Bionic Woman

This show seems a little too youth oriented as far as the lead character - and is just not too interesting. There is a great storyline here, but the show doesn't seem to be able to utilize it well enough to be fascinating and captivating.

The series is basically about an early twenty-something girl who is in a bad auto accident. She is reconstituted with bio-engineered enhancements and emerges with extraordinary abilities.

The only problem is that she's not very interesting to watch. There is no spark - the scenes often drag on without ever building suspense or intrigue -- or even any sci-fi appeal. Plus, the character is a little too young to be the sole focus for a general audience show. The music, as if too back this up, is what you typically get in teen dramas.

Unfortunately, there's not much to recommend here. Check it out if you're curious, but my suggestion is to pass on it.

Firstly and foremost, I have to point out that I am a big fan of the new Galactica, although I don't personally see why that should apply to the reception of a separate show. And yes, I know there are considerable crossovers in writing and acting talent, but the show still deserves to be evaluated on its own.

Secondly, rose-tinted memories aside, remember that old seventies shows have not generally stood the test of time. They were strictly formulaic, beset by comedy fashion and hairstyle, and the bionic woman itself was a cheap knock off of its masculine origin show. For God's sake, they varied the implants just so she would be different to Steve Austin.

Of course, restrictions of formula still apply. An audience that has been gobbling up 24, Lost and Prison Break for the last few years now has higher expectations of a new show. Better production values, more stylised dialogue and a greater sense of mythology pervade these shows. And Heroes has pushed the benchmark out about as far as it can go.

So any new pilot on any network is going to come under serious scrutiny. And I think Bionic Woman holds up. I will concede that the script for the pilot was a little ropey - I had the distinct feeling a pilot movie script had been seriously hacked down to size. But the performances were strong enough to hold it, and the photography and visual design showed some innovation.

The biggest problem with series (as opposed to movies) is that it can take much longer for a show to build up the momentum it needs to create its identity. The Bionic Woman had always been a family show, just like The Six Million Dollar Man. If the new Bionic Woman is going to establish itself as the same, then it will have to pitched just right.

So it gets six out of ten. Better than average. Better than a lot of shows that somehow continue, but worse than many who have fallen by the wayside. Lets just hope that NBC give Jamie Summers time to show us who she really is.

Whether it's a hit or not, for me it has already wiped another laughable 70s show off the map. Maybe they could update The Fall Guy, only it would be about a CGI artist who used his power of computer graphics to help a different woman every week...

Yes, I said fun to watch. Will it win any awards for writing, acting, cinematography, effects, lighting, or music? Probably not, but then so what? It's still fun to watch. I admit having never seen Battlestar Gallactica, so I can't give you any comparisons but then why would I, they are not even in the same genre, sure they are both science fiction but that where it ends and it'd be silly to compare them just because some of the actors were in both.

It is a natural to compare this to the original show that was hugely popular back in the 70's, but... except for the bionics and her name there really isn't any similarity. It's a new show with new characters and modernized.

Sorry Oscar.

A great show? No. A good show? Maybe, a few more episodes will tell. Either way it's entertainment and I liked it.

Unless you took some hype for the show, the premiere was as good as you can get. Some of you make this sound worse then the "bionic dog" they had back in the old school. Oh but it's not. Watch it closely. Acting was good... to an extent. She was great but the babysitter job over the sister took a lot of time and might bring the drama to a halt, but the storyline itself shocked me. I was waiting for a disaster and now I want to see it run, well see her run.. AND thank god it's fast because if I heard that slow motion "speed and strength" sound fx I would of ripped my DVR from the wall. But overall, she is a beautiful actress with some nicely played attitude at the end which, if sticks, will guarantee a hit. I say give it a chance and it will be GREAT success. There is a lot of competition out there so they do need to slot it right. They can't run it during House, Hero's, Prison Break, or any other top drama (Don't forget Dexter!!!). Wow I waste a lot of time but helps me work at night since there is about 15 other shows too. But this one will make my list and time demands me to be a critic.

Network: NBC; Genre: Sci-Fi Action; Content Rating: TV-PG (for comic book violence); Available: DVD; Perspective: Contemporary (star range: 1 - 4);

Seasons Reviewed: Series (1 season)

"Bionic Woman" barrels onto the fall 2007 schedule with a typhoon of hype that it doesn't deserve and outspoken armchair critic repulsion that it also probably doesn't deserve. Worst show ever? Hardly. As with "Cavemen", the internet rebellion is on overdrive again to take something down.

A remake of the 1976 series of the same name (with a slogan taken from the 1975 series of a different name), NBC's "Bionic Woman" updates Jamie Summers and her ear, arm and legs (and installs a bionic eye) for a new generation. Now, that special effects have reached the technological point that they can be pulled off on TV cheaply without looking so, 70s sci-fi is fair game for any high-tech re-imagining.

I'll admit, I was taken with these visual effects in the first episode, when Jamie (the bodacious Michelle Ryan, perfectly up for all the action) escapes from the lab that re-assembled her and runs through a forest. We actually see her legs moving, instead of the blurred Tom Welling that dashes through "Smallville". Soon the pilot climaxes in a blurry bionic-woman-on-bionic-woman fight scene shot with such shot cuts it's guaranteed to pull you out of the action with it's trickery. As is all of the show's fighting. We can make a woman run at lightening speed look real but we can't make a fight scene look like it wasn't created entirely in the editing suite.

But let's talk about "Smallville". On that comic book series the action sequences are creatively constructed and bring to a head the emotional strands of the story. The acting, at least from the supporting players, is quite good and the show is a cinematic production, visually restrained and musically appropriated. "Bionic" is a cold, shallow exercise in frenzied fight scenes and time-tested shoot-outs.

The show doesn't have an original bone in it's body; and not just because it's a remake. Like any big budget production it plays everything safe from soup to nuts, following even it's own formula strictly. Jamie works for a secret government agency, led by Miguel Ferrer (still playing the gruff but concerned team leader from "Crossing Jordan"), who sends her out on assignments to foil terrorists across the country and around the world. It's "Chuck" without the quirky humor, "Heroes" without the invention, "Smallville" without the heart. It may be apples and oranges but look at the ho-hum episode in which Jamie returns to college for an assignment and compare that to a similar and far more inspired episode of "Chuck" where that show's unlikely secret agent returns to college.

I recognize this is all criticism you either know already or just assumed from the show's status as a remake. But you'd have to see it to know how just about everything down to the studs doesn't work. It's wildly over-directed and to counter-act that it's blandly scripted. It is a hollow-to-the-core Hollywood production, mechanically assemble out of condescension and laziness, betting that viewers will sit slack-jawed through the 50 minutes of routine, talky set-up just to see Jamie bust out a bionic feat of strength and save the day in the final 5 minutes. That's all we'll get and we'll be lucky to get it.

The biggest insult? For my money it's the way the show takes "Breath Me", a song that lent such beauty and such an emotional punch in the gut to the "Six Feet Under" finale and just slap-dash lays it over a training montage. Heresy!

* ½ / 4