Trick 'r Treat - Die Nacht der Schrecken

This movie has become a bit of a cult favourite in recent years and that's down to how devilishly clever each of the little stories are. Taking place over one Halloween night with interwoven narratives, the film shows us some great little movies before tying it all together at the end. Here's hoping for a sequel!

"Trick 'r Treat" is probably what they intended "Halloween III" to be: A fun little horror movie that takes place at and revolves around Halloween. The episodic structure of the movie and the comic book background are reminiscent of George A. Romero's "Creepshow" and "Tales From The Crypt".

Although there is a certain amount of gore and some nudity this never feels like "hardcore horror", but more like a movie you could enjoy on a rainy afternoon with your kids... and that's a good thing. We've had so many shocking, violence-laden movies lately, that this is a very welcomed return to the more light-hearted, charming horror of our childhood.

"Trick 'r Treat" never strives to be special or meaningful. The episodes aren't especially original or disturbing, but director/screenwriter Michael Dougherty proves that you can breathe life into a horror movie just by taking it seriously, by putting your soul into it. The settings are atmospheric, the cinematography is inspired and beautiful. Some scenes are blatantly stolen from other movies (a scene that involves a little person slicing a grown-ups heel from underneath the bed is taken right out of "Pet Semetary", then we got the hand with a life of its own, that we've all seen before in "Evil Dead II", the Addams family movies and even "Waxwork II: Lost In Time"). However, these moments seem more like respectful nods to the movies we enjoyed as kids.

"Trick 'r Treat" has got its heart in the right place. It's the perfect movie for Halloween. It's charming and lots of fun. Great to see that there are still people like Dougherty out there who make old fashioned horror movies like this one.

Trick r Treat was the perfect movie horror fans needed for the Halloween season. An anthology film but with stories interconnected and told almost like a comic book panel. It's an obvious throwback to the classic EC Comics in almost the same vein Creepshow was. It's a movie that just oozes and screams the Halloween season with an orange color palette, beautiful Autumn cinematography, and jack-o-lanterns in almost every frame. There's four stories happening & each one gives you a different variety. There's a insane killer principle, a group of ghost children, some girls heading to a party with an outrageous twist, and finally a grumpy old strooge who hates the tradition. They're all accompanied by the spirit of Halloween himself Sam who's already become a horror icon despite only being in one movie. With his burlap sack mask, orange pajamas, and psycho but childlike nature he's the perfect embodiment of the Halloween season the same way Santa Claus is to Christmas.

Although it's no horror masterpiece Trick r Treat is just a fun good time to enjoy every season and to help get you in the mood for all things spooky and strange. Happy all hollows eve.

A better-than-expected horror anthology with some creepy good Halloween scares.

Ah, Halloween… my favorite time of the year. It isn't so much the festivities taking place that excites me as it's the feeling in the air once October comes. That palpable sensation you get seeing jack-o-lanterns grimly lit faces, kids trick-or-treating in the streets and the aesthetics of fall surrounding you slowly giving way to winter. I think it must hold a special place in everyone, if for nothing else but purely nostalgic reasons. Mike Dougherty is certainly one of those people, as is evidenced by his incredible horror anthology Trick 'r Treat. For a holiday that revels in films of a horrific nature, there sure are a scant few of them that take place on the actual day itself. Dougherty's film is the celluloid embodiment of that je ne sais quoi that has made Halloween such an alluring holiday for generations of kids (and adults) alike.

As I said, Trick 'r Treat is a horror anthology which interweaves tales that all take place on Halloween night, similar to such genre classics as Creepshow and Tales from the Darkside. A costumed couple learns to respect tradition… the hard way, a group of girls head out into the woods for a "howling" good party, the local school principal has a (literal) taste for blood, four kids attempting to pull off a holiday "trick" end up becoming "treats", and a cantankerous old man gets a visit from a holiday visitor looking to settle a decades-old grudge.

To say anymore than that would spoil the fun in watching the film, as these stories are best digested when viewed on an empty mind. The twists are less predictable than most horror films manage these days; half the fun is wondering just where the hell these characters are going to end up. The one constant throughout the film is a costumed, pint-sized little guy named Sam, who does his best to remind people why they should take great care in adhering to the traditions set forth hundreds of years ago for All Hallows Eve. The film is richly seeped in tradition, reminding the audience of just why we celebrate the fabled holiday in the first place. It manages to be effectively creepy and blood-soaked, yet it never goes over-the-top with gratuitous gore. There is also a very obvious helping of black comedy strewn throughout the film, which thankfully never gives way to the self-parody so many horror films feel the need to indulge in.

I think the most impressive aspect of this film is the incredible attention that has been paid to detail. Every single shot of the film is beautifully framed and composed, often looking more like a cryptic painting than a frame of film. The austere trappings of Mr. Kreeg's dark house, the ghostly palette of the rock quarry, the incredible shape-shifting sequence around a roaring fire in the woods… everything here is gorgeous. That aesthetic, married with the spot-on performances and realistic dialogue, give the film an organic feel that never relies on cheese or parody to break tension. The cinematography by Glen MacPherson (who also shot this year's incredibly brutal Rambo) is so lush it manages to make you feel like you're a part of the celebration. For someone who is as big a fan of the Halloween holiday as I am, this was especially important to see done right. Too often when a film actually does take place on the holiday it lacks the depth that is presented here.

For such a large ensemble cast, there isn't any one performance that stands out above the rest – everyone here is perfectly cast. I even enjoyed Anna Paquin as the "virgin" of the female group, and she's not always someone I'm crazy about. Perhaps my favorite role is that of Mr. Kreeg, played superbly by veteran character actor Brian Cox. His look was inspired directly from my favorite director, John Carpenter, and there are a couple of well-placed nods to his work that were highly amusing. Also providing great support throughout the film is newcomer Quinn Lord who plays Sam, the little sack-headed minion who "stiches" the film's stories together.

OK, now here's the biggest problem with the film; the 800 lb. gorilla in the room: there is NO set distribution deal lined up. I was lucky enough to see it at the sold-out opening night screening held at Grauman's Chinese Theater for Screamfest 2008. During the post-film q&a session Mr. Dougherty informed us that he had no idea what the future held for this film. It was set to be released in Oct. 2007 (?!?), then it was pushed back to Feb. 2008, Oct. 2008 and, finally, has been placed on the shelf indefinitely. I'm thankful that Dougherty got some good studio money to make the film to his exact specifications, but, for the love of all things evil, someone at Warner Bros. needs to get this thing out to the masses! I heard rumblings of a direct-to-DVD release date sometime next year, to which I can only say that would be a travesty for something this genuine and unique. I suppose therein lies some of the problem; since this is generally uncharted territory, the studios are clueless as to how they can market the thing. I can understand some of their hesitation (since a good majority of the film features children either killing or being killed), but there's just no excuse to not give this thing some kind of release – and with an October 2008 release out of the question I don't when they could give it a proper release. This is a film that needs to be seen during the month of October, but it's looking like 2009 is the next likely candidate if that were the case. I just don't want to see this film become the cinematic equivalent to the eternally-gestating Guns N' Roses opus Chinese Democracy (which, oddly enough, actually has a release date… for now).