thirsk and Brian Carson(SOCAN/ASCAP)
Published by Dirtmitts Publishing
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 1.603.616 $
- Eröffnungswochenende in den USA und in Kanada
- 66.245 $
- 8. Aug. 2010
- Weltweiter Bruttoertrag
- 2.477.315 $
- Laufzeit
- 1 Std. 30 Min.(90 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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