Füge eine Handlung in deiner Sprache hinzuWhilst making a documentary, filmmaker Holly meets the highly enigmatic and beautiful Vicki who claims she is a real-life vampire. By turns fascinated by and attracted to her, Holly thinks t... Alles lesenWhilst making a documentary, filmmaker Holly meets the highly enigmatic and beautiful Vicki who claims she is a real-life vampire. By turns fascinated by and attracted to her, Holly thinks that Vicki could be her soul mate and soon the two embark on a passionate affair. However V... Alles lesenWhilst making a documentary, filmmaker Holly meets the highly enigmatic and beautiful Vicki who claims she is a real-life vampire. By turns fascinated by and attracted to her, Holly thinks that Vicki could be her soul mate and soon the two embark on a passionate affair. However Vicki's lust for blood is growing and when Holly discovers that Vicki is pregnant with a 'v... Alles lesen
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 4 wins total
- Adam
- (as Jamie King)
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Budget: About $85.00.
What was so horribly wrong then Smart-Guy? I think I can understand why they thought there might be a movie in this, only they forgot that in real life there is NOTHING cool about people who think that they are really vampires, not for one second. And boy does that show through here with the bunch of dickheads that play the weekend bloodsuckers.
The lesbian vampire angle (always) shows promise, and there is some T&A, but now two weeks on I battle to recall anything about this flick. It is so lightweight and yawn-worthy in its own indie little way that they forgot to make anything interesting.
Also, I have two words if you desperately need to see the lesbian bits, p & orn.
I have actually seen worse than this, but then I absolutely hated those films too, so that is faint praise.
Final Rating – 4.5 / 10. A bit of T & A can't derail this fast train to Sh*tsville.
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My only complaint lies in a scene towards the end during which one of the weekend vampires' lines were corny (writing) and poorly delivered (acting, directing).
One thing I especially like about Vampire Diary is that the first thirty minutes make a wonderful short story. I almost wished it ended at the water scene simply because of how great the movie was by that point. So, there you go. Give the first thirty minutes a shot. If you find yourself caring about the characters or interested in seeing what happens next, continue on for the remaining hour.
How does a phenomenon such as this where people begin to idolize, romanticize and fantasize about being vampires? Worse yet, of all things to be drawn to, the human spirit is drawn to the cruelest and most based creatures. Are they evil, or are they just surviving like any other animal? Does that question even matter? Are we really thinking existentially about the basic necessity of survival on such an animalistic level? As if it is required still? Or is it all the drama, the fantasy of preternaturalism that goes along with it. The anti-superhero fetish.
Why, after so long the idea of striving to evolve along the paths of compassion, generosity, kindness, etc., do we still romanticize ruthless killing for survival wrapped up in an aura of darkness, evil, cruelty, demons, etc? Why is that so big a draw to people? So much so, that even in this era to try to be kind or compassionate or even sincerely happy is too often seen as weakness, goody two-shoes, or a sign of mental deficiency.
It really makes me wonder just how much time we have left as a species, so bent on our own destruction that we are taking the whole lot down with us. For all those centuries of philosophical and religious arguing in favor of the idea that the basic nature of man is good... I've come to the conclusion that argument is piffle. Sure, there are those out there who do strive for such things, but just like the wise, they are few and far between. The vast number of us, the whole of humanity is nothing more than barely more than animals, except that animals kill to survive not by choice, we do it entirely by choice. Worse is that we don't have to. Whether it is actual killing, or doing anything to achieve, or gain, or draw to us whatever our cold little hearts desire and doing so in any way possible. Sometimes choosing the cruel ways entirely when it isn't even necessary. Call that mental illness if you need an excuse. Then think about your own actions, who you vote for, your willingness to cut the feet out from someone else if necessary to keep your house, your cars, your clothes, your toys. Then tell me how pious even you are.
After seeing this ridiculous excuse for what some consider deep, or experimental, I am certain now more than ever than we as a species are indeed no better than a virus. Vampires in our own right, except with out all the glamor, black clothes, and eye liner. And no matter how sophisticated our toys may seem, no matter how they may give us the illusion we are an evolved and evolving species, they're nothing but just that. An illusion. It's all just stuff. With them, we're still animals bent on our own wants and needs over others. Without them, we would revert to killing each-other wantonly for just the basics in a heartbeat.
Cheesy, trite, lacking in pace and drama. I am genuinely struggling to think of any part of this movie that deserves praise- and i have sat through Manos: The Hands Of Fate. I would add this though; I paid to see a preview screening of this film last year. It was at midnight in an independent cinema. Anyone there must love horror films to go so out of their way to see this thing. The audience laughed at the 'serious' moments and coughed at the end rather than applaud.... and all of this whils the director and some of the cast were present. Being English, it really says something when we can't even be bothered to be polite.
Wusstest du schon
- SoundtracksThe Feeling Skinned Us (Skinless Remix)
Performed by Interlock
Written by Hal Sinden / John Tyrell / Louis Codier
Published by Interlock
Courtesy of Anticulture.co.uk
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Дневник вампира
- Drehorte
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Box Office
- Budget
- 650.000 £ (geschätzt)
- Laufzeit
- 1 Std. 30 Min.(90 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1