Demon Days - Im Bann der Dämonen

Jaime Kinmg stars as a young mom in THEY WAIT, a murder mystery and ghost story rolled into one. She travels to the state from her home in Shaghai to attend a funeral. Weird things begin to happen almost immediately, including the son sliding into a trance-lie state and a mute young Chinese woman popping up and then disappearing again. Lovers of ghost movies, especially ones with a revenge plot, will figure out the plot early on, but they are likely to be surprised by the ultimate solution. We get a little Chinese folklore mixed in to spice things up. King is the only recognizable name in the cast, and appears in virtually every scene. She does a fine job as a harried mother trying to make sense of the many odd things that happen to her. The movie is atmospheric and occasionally scary. It is in the vein of THE OTHERS and SIXTH SENSE.

Another thriller that confirms my saying that the best movies are not so popular.

The performance of the Chinese little boy is very good. He reminded me of the performance of Haley Joel Osment in The Sixth Sense (1999). The script is not perfect, but it is an interesting story enough to keep most fans of the genre involved.

Seeing THEY WAIT at the Vancouver Festival, people were screaming at the scares, and the audience broke out into applause after a tense, white-knuckle 89 minutes. THEY WAIT leaps into action with a highly engaging first half, and then escalates quickly into a harrowing and riveting second part. Surprisingly strong performance from Jaime King and excellent turns by the rest of the cast. THEY WAIT - quite frankly - really does have blockbuster theatrical hit written all over it as another commentator has said, and has remarked the only legitimate print journalist to review it so far; everything, from the visuals to the performances, seems to be operating at a Hollywood movie level, far beyond its budget and seemingly nothing like the usual unpopular and noncommercial Canadian film disasters. Does this film mark the return to the days when Canadian films like SCANNERS or PORKY'S could take the box office crown away from the Hollywood studios? People applauding at the end, swarming around the lobby talking about how good it was -- that tells you everything you need to know about the reception to the film by an audience. With a decent release and a good ad campaign, this will be a hit. Though not perfect -- there is a certain clunkiness to a flashback sequence, for example -- the film is a revelation in doing what it sets out to do. It bangs virtually every mark. Director Ernie Barbarash has grown leaps and bounds from his previous efforts with the mediocre to dull low-rent CUBE ZERO and has hit the Hollywood Standard here. This film shines and looks and sounds terrific.

Paul Kael @ rotten tomatoes

I have reviewed this under another name. I saw it again today and am as impressed with it now as I was on first viewing. Jamie King and family return to North America after living in China. Her young son falls ill and apparently is possessed by a vengeful spirit. As she seeks to find a way to save him, King begins to unravel an unspeakable mystery involving Asians working in a nearby sweatshop. To say more would be to give it away. This is a terrific little ghost movie/crime flick with plenty of scary images and some moments that will make you jump right out of your seat. Some Chinese folklore is woven into the plot, although I do not know if is the real thing or not. Highly recommended. It pops up on cable once in awhile.

Don't get me wrong, I love The Ring, The Grudge, and most J-Horror movies with the jerky movement ghosts and tales of revenge.

However this movie seemed to be able to communicate the same concepts that make the Asian ghost stories so intriguing without resorting to all the same clichés. And when they do decide to throw in a jump scene, it is usually not where you expect it or completely out of nowhere.

It is a simple story that has been told over and over, but this adds and Asian twist with concepts such as Hungry Ghost Month and Spirit Money without alienating a western audience.

Overall the story is pretty predictable and that is the only downside to this movie. Once you figure out what is going on, it's pretty much a "which road will they take to the end" as opposed to a surprise around each corner. The acting is pretty decent for this type of flick. The kid actually does a good job - never know how they will do in these.

I would recommend this if you want to introduce some of the elements of a good Asian horror story without all the oddness that is directly copied in some of the other remakes. Many of the concepts of the genre are there without the kabuki inspired movements.