Jolene

This movie is ok most of the way through, a little scattered storyline, not much versatility, and they took every opportunity to get her naked. Towards the end it really goes off the rails and jumps the shark at the sodomy scene. With all of that I would still recommend this movie simply on Jessica Chastain's performance. She was amazing in her debut and it shows that, with her huge success now, she has been an outstanding actress from her first movie. This movie is probably a 4 without her and I can't wait to see her in more and more movies in the future.

This is the problem with the film- it feels like emotional torture-porn of some sort. It keeps on going through the same scenario over and over again. If you've seen the first 20 minutes, you've pretty much seen it all. It's stuck on an endless cycle of despair. I get that's the point of this character-study, but it's just incredibly repetitive and predictable. Every time Jolene enters another aspect of her "journey", you just know how it will all end. As it is though, it's not exactly a bad film just because it's well executed, even if the script really isn't good. The performances are solid, but it serves as an amazing introduction to Jessica Chastain, the most exciting new face in Hollywood. It's her film, and it's because of her that my grade isn't any lower. She carries the film flawlessly, hitting all of the notes of her character, even if it's true that the script does give her the same stuff over and over again at times. See it for her, and let's all celebrate that she was able to break out as a true star.

I didn't know what to expect from this film, but I found it to be very well written and acted. It was believeable and moved at a great pace. It kind of reminded me of Sissy Spachek in Coal Miners Daughter.

Of all the films I saw at the 2008 Seattle International Film Fest, "Jolene" is the one that stayed with me. Jessica Chastain gives a multi layered, complex, superlative performance as the title character. A girl drifting through her life looking for love in all the wrong places. The film stays away from sentimental payoffs giving it a very distinctive tone. Are we suppose to sympathize with Jolene? Dan Ireland, the director, leaves that to us in another honest and wonderful tale of longing and hope. From Rene Zellwegger in "The Whole Wide World" to Joan Plowright in "Mrs Palfrey At The Claremont" Dan Ireland has shown a remarkable flair to bring out the best on his female characters and more. Frances Fisher gives an Academy Award worthy performance in a part so far away from anything I've ever seen her do that it took me a while to realize it was her. Michael Vartan, Dermot Mulroney, Chazz Palmintieri and in particular Rupert Friend give vivid, powerful performances. "Jolene" is unique in a year of sequels and TV adaptations. I can't wait to see it again. Congratulations Mr. Ireland and thank you for your passionated and coherent commitment to the independent soul.

Think "Monster" but much more lighthearted and charming. I watched this movie with neither preconception nor hype; in fact I almost overlooked it. From the opening scenes I even imagined it may be a comedy and it does indeed contain many amusing moments that naturally emerge from the story and bring a smile to the face. Darker moments sober the viewer throughout but the narrative fails to linger long enough to bring the mood down, and despite the trials and tribulations, the overall feeling of the movie, like Jolene herself, is quite upbeat. It's hard to find much fault with "Jolene"; it is what it is. Unfortunately, what it's not is an hour longer. I could have easily sat through more in the hope of a more conclusive ending or just to see where the road might take her next. However, Jolene's erratic journey through life is ongoing and the lack of a Hollywood finale serves this movie well. If you're bored of blockbuster bombardment then "Jolene" could well provide a refreshing antidote.