[go: up one dir, main page]

    Kalender veröffentlichenDie Top 250 FilmeDie beliebtesten FilmeFilme nach Genre durchsuchenBeste KinokasseSpielzeiten und TicketsNachrichten aus dem FilmFilm im Rampenlicht Indiens
    Was läuft im Fernsehen und was kann ich streamen?Die Top 250 TV-SerienBeliebteste TV-SerienSerien nach Genre durchsuchenNachrichten im Fernsehen
    Was gibt es zu sehenAktuelle TrailerIMDb OriginalsIMDb-AuswahlIMDb SpotlightLeitfaden für FamilienunterhaltungIMDb-Podcasts
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter AwardsAwards CentralFestival CentralAlle Ereignisse
    Heute geborenDie beliebtesten PromisPromi-News
    HilfecenterBereich für BeitragendeUmfragen
Für Branchenprofis
  • Sprache
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Anmelden
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
App verwenden
  • Besetzung und Crew-Mitglieder
  • Benutzerrezensionen
  • Wissenswertes
  • FAQ
IMDbPro

Nine

  • 2009
  • 6
  • 1 Std. 58 Min.
IMDb-BEWERTUNG
5,8/10
46.054
IHRE BEWERTUNG
Nicole Kidman, Daniel Day-Lewis, Penélope Cruz, Kate Hudson, and Marion Cotillard in Nine (2009)
Nine: Trailer #3
trailer wiedergeben2:35
14 Videos
99+ Fotos
DramaMusicalRomance

Der berühmte Filmregisseur Guido Contini ringt um Harmonie in seinem beruflichen und privaten Leben. Er pflegt dramatische Beziehungen zu seiner Frau, seiner Geliebten, seiner Muse, seinem A... Alles lesenDer berühmte Filmregisseur Guido Contini ringt um Harmonie in seinem beruflichen und privaten Leben. Er pflegt dramatische Beziehungen zu seiner Frau, seiner Geliebten, seiner Muse, seinem Agenten und seiner Mutter.Der berühmte Filmregisseur Guido Contini ringt um Harmonie in seinem beruflichen und privaten Leben. Er pflegt dramatische Beziehungen zu seiner Frau, seiner Geliebten, seiner Muse, seinem Agenten und seiner Mutter.

  • Regie
    • Rob Marshall
  • Drehbuch
    • Michael Tolkin
    • Anthony Minghella
    • Arthur Kopit
  • Hauptbesetzung
    • Daniel Day-Lewis
    • Marion Cotillard
    • Penélope Cruz
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,8/10
    46.054
    IHRE BEWERTUNG
    • Regie
      • Rob Marshall
    • Drehbuch
      • Michael Tolkin
      • Anthony Minghella
      • Arthur Kopit
    • Hauptbesetzung
      • Daniel Day-Lewis
      • Marion Cotillard
      • Penélope Cruz
    • 262Benutzerrezensionen
    • 208Kritische Rezensionen
    • 49Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 4 Oscars nominiert
      • 8 Gewinne & 60 Nominierungen insgesamt

    Videos14

    Nine: Trailer #3
    Trailer 2:35
    Nine: Trailer #3
    Nine
    Trailer 2:30
    Nine
    Nine
    Trailer 2:30
    Nine
    Nine: Behind The Scenes Featurette
    Clip 2:05
    Nine: Behind The Scenes Featurette
    Nine: My Husband Makes Movies
    Clip 0:45
    Nine: My Husband Makes Movies
    Nine: Rather Be The Man
    Clip 0:50
    Nine: Rather Be The Man
    Nine: Be Italian
    Clip 0:44
    Nine: Be Italian

    Fotos196

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 190
    Poster ansehen

    Topbesetzung99+

    Ändern
    Daniel Day-Lewis
    Daniel Day-Lewis
    • Guido Contini
    Marion Cotillard
    Marion Cotillard
    • Luisa Contini
    Penélope Cruz
    Penélope Cruz
    • Carla
    Sandro Dori
    • Studio Superintendent
    Nicole Kidman
    Nicole Kidman
    • Claudia
    Judi Dench
    Judi Dench
    • Lilli
    Sophia Loren
    Sophia Loren
    • Mamma
    Kate Hudson
    Kate Hudson
    • Stephanie
    Fergie
    Fergie
    • Saraghina
    Ricky Tognazzi
    Ricky Tognazzi
    • Dante
    Giuseppe Cederna
    Giuseppe Cederna
    • Fausto
    Elio Germano
    Elio Germano
    • Pierpaolo
    Roberto Nobile
    • Jaconelli
    Andrea Di Stefano
    Andrea Di Stefano
    • Benito
    Romina Carancini
    • Production Assistant…
    Alessandro Denipotti
    • Production Assistant
    Alessandro Fiore
    • Production Assistant
    Erica Gohdes
    • Production Assistant
    • Regie
      • Rob Marshall
    • Drehbuch
      • Michael Tolkin
      • Anthony Minghella
      • Arthur Kopit
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen262

    5,846K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Empfohlene Bewertungen

    o-donnell_w

    A Hot Mess...But a Mess of Oscar-Worthy Material

    I could honestly say that walking out of "Nine" I felt more conflicted over what I thought of the movie than I have in years. The film can be reviewed in two aspects though, its performances and its story, so I'll dissect those.

    Performances: Let me first say that no actress delivered any less than they possibly could, and you could tell that the cast had worked their butts off during production.

    The Great- Marion Cotillard in particular delivered what is sure to be one of the most understated performances in recent memory, as well as delivering the two most powerful and emotional numbers in the show. Penelope Cruz was SEXY, and as her character's story was wrapped up she beautifully portrayed a "mistreated mistress," so to speak. Judi Dench was fantastic as the background player in Guido's career, perfectly delivering wit while supporting her friend. Most importantly, these three worked so well because they were interlinked in each other's story, and as a result their plot lines flowed well into each other.

    The OK- DDL and Sophia Loren were fine in their parts, simply filling out their roles and not seriously improving on or dragging down the movie in any way.

    The Misused- Nicole Kidman, Kate Hudson, and Fergie were all criminally misused, although fantastic when on the screen. All three had stories that didn't synch with the movie, whether they be Kidman (who honestly needed a more fleshed out role that came in contact w/ other characters other than just Guido), Hudson (whose number really felt like it would have made more sense in the beginning of the movie), or Fergie ("Be Italian" felt shoehorned in and disconnected, and would have been a perfect opener or closing number). All three felt particularly disconnected from the film.

    I can honestly say that not one of the players in Marshall's cast disappointed, but it was Marshall himself and the messy script (irony!) that jumbled up the movie and left me with a very disjointed, disconnected result. Each scene was Oscar-worthy, but they were only partially threaded together into a cohesive story.
    63xHCCH

    Fine Musical Numbers Tied Together by a Very Thin String

    The song numbers of "Nine" are really very well-staged with all those fantastic actresses in this Oscar-winning stellar cast. "A Call from the Vatican" by Penelope Cruz is very sexy and playful. "Folies Bergere" by Judi Dench is nothing like what you have seen her do before. "Be Italian" by Fergie is very sensual with unique choreography, and for me the best number of the whole film. "Cinema Italiano" by Kate Hudson is decidedly faster-paced and modern with lyrics that are meaningful to the story, but her character seemed forced into the sequence. "Guarda la Luna" by Sophia Loren is ethereal. "Unusual Way" by Nicole Kidman showcased her beautiful face more than her voice. Marion Cotillard had two numbers "My Husband Makes Movies" and "Take It All," both of which fully showcase her sensitive acting chops.

    However the problem is, these fantastic song and dance number are united by a very thin storyline, that of a premiere Italian director Guido Contini (played by Daniel Day Lewis) who seemed to be stuck in a perpetual artist's block. In fact, he does not even have a script yet for his much-awaited new feature film with the grandiose title of "Italia"! The musical numbers express his relationship with the various women in his life. However, this main character (or even his songs) is not really very appealing nor sympathetic nor interesting. You really need some patience to get through "Nine." It is just like watching a series of music videos held together by a very tenuous connecting string, ready to unravel at any time. Director Rob Marshall does his best with the thin "plot" but this is certainly not "Chicago." I think "Nine" would be better appreciated on DVD. You would wish you could just fast-forward to the next song number and skip all the dour Contini parts.
    6billion_mucks

    Sing for your Ego, Maestro.

    First things first, I do not like musicals. I've been pushed to see this by the infatuation over a lady. But trust me I was surprised to how much I liked it, even when I had negative expectations to it.

    The film hands down is a wonderful homage to Federico Fellini, in his visual style, the women chosen represent Fellini's size of aesthetic view just like Kidman reminds you of young Anita Ekberg, Cotillard has the same diva material as Anouuk Aimee and Kate Hudson the figure and pallet of American stars that pleased Il Maestro Fellini. If you are familiar with this wonderful director, you'll enjoy "Nine" the better.

    Then, I believe music helps to boost the theme and moral of the story. Generally outlined the whole musical is an ego-fest, all around Guido, Guido, Guido, his mess, his women, himself over himself. His ego being put into the light, with each song sprouting in the exact moment with "joie de vivre" and vitality, the women from Kidman to Dench showcasing enormous femininity and composure.

    "Les Folies Bèrgere" piece says it clearly. What you need is the laughter, the lights, the color. The music, the "pleasure of living". Nine has it, it has it all while at the same time plays the keys that Maestro Fellini would have liked to hear if he was still with us.
    6blanche-2

    not a very good film version of a good musical

    The movie version of the musical "Nine" (based on Fellini's 8-1/2) was released in 2009 with a wonderful cast that included Daniel Day-Lewis as Guido, Marion Cotillard as his wife Luisa, Penelope Cruz as his mistress Carla, Kate Hudson as a reporter, Judy Dench as his costumer, Nicole Kidman as his muse Claudia, Fergie as a woman on the beach, and Sophia Loren as his mother.

    I am at a disadvantage because I didn't see the musical, but quite a bit was cut from the score, which is a shame. The music is wonderful and probably was meant to be sung a little better than it was in the film.

    "Nine" is the story of a great filmmaker, Guido Contini, who is about to make another film but doesn't actually have another one. His life is a mess - a wife, a mistress, no script, and no inspiration. He has to come to grips with his immaturity, his women, and with the reality of his life before he can move on.

    Each of Guido's women has a song that expresses her feelings, the most famous of which is "Phone Call from the Vatican," sung by Carla (Cruz). This number was performed by the late Anita Morris on stage and considered very risqué. For me, the best filmed number in the whole film was "Cinema Italiano," done by Kate Hudson, and Judi Dench does a great job with the "Folies Bergere" number. "Unusual Way" is perhaps the prettiest song in the score, and that was done by Nicole Kidman.

    We don't get much of a chance to know the women in Guido's life with the exception of Luisa (Cotillard) who gives a lovely, gentle performance as a woman who loves her husband but is continually hurt by him, and Carla, who despite her overt sexiness, is actually very fragile. And we get to know Lilli, the costumer, who knows Guido very well indeed and is the voice of reason.

    The movie is pretty to look at, and the women are absolutely stunning, particularly Cotillard, Kidman, and Cruz, who looked like goddesses. Daniel Day-Lewis lived in Italy for a while and his accent is excellent. He's handsome and sexy, possibly more introverted than one of the stage Guidos - Raul Julia, Antonio Banderes, Sergio Franchi, or John Stamos.

    Since this film moves slowly in parts, it's curious that so many songs were left out.

    In the final analysis, though I liked parts of "Nine," I think it's too theatrical a show to lend itself to film. As a theater piece, it's fabulous - the original show was a hit, as was the revival.

    I know some people hated this movie, but it's not awful. It's just not great.
    5iheart_ny

    The best music film of 2009!

    Today, I went to see Rob Marshall's new musical, Nine, obviously based upon the Broadway musical of the same name, that based off Fellini's 8 1/2. It should be mentioned that the movie contains not quite as many songs as the stage performance does, but, each actress in the wonderful cast having one song, and the way the songs are presented, it certainly works.

    Daniel Day-Lewis leads the cast, playing Italian filmmaker Guido Contini, who is about fifty, and going through something of a midlife crisis. Lewis brings a lot of panache to the role, belting out his lyrics with such assurance that this part has been well-practiced and a certain amount of passion has been brought into it, playing the character perfectly.

    His long-suffering wife Luisa, splendidly re-imagined, not played by Marion Cotillard, is the one gem in the cast that outshines all of its other members. You feel emotion for her character that you don't feel for the others, you can tell that her character has been through a lot, and you're happy to see her come out on top at the end.

    Penelope Cruz also adds a lot to the film, playing Contini's mistress, Carla, a role that 30 Rock's Jane Krakowski played on Broadway, Cruz also brings a lot of emotion and sass, often simultaneously, to her role. You really understand Contini's predicament, and sympathize with the character, for not being able to break her heart, or that of his wife. Her musical number brings a lot of excitement, and her enthusiasm, and her roaring Soprano is unlike anything we ever thought we'd see from this actress. I see her winning awards a-many for her performance in this.

    Dame Judi Dench, always worthwhile, plays Lilli, Contini's wisecracking costume designer and confidante. Dench brings comic relief, having more scenes than any other of the actresses in the film, but also brings depth, playing a kind of a psychiatrist to the lead character, and also bringing a fantastic voice, for her musical number, which contains many chorus girls in feather boas, you think you're watching The Rockettes or something out of A Chorus Line, but for the song, it certainly works.

    Fergie plays Saraghina, a figure from Contini's youth who taught him about love, and how to attract a woman. Fergie only has one scene in the movie, basically. She shows up in the overture, and finale, but, her only big scene is her show-stopping musical number Be Italian, which generated applause in my theatre. It makes me wonder if they used Fergie less, because maybe her acting talents were not up to par. I guess we'll never know, but her singing voice is something we didn't even expect from her, as she belts the lyrics with such undeniable passion and exuberance, you're glad this minor role was played by her.

    Nicole Kidman plays Contini's muse, actress Claudia Jensen, who is mentioned in the film's beginning, then disappears until close to the movie's end. I kind of feel like Kidman's obvious musical talent, displayed previously in Moulin Rouge, come off as a bit underused, because she has one of the best singing voice among the cast and she only has one song. That's one of the few things that bugged me about this wonderful movie.

    Kate Hudson plays American magazine journalist, Stephanie, who isn't in very much of the movie either, but Kate Hudson's big musical number, Cinema Italiano, written specifically for the movie, is amazing. I hate to use the word "amazing", because I think it's overused and it's lost its affect, but it's the only way to describe this scene, the way that director Rob Marshall cut the number, switching from sequences in black and white, then color, then black and white again, it's a truly unique experience that you really need to see to completely understand. And here's a surprise, Kate Hudson can sing. I thought she was only cut out for mid-level rom-coms, but I'm glad to say I was wrong, she definitely fits in with the musically talented cast of this movie.

    Sophia Loren plays Contini's mother, who is tragically underused, but brought in at the right times in the movie. She, again, only has one song, but it feels like enough, for this actress, who's still looking great, at age 75, bringing drama to her role, and she gives more than she needs to, but it's certainly good to see her on screen again.

    The direction of the movie is just as much one of the stars of the show. Rob Marshall, having directed Chicago and Memoirs of a Geisha knows a thing or two about grand-scale production musical numbers and high-octane drama, and he brings it all to this film, although some of the songs are cut in a way that feels chaotic and rushed, but I think it doesn't hurt the movie at all. It's a movie built on high caliber acting, beautiful music, and gorgeous imagery, and it's something you have to see for yourself. It's that good.

    Mehr wie diese

    Jack & Rose
    6,5
    Jack & Rose
    Der Boxer
    7,0
    Der Boxer
    Rabbit Hole - Neue Wege
    6,9
    Rabbit Hole - Neue Wege
    Hexenjagd
    6,8
    Hexenjagd
    Fell - Ein imaginäres Portrait von Diane Arbus
    6,3
    Fell - Ein imaginäres Portrait von Diane Arbus
    The Paperboy
    5,7
    The Paperboy
    Der seidene Faden
    7,4
    Der seidene Faden
    Die unerträgliche Leichtigkeit des Seins
    7,2
    Die unerträgliche Leichtigkeit des Seins
    Eversmile
    5,4
    Eversmile
    Zeit der Unschuld
    7,2
    Zeit der Unschuld
    Die gesammelten Peinlichkeiten unserer Eltern in der Reihenfolge ihrer Erstaufführung
    6,1
    Die gesammelten Peinlichkeiten unserer Eltern in der Reihenfolge ihrer Erstaufführung
    Australia
    6,6
    Australia

    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      When it was decided to make a play out of Federico Fellini's Achteinhalb (1963), the rights were easy to obtain from Fellini; his only condition was that neither his name nor the title 8 1/2 should be connected to it.
    • Patzer
      When Guido drives up to the Cinecitta film studios in his open top Lancia with his producer as passenger, parked outside (to left) is a (quite distinctive) two tone white and blue paint job rear-engined (flat front radiator) car (another Lancia?): as soon as they pull up inside the lot, as they exit the car and walk around the lot, camera pulls back to show an exact same (license plate same /similar) car parked on other side.
    • Zitate

      Luisa Contini: Thank you.

      Guido Contini: What for?

      Luisa Contini: Thank you for reminding me I'm not special. You don't even see what you do, do you? Even the moments I think are ours, it's just you working to get what you want.

    • Verbindungen
      Featured in The Jay Leno Show: Folge #1.44 (2009)
    • Soundtracks
      Overture Delle Donne
      Music by Maury Yeston

      Performed by Female Ensemble

    Top-Auswahl

    Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
    Anmelden

    FAQ23

    • How long is Nine?Powered by Alexa
    • Is "Nine" based on a book?
    • Who has played Guido Contini on stage?
    • What style of music is this musical?

    Details

    Ändern
    • Erscheinungsdatum
      • 25. Februar 2010 (Deutschland)
    • Herkunftsländer
      • Vereinigte Staaten
      • Vereinigtes Königreich
    • Offizielle Standorte
      • Official site
      • Official site (France)
    • Sprachen
      • Englisch
      • Italienisch
      • Französisch
    • Auch bekannt als
      • Nine - Die Frauen meines Lebens
    • Drehorte
      • Positano, Salerno, Campania, Italien(on location)
    • Produktionsfirmen
      • The Weinstein Company
      • Relativity Media
      • Marc Platt Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 80.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 19.676.965 $
    • Eröffnungswochenende in den USA und in Kanada
      • 257.232 $
      • 20. Dez. 2009
    • Weltweiter Bruttoertrag
      • 54.004.950 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 58 Minuten
    • Farbe
      • Color
      • Black and White
    • Sound-Mix
      • Dolby Digital
      • DTS
      • Dolby SR
      • SDDS
    • Seitenverhältnis
      • 2.39 : 1

    Zu dieser Seite beitragen

    Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
    Nicole Kidman, Daniel Day-Lewis, Penélope Cruz, Kate Hudson, and Marion Cotillard in Nine (2009)
    Oberste Lücke
    What is the Japanese language plot outline for Nine (2009)?
    Antwort
    • Weitere Lücken anzeigen
    • Erfahre mehr über das Beitragen
    Seite bearbeiten

    Mehr entdecken

    Zuletzt angesehen

    Bitte aktiviere Browser-Cookies, um diese Funktion nutzen zu können. Weitere Informationen
    Hol dir die IMDb-App
    Melde dich an für Zugriff auf mehr InhalteMelde dich an für Zugriff auf mehr Inhalte
    Folge IMDb in den sozialen Netzwerken
    Hol dir die IMDb-App
    Für Android und iOS
    Hol dir die IMDb-App
    • Hilfe
    • Inhaltsverzeichnis
    • IMDbPro
    • Box Office Mojo
    • IMDb-Daten lizenzieren
    • Pressezimmer
    • Werbung
    • Jobs
    • Allgemeine Geschäftsbedingungen
    • Datenschutzrichtlinie
    • Your Ads Privacy Choices
    IMDb, ein Amazon-Unternehmen

    © 1990-2025 by IMDb.com, Inc.