IMDb-BEWERTUNG
6,8/10
75.803
IHRE BEWERTUNG
Um den Unterricht zu erhöhen, um ihren kleinen Sohn auf eine Privatschule zu schicken, gründet eine Mutter mit ihrer unzuverlässigen Schwester ein ungewöhnliches Geschäft -- einen Wegfall-En... Alles lesenUm den Unterricht zu erhöhen, um ihren kleinen Sohn auf eine Privatschule zu schicken, gründet eine Mutter mit ihrer unzuverlässigen Schwester ein ungewöhnliches Geschäft -- einen Wegfall-Entfernungs-/Tatort-Reinigungsdienst.Um den Unterricht zu erhöhen, um ihren kleinen Sohn auf eine Privatschule zu schicken, gründet eine Mutter mit ihrer unzuverlässigen Schwester ein ungewöhnliches Geschäft -- einen Wegfall-Entfernungs-/Tatort-Reinigungsdienst.
- Regisseur/-in
- Autor/-in
- Stars
- Auszeichnungen
- 2 Gewinne & 6 Nominierungen insgesamt
Cliff Garstka Sr.
- Gun Shop Employee #2
- (as Clifford R. Garstka Sr.)
Empfohlene Bewertungen
Greetings again from the darkness. Ahhh, the first 2009 script (by Megan Holley) that has the depth, nuances and multiple sub-plots that keep me addicted to movies. Sure one can view this as a simple story of the emotionally struggling sisters who start a bio-hazard clean-up company to connect not just with each other, but also with those who have been the victim of a profound event involving a loved one. It works just fine on that level.
Of course, I never make things that easy. For this viewer, I was absorbed in the connection the sisters had to their dead mother. The quest for a glimpse of her one movie of the week performance as a waitress had the sisters trained to stop in their tracks whenever a "waitress" scene appeared on TV. The sisters are played exceedingly well by the extraordinarily talented Amy Adams and Emily Blunt. Their performances lift a really good script to greatness.
For most movies, that would be plenty. Not here. Director Christine Jeffs ("Sylvia") gets to play with Alan Arkin as the always scheming father, a quick commentary on the disgusting "solution" of public schools tendency to require medication on less than robotic kids, emotionally empty relationships, and the absolute need of people to connect with others.
The fine acting continues with Steve Zahn as the former high school hero turned local cop, whom Adams' character has maintained a long term "bond". Trouble is Zahn's character picked someone else to marry. Clifton Collins Jr adds a wonderful dimension as Adams' possibly new prospect. Mary Lynn Rajskub is just plain fascinating as the lonely lady Blunt thinks she is helping.
Being promoted as from the creators of "Little Miss Sunshine", this one offers up a nice story complimented by many quirks that make it stand apart from the masses. Hopefully it will find wider distribution as we can never have enough top notch story telling.
Of course, I never make things that easy. For this viewer, I was absorbed in the connection the sisters had to their dead mother. The quest for a glimpse of her one movie of the week performance as a waitress had the sisters trained to stop in their tracks whenever a "waitress" scene appeared on TV. The sisters are played exceedingly well by the extraordinarily talented Amy Adams and Emily Blunt. Their performances lift a really good script to greatness.
For most movies, that would be plenty. Not here. Director Christine Jeffs ("Sylvia") gets to play with Alan Arkin as the always scheming father, a quick commentary on the disgusting "solution" of public schools tendency to require medication on less than robotic kids, emotionally empty relationships, and the absolute need of people to connect with others.
The fine acting continues with Steve Zahn as the former high school hero turned local cop, whom Adams' character has maintained a long term "bond". Trouble is Zahn's character picked someone else to marry. Clifton Collins Jr adds a wonderful dimension as Adams' possibly new prospect. Mary Lynn Rajskub is just plain fascinating as the lonely lady Blunt thinks she is helping.
Being promoted as from the creators of "Little Miss Sunshine", this one offers up a nice story complimented by many quirks that make it stand apart from the masses. Hopefully it will find wider distribution as we can never have enough top notch story telling.
I find that when people ask me what this movie is about I have a hard time successfully telling them. Read the synopsis by all means, but like most summaries it barely scratches the surface. It's a story about a mother who leaves her family in the most permanent way imaginable. It's about a father struggling to maintain his unflappable optimism, a sister whose self-esteem leads her into self-sabotaging habits, another who is in complete emotional freefall, a son who is becoming aware of his family's dynamic and how it compares to the rest of the world's and how they manage to regain their footing by pursuing a very unusual profession. At its heart it is always about family. At their best Amy Adams and Emily Blunt are some of the most talented actresses working today and I was happy to see them both in a script worthy of their skills. Both are gifted at line delivery, but some of their most powerful scenes are nonverbal. The dynamic between all the characters is thoroughly real and enjoyable. I found myself very satisfied by all their resolutions. It was an excellent story to watch unfold.
13 April 2009. Take Amy Adams ("Enchanted" 2007), Emily Blunt ("The Devil Wears Prada" 2006), Alan Arkin ("Little Miss Sunshine" 2006), and even Mary Lynn Rajskub ("24" television series 2003-2009) and the comedian actor Steve Zahn in a serious role and you have a rather interesting family drama that was billed more as a comedy. "Sunshine Cleaners" doesn't have the sparkle and delightful humor as "Little Miss Sunshine," instead this film captures more of a brief moment in time where by two sisters learn more about themselves and their relationship with each other. There aren't so much as explanations as experiences from which to learn from and nothing really turns out the way one might expect in this more realistic this-is-life perspective. The pacing of this movie is somewhat ragged and slow, particularly the first half of the movie. This movie provides no great insight, has a mild but solid twist at the end, and provides the audience with two decent human interest stories that reveal human development and human improvement over time. It's a positive if not stunning message about being human. Seven out of Ten Stars.
I quite liked the film. I would watch Amy Adams stare at grass and Emily Blunt is always top notch. One thing that stuck out for me about the film was that it offers a look at real working-class people doing real work, and does so in a respectful manner. Rose tries to put a positive spin on her post-mortem cleanup work to gathered yuppies in an awkward social setting and is clearly defensive. But you can see her coming to value the work for the good it does. There is nothing wrong with adventure thrillers about high crimes and misdemeanors, about the far-too-well-to-do, and about easy lives, but it is heartening to see hard-scrabble work valued, not just as a barrier to be overcome but as a thing that has intrinsic value and that does real good. Rose and Nora take on work that the yuppie ladies would never dream of tackling, and do real good for real people. This is a film that does not dazzle us with fireworks or glitter, but it has heart. We like that.
I watched this movie in a sneak Preview, so I had no idea, what I had to expect from this. The title is not giving away too much, which I will respect, so if you want to read something about the story, read the summary here on this site.
The acting in this is really great, but some might have a problem with the pace of the movie. It moves along slowly and it's not "in your face" funny, but more a subtle kind of humor (most of the times). It's actually more a drama than a comedy. And Alan Arkin is exceptional as ever, even if he's not the main role here. With a few up and downs, this nice little film has a winning charm, that is worth a view.
The acting in this is really great, but some might have a problem with the pace of the movie. It moves along slowly and it's not "in your face" funny, but more a subtle kind of humor (most of the times). It's actually more a drama than a comedy. And Alan Arkin is exceptional as ever, even if he's not the main role here. With a few up and downs, this nice little film has a winning charm, that is worth a view.
Wusstest du schon
- WissenswertesThe filmmakers have said in interviews their story is based on a 2001 National Public Radio "All Things Considered" report about two women in the Seattle suburbs who started a biohazard removal/cleaning service. They are best friends, not sisters.
- PatzerWhen Norah chases after the kitten, there is a small table and a cat statue on the porch. Later, when the house is burning at night, the table and statue are gone. A subsequent scene of the porch in flames has the table and cat statue back again.
- Alternative VersionenAmy Adams brief topless scene has been censored in the US home video releases. Those frames are zoomed in slightly to omit the nudity where as the framing is left intact on releases outside of the US.
- SoundtracksCure for This
Performed by Golden Smog
Written by Marc Perlman
Courtesy of Lost Highway Records
under license from Universal Music Enterprises
Top-Auswahl
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Details
Box Office
- Budget
- 8.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 12.062.558 $
- Eröffnungswochenende in den USA und in Kanada
- 219.190 $
- 15. März 2009
- Weltweiter Bruttoertrag
- 16.580.250 $
- Laufzeit
- 1 Std. 31 Min.(91 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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