IMDb-BEWERTUNG
6,8/10
75.464
IHRE BEWERTUNG
Um den Unterricht zu erhöhen, um ihren kleinen Sohn auf eine Privatschule zu schicken, gründet eine Mutter mit ihrer unzuverlässigen Schwester ein ungewöhnliches Geschäft -- einen Wegfall-En... Alles lesenUm den Unterricht zu erhöhen, um ihren kleinen Sohn auf eine Privatschule zu schicken, gründet eine Mutter mit ihrer unzuverlässigen Schwester ein ungewöhnliches Geschäft -- einen Wegfall-Entfernungs-/Tatort-Reinigungsdienst.Um den Unterricht zu erhöhen, um ihren kleinen Sohn auf eine Privatschule zu schicken, gründet eine Mutter mit ihrer unzuverlässigen Schwester ein ungewöhnliches Geschäft -- einen Wegfall-Entfernungs-/Tatort-Reinigungsdienst.
- Auszeichnungen
- 2 Gewinne & 6 Nominierungen insgesamt
Cliff Garstka Sr.
- Gun Shop Employee #2
- (as Clifford R. Garstka Sr.)
Empfohlene Bewertungen
I find that when people ask me what this movie is about I have a hard time successfully telling them. Read the synopsis by all means, but like most summaries it barely scratches the surface. It's a story about a mother who leaves her family in the most permanent way imaginable. It's about a father struggling to maintain his unflappable optimism, a sister whose self-esteem leads her into self-sabotaging habits, another who is in complete emotional freefall, a son who is becoming aware of his family's dynamic and how it compares to the rest of the world's and how they manage to regain their footing by pursuing a very unusual profession. At its heart it is always about family. At their best Amy Adams and Emily Blunt are some of the most talented actresses working today and I was happy to see them both in a script worthy of their skills. Both are gifted at line delivery, but some of their most powerful scenes are nonverbal. The dynamic between all the characters is thoroughly real and enjoyable. I found myself very satisfied by all their resolutions. It was an excellent story to watch unfold.
Reviewed August 2010
Though you know how the story is going to turn out, it was made captivating by fantastic performances by ever too reliable Amy Adams and fast shining Emily Blunt.
I have seen references to Little Miss Sunshine by some of the critics, what's the relation? Checked the writer and director's past movies doesn't include it. I wonder at this this because I thought it felt like Little Miss Sunshine at some level before reading the references. It's a story of a positive minded slightly dysfunctional family who are going through some tough times for bad choices made in the past. The screenplay and conclusion are conventional and made to the writer's comfort. Emily Blunt has a terrific voice diction, hope to see her in some good animated character.
The character Oscar is charming and Grampa is the same as in Little Miss Sunshine. Though this movie does not break any ground, I couldn't find anything that I did not like in it.
Though you know how the story is going to turn out, it was made captivating by fantastic performances by ever too reliable Amy Adams and fast shining Emily Blunt.
I have seen references to Little Miss Sunshine by some of the critics, what's the relation? Checked the writer and director's past movies doesn't include it. I wonder at this this because I thought it felt like Little Miss Sunshine at some level before reading the references. It's a story of a positive minded slightly dysfunctional family who are going through some tough times for bad choices made in the past. The screenplay and conclusion are conventional and made to the writer's comfort. Emily Blunt has a terrific voice diction, hope to see her in some good animated character.
The character Oscar is charming and Grampa is the same as in Little Miss Sunshine. Though this movie does not break any ground, I couldn't find anything that I did not like in it.
Of late, independent films seem to fall into three ruts; the quirky indie film, the contrived indie film and the quirkily contrived indie film. Thankfully, for the most part, Sunshine Cleaning manages to avoid these associated pitfalls, and is instead a benchmark for how two sensational performances can succeed in drastically improving the quality of a film.
These aforementioned indie clichés are quite the conundrum when looked at thoughtfully. The birth of independent film-making stemmed from creativity and desire to be liberated from the shadow of the major movie conglomerates. Yet now, most of these offbeat flicks are as cold and calculated as any big budget summer movie and often drown in wacky plots and bizarre characters which are not of what free film should be an expression.
Starring the consistently stellar and always delightful leading ladies of Amy Adams and Emily Blunt, Sunshine Cleaning tells the bittersweet story of two sisters (Adams and Blunt) and their struggles to purge the horror of their mother's suicide and live normal lives. Adams as Rose and Blunt as Norah are polar opposites; Rose was the head cheerleader in high school and aches to regain that notoriety in her adult life and Norah the 'screw-up', the black sheep of the family. They are held together loosely by Rose's son Oscar and their father (Alan Arkin) that is until they find themselves in need of work. Through a less than professional police connection of Rose's (Steve Zahn) they come to start a crime scene cleanup service called Sunshine Cleaning and while they sought money, they ended up finding something more profound.
Adams and Blunt truly are remarkable and give bonafide Oscar worthy performances. Their characters never fall to any deprecating indie quirks, and are fully realized individuals. Zahn is solid in a smaller role, as is Clifton Collins Jr. as a clean-up store owner and all lend to a story that did not by any means conclude where I was suspecting. Many of the subplots are left open, but not in a unsatisfying way and while featuring ups and downs along the way, Sunshine Cleaning manages to find a hopeful tone without being sticky sweet. Perhaps by favourite aspect outside of the performances was Adam's character. We have seen in many films the former cheerleader who has grown up under the shadow of the 'losers' of their school, but never have I seen such an honest look from the view of the former. Perhaps this is a testament to Adams acting skills, but I was impressed nevertheless.
Sunshine Cleaning keeps you involved based on characters alone. There is certainly humour, tragedy and emotion to drive the story but all is born from the relationship between this broken family. I wish fresh faced director Christine Jeffs had forgone all the trends of the recent independent film movement, but there is still more then enough to admire about Sunshine Cleaning, and even more to love.
These aforementioned indie clichés are quite the conundrum when looked at thoughtfully. The birth of independent film-making stemmed from creativity and desire to be liberated from the shadow of the major movie conglomerates. Yet now, most of these offbeat flicks are as cold and calculated as any big budget summer movie and often drown in wacky plots and bizarre characters which are not of what free film should be an expression.
Starring the consistently stellar and always delightful leading ladies of Amy Adams and Emily Blunt, Sunshine Cleaning tells the bittersweet story of two sisters (Adams and Blunt) and their struggles to purge the horror of their mother's suicide and live normal lives. Adams as Rose and Blunt as Norah are polar opposites; Rose was the head cheerleader in high school and aches to regain that notoriety in her adult life and Norah the 'screw-up', the black sheep of the family. They are held together loosely by Rose's son Oscar and their father (Alan Arkin) that is until they find themselves in need of work. Through a less than professional police connection of Rose's (Steve Zahn) they come to start a crime scene cleanup service called Sunshine Cleaning and while they sought money, they ended up finding something more profound.
Adams and Blunt truly are remarkable and give bonafide Oscar worthy performances. Their characters never fall to any deprecating indie quirks, and are fully realized individuals. Zahn is solid in a smaller role, as is Clifton Collins Jr. as a clean-up store owner and all lend to a story that did not by any means conclude where I was suspecting. Many of the subplots are left open, but not in a unsatisfying way and while featuring ups and downs along the way, Sunshine Cleaning manages to find a hopeful tone without being sticky sweet. Perhaps by favourite aspect outside of the performances was Adam's character. We have seen in many films the former cheerleader who has grown up under the shadow of the 'losers' of their school, but never have I seen such an honest look from the view of the former. Perhaps this is a testament to Adams acting skills, but I was impressed nevertheless.
Sunshine Cleaning keeps you involved based on characters alone. There is certainly humour, tragedy and emotion to drive the story but all is born from the relationship between this broken family. I wish fresh faced director Christine Jeffs had forgone all the trends of the recent independent film movement, but there is still more then enough to admire about Sunshine Cleaning, and even more to love.
I watched this movie in a sneak Preview, so I had no idea, what I had to expect from this. The title is not giving away too much, which I will respect, so if you want to read something about the story, read the summary here on this site.
The acting in this is really great, but some might have a problem with the pace of the movie. It moves along slowly and it's not "in your face" funny, but more a subtle kind of humor (most of the times). It's actually more a drama than a comedy. And Alan Arkin is exceptional as ever, even if he's not the main role here. With a few up and downs, this nice little film has a winning charm, that is worth a view.
The acting in this is really great, but some might have a problem with the pace of the movie. It moves along slowly and it's not "in your face" funny, but more a subtle kind of humor (most of the times). It's actually more a drama than a comedy. And Alan Arkin is exceptional as ever, even if he's not the main role here. With a few up and downs, this nice little film has a winning charm, that is worth a view.
"From the Same People Who Brought You 'Little Miss Sunshine'!" PROMO Really Didn't Set Well With Me!
From Pasto, Colombia-Via: L. A. CA, CALI COLOMBIA &ORLANDO, FL
There is quite a lot going on in this film with quite a surprising number of cinematic names that really resonate!
But Before beginning my DEEP DIVE...FIRST, Let us FOCUS on the Titles's Content and Context.....
GREAT TITLE! ...BUT Cinema that provokes a strong reaction from me, for good or for bad, is easier to review. "Movies in the Middle", like "SUNSHINE", always present much more of a challenge. "From the same people who brought you 'Little Miss Sunshine'..." This phrase was used a lot in the SUNSHINE PROMOs. Maybe it got in the way of me getting more out of the film. It didn't set very well with me that...
A) Both titles employ the word "SUNSHINE".
B) Alan Arkin basically does a warmed over version of his role in "LITTLE MISS"
C) Both films are about dysfunctional families with a precocious Kid!
Taken as a whole, it just seemed too obvious that "The same people who brought you..." wanted desperately to cash in, AGAIN, and SUNSHINE(2???) is just a vehicle for doing so!
Still, it does have ingratiating qualities. If you can tolerate the slow as molasses initial 30 minutes...(OK-Wait, make that as DELIBERATE as Molasses!), you'll probably feel it was worth your while, a pretty good little indie film, which could easily have been a LOT better.
Catharsis, healing, coping, forgiveness and moving on, are some of the operative buzz-words for "Sunshine Cleaning". Perhaps just a tad too dreary for such a cheery title? "Sunshine" would have benefited from the injection of just a little more comic relief in the mix. The acting fell a little short of expectation. With Amy Adams (Junebug/Doubt) and Emily Blunt (The Devil Wears Prada) perhaps my expectations were too high! Something was missing. The script was spotty and rather lackluster at times.
The on-screen chemistry was variable. Often, Alan Arkin's presence seemed to be a hindrance to the flow and balance of the scene and the story. SUNSHINE did have a very down-to-earth, realistic feel to it. The problems, reactions to them, and solutions encountered, or not, as the case may be, were believable and mundane; stuff that we all can relate too. Immediately after viewing, I had settled on a 6 Star rating, thinking "Sunshine" was going to be sans ricocheting...But, there has been some of that going on in that 'ID' of mine, hours after viewing. So, we'll up it 7 Stars!
..... ENJOY! / DISFRUTELA!
Any comments, questions or observations, in English o en Español, are most welcome!
There is quite a lot going on in this film with quite a surprising number of cinematic names that really resonate!
But Before beginning my DEEP DIVE...FIRST, Let us FOCUS on the Titles's Content and Context.....
GREAT TITLE! ...BUT Cinema that provokes a strong reaction from me, for good or for bad, is easier to review. "Movies in the Middle", like "SUNSHINE", always present much more of a challenge. "From the same people who brought you 'Little Miss Sunshine'..." This phrase was used a lot in the SUNSHINE PROMOs. Maybe it got in the way of me getting more out of the film. It didn't set very well with me that...
A) Both titles employ the word "SUNSHINE".
B) Alan Arkin basically does a warmed over version of his role in "LITTLE MISS"
C) Both films are about dysfunctional families with a precocious Kid!
Taken as a whole, it just seemed too obvious that "The same people who brought you..." wanted desperately to cash in, AGAIN, and SUNSHINE(2???) is just a vehicle for doing so!
Still, it does have ingratiating qualities. If you can tolerate the slow as molasses initial 30 minutes...(OK-Wait, make that as DELIBERATE as Molasses!), you'll probably feel it was worth your while, a pretty good little indie film, which could easily have been a LOT better.
Catharsis, healing, coping, forgiveness and moving on, are some of the operative buzz-words for "Sunshine Cleaning". Perhaps just a tad too dreary for such a cheery title? "Sunshine" would have benefited from the injection of just a little more comic relief in the mix. The acting fell a little short of expectation. With Amy Adams (Junebug/Doubt) and Emily Blunt (The Devil Wears Prada) perhaps my expectations were too high! Something was missing. The script was spotty and rather lackluster at times.
The on-screen chemistry was variable. Often, Alan Arkin's presence seemed to be a hindrance to the flow and balance of the scene and the story. SUNSHINE did have a very down-to-earth, realistic feel to it. The problems, reactions to them, and solutions encountered, or not, as the case may be, were believable and mundane; stuff that we all can relate too. Immediately after viewing, I had settled on a 6 Star rating, thinking "Sunshine" was going to be sans ricocheting...But, there has been some of that going on in that 'ID' of mine, hours after viewing. So, we'll up it 7 Stars!
..... ENJOY! / DISFRUTELA!
Any comments, questions or observations, in English o en Español, are most welcome!
Wusstest du schon
- WissenswertesThe filmmakers have said in interviews their story is based on a 2001 National Public Radio "All Things Considered" report about two women in the Seattle suburbs who started a biohazard removal/cleaning service. They are best friends, not sisters.
- PatzerWhen Norah chases after the kitten, there is a small table and a cat statue on the porch. Later, when the house is burning at night, the table and statue are gone. A subsequent scene of the porch in flames has the table and cat statue back again.
- Alternative VersionenAmy Adams brief topless scene has been censored in the US home video releases. Those frames are zoomed in slightly to omit the nudity where as the framing is left intact on releases outside of the US.
- SoundtracksCure for This
Performed by Golden Smog
Written by Marc Perlman
Courtesy of Lost Highway Records
under license from Universal Music Enterprises
Top-Auswahl
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Details
Box Office
- Budget
- 8.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 12.062.558 $
- Eröffnungswochenende in den USA und in Kanada
- 219.190 $
- 15. März 2009
- Weltweiter Bruttoertrag
- 16.580.250 $
- Laufzeit1 Stunde 31 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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