Tropa de Elite

After watching the amazing movie, City of God, a few years ago I just wanted to see more. Although Tropa de Elite has the same raw look of City of God, is different in content.

Tropa de Elite is about a group of Rio de Janeiro cops that grow tired of the system and declare war against crime and corruption and literally aren't taking any prisoners to the point that you just can't help but cheer for BOPE no matter their brutal methods of interrogation.

The photography is stunning and the action is extreme and realistic. You have to see this movie more than once because there is so much going in terms of plot and action that you might miss it. The story is well put together and the acting is as good as any, but what I liked the most was the sense of dread BOPE was able to inflict on the minds of criminals and corrupt cops. If you like City of God and City of Men, you will absolutely love Tropa de Elite. Highly recommended!

Tropa de Elite is an amazingly good film; by turns brutally real and horrifyingly hilarious.

It claims to be based on a true story and I find that sadly believable. The main plot revolves around the captain of an elite police unit trying to find a replacement for himself, while dealing with the birth of his child and the horrendous stress of his job, and a mission to clear out a dangerously violent slum.

There are no wholly good people in the movie, and it's frighteningly easy to compare some of what goes on to things happening in the USA (and other places) today. That said, the system of government and policing portrayed comes across as so amazingly inept and awful that it's almost like something straight out of a nightmarish sci-fi dystopia.

If I had to compare it to other movies, it comes off as a cross between Brazil, Office Space, and Full Metal Jacket. Not for the weak of stomach, and you may find yourself greatly disagreeing with the ideals of various groups portrayed (which I believe is part of the point), but I would be enormously surprised if this movie doesn't make you think and give you something to talk about.

My first brazilian film. Intense, hectic, critical and lots of strong violent actions. first act: ok, second act: good, third act: Grandioso! 👍

When the "favela reality" movies seem to be running out of 'ideas' - trying to profit by copying the acclaimed "City of God" over and over -, director José Padilha (of the equally engrossing documentary "Bus 174") brings us "Tropa de Elite" ("Elite Squad"), the most controversial Brazilian film in a long time, having sold millions of pirated DVD copies even before its theatrical release (and still managed to become the biggest Brazilian movie event of 2007).

"Elite Squad" shows the routine of a group of cops in Rio de Janeiro, and the inhumane training they have to go through in order to become a BOPE (Special Police Operation Battalion) captain, the policemen who are supposed to fight drug trafficking, in the rawest possible way. Wagner Moura ("God Is Brazilian"), one of the most versatile Brazilian actors of his generation, delivers a bravura performance as Captain Nascimento, who wants to quit his job in order to dedicate himself to his newly-born son, but has an important mission before that: finding the right replacement.

"Elite Squad" is not as stylized or visually compelling as Fernando Meirelles/Kátia Lund's "City of God" (the comparison is inevitable), but that's not a flaw. The movie is violent but realistic, far from sheer Hollywood gore-fest (i.e. Scorsese's over-hyped "The Departed"), and offers some extremely provocative discussions about Brazil's social chaos - and also a disarmingly blunt, love it or hate it narration. Surprise winner of the Golden Bear at the 2008 Berlin Film Festival (competing with other strong titles, including Paul Thomas Anderson's brilliant "There Will Be Blood"), "Elite Squad" is a must-see. 10/10.

Elite Squad is an impressive and enjoyable film. It is well directed, well acted, and well worth watching.

There has been a lot of criticism of Elite Squad for being fascist. Such a perspective is disappointingly superficial. Too many critics have failed to distinguish the narrative perspective from the ideological perspective of the film. Although an admittedly reactionary and authoritarian BOPE member, Captain Nascimento, narrates it, the film's primary criticisms are regarding low pay for police, systemic corruption, and, the middle class's irresponsible consumption of drugs. As for any feeling that the brutal violence is justified that a viewer may be left with, this has more to do with the fact that in certain extreme circumstances desperate times call for desperate measures.