IMDb-BEWERTUNG
6,9/10
89.502
IHRE BEWERTUNG
Eine Chronik des Lebens der Aristokratin Georgiana, Herzogin von Devonshire aus dem 18. Jahrhundert, die für ihr extravagantes politisches und persönliches Leben geschmäht wurde.Eine Chronik des Lebens der Aristokratin Georgiana, Herzogin von Devonshire aus dem 18. Jahrhundert, die für ihr extravagantes politisches und persönliches Leben geschmäht wurde.Eine Chronik des Lebens der Aristokratin Georgiana, Herzogin von Devonshire aus dem 18. Jahrhundert, die für ihr extravagantes politisches und persönliches Leben geschmäht wurde.
- 1 Oscar gewonnen
- 8 Gewinne & 21 Nominierungen insgesamt
Andrew Armour
- Burleigh
- (as Andy Armour)
Bruce Mackinnon
- Sir Peter Teazle
- (as Bruce MacKinnon)
Empfohlene Bewertungen
The Duchess is a superior slice of costume drama which manages to craft interesting, multi dimensional characters and an involving storyline from the well worn confines of the genre.
Keira Knightley plays a very similar role to the one she played in Pride and Prejudice, a feisty, modern woman trapped in a male dominated society. However, whereas Lizzie Bennett's heart and character inspires affection, the Duchess of Devonshire's fosters only reproach and punishment from her traditional and patriarchal husband. Her performance is a standout and demonstrates why she is so highly rated in the face of many disappointing roles in other films. She brings both strength and weakness to the character. Able to deliver withering put downs at her husband and others, whilst showing the pain of her loveless marriage etched into her face.
If Knightley is the lynchpin of the piece then it is Ralph Fiennes that elevates it above a crowded genre. Resisting the temptation to play his character as evil, instead he simply plays him as a man of his times. In Fiennes' hands the Duke feels no need to win any bouts of verbal jousting with his wife as he is secure in the knowledge that, as a husband, he is in complete control of the relationship. The Duke also clearly sees very little wrong in his treatment of his wife and acts, as he sees it, in a logic manner making the whole film feel more believable and, as a result, tragic.
In terms of the cast the only misstep is Dominic Cooper as Charles Grey, who lends the wide eyes of a political dreamer but doesn't have convincing chemistry with Knightley and plays one of the more one dimensional characters in the piece. However Hayley Atwell impresses by playing her character so well it is possible to describe her as scheming, and manipulative as well as sympathetic and loyal without it seeming a contradiction.
The film is deliberately paced so as to give characters and events time to breathe, encouraging the mood that the marriage is a car crash in slow motion, inextricably drawing all the characters further into the muddled mess of their relationships. Overall it's a fully recommended slice of real life costume drama that draws a multi layered drama full of compellingly deep characters from what could easily have been a one note story.
Keira Knightley plays a very similar role to the one she played in Pride and Prejudice, a feisty, modern woman trapped in a male dominated society. However, whereas Lizzie Bennett's heart and character inspires affection, the Duchess of Devonshire's fosters only reproach and punishment from her traditional and patriarchal husband. Her performance is a standout and demonstrates why she is so highly rated in the face of many disappointing roles in other films. She brings both strength and weakness to the character. Able to deliver withering put downs at her husband and others, whilst showing the pain of her loveless marriage etched into her face.
If Knightley is the lynchpin of the piece then it is Ralph Fiennes that elevates it above a crowded genre. Resisting the temptation to play his character as evil, instead he simply plays him as a man of his times. In Fiennes' hands the Duke feels no need to win any bouts of verbal jousting with his wife as he is secure in the knowledge that, as a husband, he is in complete control of the relationship. The Duke also clearly sees very little wrong in his treatment of his wife and acts, as he sees it, in a logic manner making the whole film feel more believable and, as a result, tragic.
In terms of the cast the only misstep is Dominic Cooper as Charles Grey, who lends the wide eyes of a political dreamer but doesn't have convincing chemistry with Knightley and plays one of the more one dimensional characters in the piece. However Hayley Atwell impresses by playing her character so well it is possible to describe her as scheming, and manipulative as well as sympathetic and loyal without it seeming a contradiction.
The film is deliberately paced so as to give characters and events time to breathe, encouraging the mood that the marriage is a car crash in slow motion, inextricably drawing all the characters further into the muddled mess of their relationships. Overall it's a fully recommended slice of real life costume drama that draws a multi layered drama full of compellingly deep characters from what could easily have been a one note story.
a beautiful film. not great or remarkable. only beautiful. for costumes and correct acting. for the light to dark rooms of period. for the flavor of Anna Karenina. and for the atmosphere before the storm. a movie like a jewel from 18 century. more complex than a nice adaptation of a book, almost fascinating for the science of Keira Knightley and Ralph Fiennes to explore theirs roles possibilities, special for performance of Charlotte Rampling and for the air of portrait of a life. a movie like a drop of perfume. noble, seductive, charming. and a different tool for discover the past in a profound way.that is all. a beautiful film about a special universe and remarkable force of a woman to be herself .
What rather wonderful about this story is that Georgiana Spencer (Keira Knightley) discovers a way to exult in victory over things and to get back some kind of power in a time where, really, women had very little
Being someone of great vitality and liveliness, she was very much a dreamer and an idealist, a woman who loved being the center of attention, who loved the fact at some point that her picture was in the paper, that the clothes were always talked of, that her every move was commented on
We are immediately impressed by her presence, by her personality She wasn't behaving quite in accordance with the way in which other 18th century women were expected to behave
But there was something incredibly sad about this self-conscious lady She was a victim of herself A victim of her own innocence A victim of people using her for their own profit Even though she seemed to have everything, we realize that it was not that simple And with all of her privilege came a lot of moral obligation and things were never what they really appeared to be
The Duke (Ralph Fiennes) was a misanthropic man, rather cold, unemotional and quite cruel He seems to like better his hunting dogs to his young wife Of course with certain values, that he believes were absolutely right and that he strictly held to
This sumptuous period piece also presents the Duchess of Devonshire as a political hostess Saul Dibb's film shows us her dinner parties, her evening events, her fame and its extraordinary effect on her It made her both desperate to please, terrified of doing anything wrong and shocked at her own celebrity and unable to figure out in her own mind why she was quite so famous And we see the crippling effect it has on her sense of self
We are immediately impressed by her presence, by her personality She wasn't behaving quite in accordance with the way in which other 18th century women were expected to behave
But there was something incredibly sad about this self-conscious lady She was a victim of herself A victim of her own innocence A victim of people using her for their own profit Even though she seemed to have everything, we realize that it was not that simple And with all of her privilege came a lot of moral obligation and things were never what they really appeared to be
The Duke (Ralph Fiennes) was a misanthropic man, rather cold, unemotional and quite cruel He seems to like better his hunting dogs to his young wife Of course with certain values, that he believes were absolutely right and that he strictly held to
This sumptuous period piece also presents the Duchess of Devonshire as a political hostess Saul Dibb's film shows us her dinner parties, her evening events, her fame and its extraordinary effect on her It made her both desperate to please, terrified of doing anything wrong and shocked at her own celebrity and unable to figure out in her own mind why she was quite so famous And we see the crippling effect it has on her sense of self
This is one of my favourite films of all time. Keira Knightley is superb in this role. Although it may not be wholly accurate, this film clearly shows how badly women (even those of high birth) were treated by men and society. The costumes and settings are delicious. Love love love!
I saw this film for the first time this weekend, and overall I liked it a lot. The story is a little uneventful, with some parts feeling as though they were skimmed over(the political life) or only briefly explored, and the pacing can be pedestrian. That said, it is a visual feast really, as the costumes, sets, scenery, cinematography, interiors and even the carriages are spectacular, while the music gives a lovely touch to the proceedings too. The script is well written and gripping, and the direction is fairly good. Kiera Knightley is great as Georgina, really quite dignified, while Ralph Fiennes is perfect as her philandering husband. To conclude, a visually beautiful film. 7/10 Bethany Cox
Wusstest du schon
- WissenswertesIt took two hours every day to get Keira Knightley fully costumed, including being sewn into her corsets. Once she was fully dressed and wigged, it was practically impossible for Knightley to go to the toilet in the production trailers.
- PatzerGeorgiana, Duchess of Devonshire was born in 1757. Charles Grey was seven years younger, born in 1764. According to the subtitle, the scene depicting a wager among the young ladies over a footrace between Charles Grey and other young men was held in 1774. Georgiana was correctly seventeen at the time, but Charles Grey was ten. He would have been a boy, not the young man about to attend Cambridge portrayed in the film.
- Zitate
Duke of Devonshire: This will be the mistake of your life.
Georgiana, The Duchess of Devonshire: No, I made that many years ago. I trust you can see yourself out.
- Alternative VersionenParamount Vantage preferred a PG-13 version for the United States and in order to get that rating some cuts and alternate shots were used.
- VerbindungenFeatured in The Orange British Academy Film Awards (2009)
- SoundtracksAllemande from French Suite V in G Major
Written by Johann Sebastian Bach
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- La duquesa
- Drehorte
- Somerset House, Strand, London, England, Vereinigtes Königreich(Devonshire House exteriors)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 13.500.000 £ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 13.848.978 $
- Eröffnungswochenende in den USA und in Kanada
- 190.426 $
- 21. Sept. 2008
- Weltweiter Bruttoertrag
- 43.343.384 $
- Laufzeit
- 1 Std. 50 Min.(110 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen