[go: up one dir, main page]

    Kalender veröffentlichenDie Top 250 FilmeDie beliebtesten FilmeFilme nach Genre durchsuchenBeste KinokasseSpielzeiten und TicketsNachrichten aus dem FilmFilm im Rampenlicht Indiens
    Was läuft im Fernsehen und was kann ich streamen?Die Top 250 TV-SerienBeliebteste TV-SerienSerien nach Genre durchsuchenNachrichten im Fernsehen
    Was gibt es zu sehenAktuelle TrailerIMDb OriginalsIMDb-AuswahlIMDb SpotlightLeitfaden für FamilienunterhaltungIMDb-Podcasts
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter AwardsAwards CentralFestival CentralAlle Ereignisse
    Heute geborenDie beliebtesten PromisPromi-News
    HilfecenterBereich für BeitragendeUmfragen
Für Branchenprofis
  • Sprache
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Anmelden
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
App verwenden
  • Besetzung und Crew-Mitglieder
  • Benutzerrezensionen
  • Wissenswertes
  • FAQ
IMDbPro

Nine

  • 2009
  • 6
  • 1 Std. 58 Min.
IMDb-BEWERTUNG
5,8/10
46.054
IHRE BEWERTUNG
Nicole Kidman, Daniel Day-Lewis, Penélope Cruz, Kate Hudson, and Marion Cotillard in Nine (2009)
Nine: Trailer #3
trailer wiedergeben2:35
14 Videos
99+ Fotos
DramaMusicalRomance

Der berühmte Filmregisseur Guido Contini ringt um Harmonie in seinem beruflichen und privaten Leben. Er pflegt dramatische Beziehungen zu seiner Frau, seiner Geliebten, seiner Muse, seinem A... Alles lesenDer berühmte Filmregisseur Guido Contini ringt um Harmonie in seinem beruflichen und privaten Leben. Er pflegt dramatische Beziehungen zu seiner Frau, seiner Geliebten, seiner Muse, seinem Agenten und seiner Mutter.Der berühmte Filmregisseur Guido Contini ringt um Harmonie in seinem beruflichen und privaten Leben. Er pflegt dramatische Beziehungen zu seiner Frau, seiner Geliebten, seiner Muse, seinem Agenten und seiner Mutter.

  • Regie
    • Rob Marshall
  • Drehbuch
    • Michael Tolkin
    • Anthony Minghella
    • Arthur Kopit
  • Hauptbesetzung
    • Daniel Day-Lewis
    • Marion Cotillard
    • Penélope Cruz
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,8/10
    46.054
    IHRE BEWERTUNG
    • Regie
      • Rob Marshall
    • Drehbuch
      • Michael Tolkin
      • Anthony Minghella
      • Arthur Kopit
    • Hauptbesetzung
      • Daniel Day-Lewis
      • Marion Cotillard
      • Penélope Cruz
    • 262Benutzerrezensionen
    • 208Kritische Rezensionen
    • 49Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 4 Oscars nominiert
      • 8 Gewinne & 60 Nominierungen insgesamt

    Videos14

    Nine: Trailer #3
    Trailer 2:35
    Nine: Trailer #3
    Nine
    Trailer 2:30
    Nine
    Nine
    Trailer 2:30
    Nine
    Nine: Behind The Scenes Featurette
    Clip 2:05
    Nine: Behind The Scenes Featurette
    Nine: My Husband Makes Movies
    Clip 0:45
    Nine: My Husband Makes Movies
    Nine: Rather Be The Man
    Clip 0:50
    Nine: Rather Be The Man
    Nine: Be Italian
    Clip 0:44
    Nine: Be Italian

    Fotos196

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 190
    Poster ansehen

    Topbesetzung99+

    Ändern
    Daniel Day-Lewis
    Daniel Day-Lewis
    • Guido Contini
    Marion Cotillard
    Marion Cotillard
    • Luisa Contini
    Penélope Cruz
    Penélope Cruz
    • Carla
    Sandro Dori
    • Studio Superintendent
    Nicole Kidman
    Nicole Kidman
    • Claudia
    Judi Dench
    Judi Dench
    • Lilli
    Sophia Loren
    Sophia Loren
    • Mamma
    Kate Hudson
    Kate Hudson
    • Stephanie
    Fergie
    Fergie
    • Saraghina
    Ricky Tognazzi
    Ricky Tognazzi
    • Dante
    Giuseppe Cederna
    Giuseppe Cederna
    • Fausto
    Elio Germano
    Elio Germano
    • Pierpaolo
    Roberto Nobile
    • Jaconelli
    Andrea Di Stefano
    Andrea Di Stefano
    • Benito
    Romina Carancini
    • Production Assistant…
    Alessandro Denipotti
    • Production Assistant
    Alessandro Fiore
    • Production Assistant
    Erica Gohdes
    • Production Assistant
    • Regie
      • Rob Marshall
    • Drehbuch
      • Michael Tolkin
      • Anthony Minghella
      • Arthur Kopit
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen262

    5,846K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Empfohlene Bewertungen

    6ClaytonDavis

    It's Style over Content...

    In one of the most anticipated films of the Oscar season, Rob Marshall directs the adaptation of the Broadway musical, Nine. The film stars a studded-cast of A-list celebrities including Academy Award Winners Daniel Day-Lewis, Marion Cotillard, Penelope Cruz, Judi Dench, Nicole Kidman, Sophia Loren, Oscar Nominee Kate Hudson, and Stacy Ferguson a.k.a. Fergie. What the film is proud of is ultimately its failure.

    Marshall, Oscar nominated for his breakthrough directorial debut Chicago, lost all the flavor and originality we once respected him for. The performances of most are right on target; get the job done, and sure to break through some awards buzz this season. The narrative by Michael Tolkin and the late Anthony Minghella is flat, unemotional, and vacant. The songs are tedious and a bit monotonous in their delivery, despite the cast surprisingly having good vocal chops. You would think that a big time musical such as Nine would have big notes that engage the viewer, and an interpretation that would move the viewer. None of those occur often enough in the film. Nine is not a failure, it just suffers major malfunctions that don't keep the machine moving.

    Daniel Day-Lewis helms the picture as Guido Contini, an Italian director looking for inspiration for his next film. Day-Lewis gives a solid effort which we haven't seen from him before but in comparison to his previous works in There Will Be Blood and Gangs of New York, he doesn't elevate the material as often or doesn't translate his musical numbers like he should. When he's not singing, Day-Lewis is in charge, in top form, and showing what he's always excelled at, decode a character's feelings and become an inferno of talent.

    Marion Cotillard is easily the most sentimental and profound player in the entire picture playing the heartrending Luisa, Guido's adulterated wife. What Cotillard has demonstrated beyond any type of acting capacity, a sexy, stylish, and devastating performance. With her two musical numbers, "Take It All" and "My Husband Makes Movies," Cotillard improves and exalts one of the most poignant performances of the year. This is the single performance of the film that Oscar shouldn't miss out on.

    Nicole Kidman, Oscar winning actress for The Hours, is as wasted as she is unimportant playing the beautiful Claudia, Guido's muse for his film. Kidman's one big scene of the film becomes a borefest of words that have no verbal value to the viewer or the story. Unfortunately Kidman is the forgettable cast mate that is ultimately invisible. She's unused, underwritten, and employed as movie wallpaper. For shame.

    Judi Dench as the costume designer Lilli has one big musical number which again is uninspired and lackluster. She has charisma in her speaking scenes and sort of upstages Day-Lewis much of the time, she eventually falls victim to a bland, insipid account.

    Sophia Loren, the beautiful veteran Italian actress plays Mamma as in Guido's Mom, and gives a presence of royalty that the film lacks. She walks through the film with a manifestation of poise and allure.

    Kate Hudson, as the cute Stephanie, the fashion critic for Vogue Magazine, is surprisingly fresh and fun. Her "Cinema Italiano" is one of the more pleasurable and enjoyable numbers in the film. It's nice to see Hudson give a bright, inventive cinematic turn in lines with her Oscar nominated work in Almost Famous.

    Fergie is one of the sexier parts of the film as Saraghina, the lust of Guido's adolescence. Her "Be Italian" in terms of vocal capability is the best of the movie experience. Big notes, modern-like, and innovativeness, Fergie is one of the memorable players here but in terms of actual "acting," she's never given the chance to show what she can do.

    Penelope Cruz, in one of her most aggressive and provocative turns yet plays the luscious Carla, Guido's married mistress. Cruz, in the film's opening number, is eager and provides hope to what seemed was going to be a promising experience. Along with Cotillard, Cruz is an Oscar worthy player. Fascinating, passionate, and enthusiastic along encompasses the traits in Ms. Cruz's arsenal.

    Technically, the film sits very well. A stunning art director controlling the date and time of Marshall's film is quite good. Dion Beebe regulates our essential point of view and how dazzling it can look despite any flaws narratively. At it again, Colleen Atwood shows how she's one of the top designers in the business. Marshall in the end copycats himself, which is not a directorial style rather a Chicago-repeat without the razzle-dazzle.

    Consequently, Rob Marshall's Nine isn't terrible, which doesn't say much. It's passable, average, and done before. It may not have been the screen writers liability for the strikeout, it's just an un-fascinating and awkwardly weak show. Nine, the film, however, is awkwardly coy, which is not an imaginative sense that the viewer anticipated. Nine in the end, in the finale, walking out of the theater, everything you thought about it, levels out just fine, which I guess is admirable. Is it Oscar bound? Unfortunately yes.

    **½/****
    6blanche-2

    not a very good film version of a good musical

    The movie version of the musical "Nine" (based on Fellini's 8-1/2) was released in 2009 with a wonderful cast that included Daniel Day-Lewis as Guido, Marion Cotillard as his wife Luisa, Penelope Cruz as his mistress Carla, Kate Hudson as a reporter, Judy Dench as his costumer, Nicole Kidman as his muse Claudia, Fergie as a woman on the beach, and Sophia Loren as his mother.

    I am at a disadvantage because I didn't see the musical, but quite a bit was cut from the score, which is a shame. The music is wonderful and probably was meant to be sung a little better than it was in the film.

    "Nine" is the story of a great filmmaker, Guido Contini, who is about to make another film but doesn't actually have another one. His life is a mess - a wife, a mistress, no script, and no inspiration. He has to come to grips with his immaturity, his women, and with the reality of his life before he can move on.

    Each of Guido's women has a song that expresses her feelings, the most famous of which is "Phone Call from the Vatican," sung by Carla (Cruz). This number was performed by the late Anita Morris on stage and considered very risqué. For me, the best filmed number in the whole film was "Cinema Italiano," done by Kate Hudson, and Judi Dench does a great job with the "Folies Bergere" number. "Unusual Way" is perhaps the prettiest song in the score, and that was done by Nicole Kidman.

    We don't get much of a chance to know the women in Guido's life with the exception of Luisa (Cotillard) who gives a lovely, gentle performance as a woman who loves her husband but is continually hurt by him, and Carla, who despite her overt sexiness, is actually very fragile. And we get to know Lilli, the costumer, who knows Guido very well indeed and is the voice of reason.

    The movie is pretty to look at, and the women are absolutely stunning, particularly Cotillard, Kidman, and Cruz, who looked like goddesses. Daniel Day-Lewis lived in Italy for a while and his accent is excellent. He's handsome and sexy, possibly more introverted than one of the stage Guidos - Raul Julia, Antonio Banderes, Sergio Franchi, or John Stamos.

    Since this film moves slowly in parts, it's curious that so many songs were left out.

    In the final analysis, though I liked parts of "Nine," I think it's too theatrical a show to lend itself to film. As a theater piece, it's fabulous - the original show was a hit, as was the revival.

    I know some people hated this movie, but it's not awful. It's just not great.
    6Matt_Layden

    I Wanted To Like This Film More Than I Did.

    Guido Contini, a famous Italian director, is struggling with his next big film. He has no script and no inspiration, but everyone is counting on him. He tries to juggle both his new film, his wife, his mistress, his producer and his muse. Oh yeah, he also talks to his dead mother.

    Nine is an ambitious film, I'll give it that. Rob Marshall, the director of the Best Picture winner Chicago serves up a mix bag with Nine. The film feels like Marshall is trying to rekindle the magic he had with Chicago, he comes up short, specifically with the musical numbers. For everything that I liked about it, there were two things I didn't. Nine needs to be more focused and shorter for it to be a film I would recommend.

    The film is about film-making, yet the way Marshall presents the film to us is in the style of a stage play. Everything from the set-pieces to lighting screams stage play. It was an interesting touch, but felt out of place because it dealt with the art of film-making so much. The musical numbers, all uninspiring and rather boring, even attest to this. With the exception of Fergie, who gives us the best song and dance number that uses sand in a creative way, all the other numbers are generic and rather 'not good'. When you have a Grammy winner singing a song and then have Kate Hudson sing one, there is a difference, and it is more noticeable than the filmmakers might have wanted.

    Nine has a great cast, most of them are Oscar winners too. Daniel Day Lewis, with an amazing Italian accent, is the obvious stand out. He plays sexy and stressed all in one look. Penelope Cruz is the mistress, who has the sexiest scene of this movie, her career and this year. Her work in this film is pretty basic, the other lover who wants to be the one loved. With the exception of DDL, the only other actor that is given any kind of emotional depth is Marion Cotillard. She has to go through the realization that her husband is cheating on her and make the choice to stay or leave. Everyone else is pretty much there to fill up time and sing their one song. Judie Dench is the fashion designer and she plays a motherly figure, whereas Sophia Loren plays his actual mother, well his dead mother, but he still sees and talks to her. Fergie has her one scene in which she steals the show with her tune and then Nicole Kidman turns up at the end and makes you wince with her accent. Don't get me started on Kate Hudson.

    The problem is that these are good actors, with just no material to work with. Daniel Day Lewis is great, but he's a hard character to connect with, he's sleeping around with a lot of women, it feels like half the cast. Emotional scenes don't play out as well as they should and the film drags itself to the finish line near the end. I found myself wanting it to end sooner and sooner, but it kept going.

    On the plus side, the choreography is great and the cinematography really grabs you, even if it is a little misplace with it's stage feel. The film is well put together and the editing is well done. It weaves it's story in and out of timelines from Guido's life, during the musical numbers. The film isn't bad, but it didn't do anything for me either. Leaving a musical not tapping your toes or even remembering the tunes may be a bad sign. I liked it enough to give it a good rating, the cast and style are good enough for me to do so, but everything else makes me lean on the side of telling you to rent this. It's well made, but has no real heart and the film is a little on the long side, you may be checking your watch.
    6don_agu

    Six

    Let me say off the bat that seeing Sophia Loren and Sophia Loren singing gave me a chill. That is quite a bit to get from a film. Chills. I knew I had to forget this was a musical adaptation of 81/2, but I couldn't forget the way I forgot that "Sweet Charity" was a musical remake of "The Nights Of Cabiria". Here the score is iffy and scarce and the story, translated into musical numbers is kind of shallow and, quite honestly, not enough. There are, however, moments to enjoy. The look of it is great, and Marion Cotillard makes something enormous from the little she was given. Penelope Cruz dances an erotic dance and Kate Hudson, well I don't quite know what she was doing. Nicole Kidman is starting to look like a wax work, what a pity! And Judi Dench is always fun. I was reminded she was a sublime Sally Bowles in the first London production of "Cabaret" - Daniel Day Lewis has been one of my favourites for a long time now but here he is far too pale, inside and out. I want to repeat that the whole thing is worth it just to have a glimpse of Sophia Loren singing. So, 6.
    6billion_mucks

    Sing for your Ego, Maestro.

    First things first, I do not like musicals. I've been pushed to see this by the infatuation over a lady. But trust me I was surprised to how much I liked it, even when I had negative expectations to it.

    The film hands down is a wonderful homage to Federico Fellini, in his visual style, the women chosen represent Fellini's size of aesthetic view just like Kidman reminds you of young Anita Ekberg, Cotillard has the same diva material as Anouuk Aimee and Kate Hudson the figure and pallet of American stars that pleased Il Maestro Fellini. If you are familiar with this wonderful director, you'll enjoy "Nine" the better.

    Then, I believe music helps to boost the theme and moral of the story. Generally outlined the whole musical is an ego-fest, all around Guido, Guido, Guido, his mess, his women, himself over himself. His ego being put into the light, with each song sprouting in the exact moment with "joie de vivre" and vitality, the women from Kidman to Dench showcasing enormous femininity and composure.

    "Les Folies Bèrgere" piece says it clearly. What you need is the laughter, the lights, the color. The music, the "pleasure of living". Nine has it, it has it all while at the same time plays the keys that Maestro Fellini would have liked to hear if he was still with us.

    Mehr wie diese

    Jack & Rose
    6,5
    Jack & Rose
    Der Boxer
    7,0
    Der Boxer
    Rabbit Hole - Neue Wege
    6,9
    Rabbit Hole - Neue Wege
    Hexenjagd
    6,8
    Hexenjagd
    Fell - Ein imaginäres Portrait von Diane Arbus
    6,3
    Fell - Ein imaginäres Portrait von Diane Arbus
    The Paperboy
    5,7
    The Paperboy
    Der seidene Faden
    7,4
    Der seidene Faden
    Die unerträgliche Leichtigkeit des Seins
    7,2
    Die unerträgliche Leichtigkeit des Seins
    Eversmile
    5,4
    Eversmile
    Zeit der Unschuld
    7,2
    Zeit der Unschuld
    Die gesammelten Peinlichkeiten unserer Eltern in der Reihenfolge ihrer Erstaufführung
    6,1
    Die gesammelten Peinlichkeiten unserer Eltern in der Reihenfolge ihrer Erstaufführung
    Australia
    6,6
    Australia

    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      When it was decided to make a play out of Federico Fellini's Achteinhalb (1963), the rights were easy to obtain from Fellini; his only condition was that neither his name nor the title 8 1/2 should be connected to it.
    • Patzer
      When Guido drives up to the Cinecitta film studios in his open top Lancia with his producer as passenger, parked outside (to left) is a (quite distinctive) two tone white and blue paint job rear-engined (flat front radiator) car (another Lancia?): as soon as they pull up inside the lot, as they exit the car and walk around the lot, camera pulls back to show an exact same (license plate same /similar) car parked on other side.
    • Zitate

      Luisa Contini: Thank you.

      Guido Contini: What for?

      Luisa Contini: Thank you for reminding me I'm not special. You don't even see what you do, do you? Even the moments I think are ours, it's just you working to get what you want.

    • Verbindungen
      Featured in The Jay Leno Show: Folge #1.44 (2009)
    • Soundtracks
      Overture Delle Donne
      Music by Maury Yeston

      Performed by Female Ensemble

    Top-Auswahl

    Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
    Anmelden

    FAQ23

    • How long is Nine?Powered by Alexa
    • Is "Nine" based on a book?
    • Who has played Guido Contini on stage?
    • What style of music is this musical?

    Details

    Ändern
    • Erscheinungsdatum
      • 25. Februar 2010 (Deutschland)
    • Herkunftsländer
      • Vereinigte Staaten
      • Vereinigtes Königreich
    • Offizielle Standorte
      • Official site
      • Official site (France)
    • Sprachen
      • Englisch
      • Italienisch
      • Französisch
    • Auch bekannt als
      • Nine - Die Frauen meines Lebens
    • Drehorte
      • Positano, Salerno, Campania, Italien(on location)
    • Produktionsfirmen
      • The Weinstein Company
      • Relativity Media
      • Marc Platt Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 80.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 19.676.965 $
    • Eröffnungswochenende in den USA und in Kanada
      • 257.232 $
      • 20. Dez. 2009
    • Weltweiter Bruttoertrag
      • 54.004.950 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 58 Minuten
    • Farbe
      • Color
      • Black and White
    • Sound-Mix
      • Dolby Digital
      • DTS
      • Dolby SR
      • SDDS
    • Seitenverhältnis
      • 2.39 : 1

    Zu dieser Seite beitragen

    Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
    Nicole Kidman, Daniel Day-Lewis, Penélope Cruz, Kate Hudson, and Marion Cotillard in Nine (2009)
    Oberste Lücke
    What is the Japanese language plot outline for Nine (2009)?
    Antwort
    • Weitere Lücken anzeigen
    • Erfahre mehr über das Beitragen
    Seite bearbeiten

    Mehr entdecken

    Zuletzt angesehen

    Bitte aktiviere Browser-Cookies, um diese Funktion nutzen zu können. Weitere Informationen
    Hol dir die IMDb-App
    Melde dich an für Zugriff auf mehr InhalteMelde dich an für Zugriff auf mehr Inhalte
    Folge IMDb in den sozialen Netzwerken
    Hol dir die IMDb-App
    Für Android und iOS
    Hol dir die IMDb-App
    • Hilfe
    • Inhaltsverzeichnis
    • IMDbPro
    • Box Office Mojo
    • IMDb-Daten lizenzieren
    • Pressezimmer
    • Werbung
    • Jobs
    • Allgemeine Geschäftsbedingungen
    • Datenschutzrichtlinie
    • Your Ads Privacy Choices
    IMDb, ein Amazon-Unternehmen

    © 1990-2025 by IMDb.com, Inc.