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Taxi zur Hölle

Originaltitel: Taxi to the Dark Side
  • 2007
  • 16
  • 1 Std. 46 Min.
IMDb-BEWERTUNG
7,5/10
17.341
IHRE BEWERTUNG
Taxi zur Hölle (2007)
Theatrical Trailer from Think Film, Inc
trailer wiedergeben2:21
5 Videos
20 Fotos
Militärische DokumentationDokumentarfilmGeschichteKriegKriminalität

Füge eine Handlung in deiner Sprache hinzuAlex Gibney exposes the haunting details of the USA's torture and interrogation practices during the War in Afghanistan.Alex Gibney exposes the haunting details of the USA's torture and interrogation practices during the War in Afghanistan.Alex Gibney exposes the haunting details of the USA's torture and interrogation practices during the War in Afghanistan.

  • Regie
    • Alex Gibney
  • Drehbuch
    • Alex Gibney
  • Hauptbesetzung
    • Alex Gibney
    • Brian Keith Allen
    • Moazzam Begg
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,5/10
    17.341
    IHRE BEWERTUNG
    • Regie
      • Alex Gibney
    • Drehbuch
      • Alex Gibney
    • Hauptbesetzung
      • Alex Gibney
      • Brian Keith Allen
      • Moazzam Begg
    • 69Benutzerrezensionen
    • 53Kritische Rezensionen
    • 82Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • 1 Oscar gewonnen
      • 10 Gewinne & 5 Nominierungen insgesamt

    Videos5

    Taxi To The Dark Side
    Trailer 2:21
    Taxi To The Dark Side
    Taxi To The Dark Side
    Clip 1:35
    Taxi To The Dark Side
    Taxi To The Dark Side
    Clip 1:35
    Taxi To The Dark Side
    Taxi To The Dark Side
    Clip 1:15
    Taxi To The Dark Side
    Taxi To The Dark Side: Scene 2
    Clip 1:15
    Taxi To The Dark Side: Scene 2
    Taxi To The Dark Side: Scene 1
    Clip 1:35
    Taxi To The Dark Side: Scene 1

    Fotos19

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    Topbesetzung59

    Ändern
    Alex Gibney
    Alex Gibney
    • Narrator
    • (Synchronisation)
    Brian Keith Allen
    • Soldier - New York Studio Shoot Reenactment
    Moazzam Begg
    • Self - Torture Victim
    • (as Moazzam Beg)
    Christopher Beiring
    • Self - Captain
    Willie Brand
    • Self - Military Police
    George W. Bush
    George W. Bush
    • Self
    • (Archivfilmmaterial)
    Jack Cafferty
    Jack Cafferty
    • Self
    • (Archivfilmmaterial)
    Brian Cammack
    • Self - Military Police
    William Cassara
    • Self - Attorney
    Doug Cassel
    • Self - Professor
    Dick Cheney
    Dick Cheney
    • Self
    • (Archivfilmmaterial)
    Jack Cloonan
    Jack Cloonan
    • Self - Former FBI Agent
    Damien Corsetti
    • Self - Military Interrogator
    Thomas Curtis
    • Self - Sergeant: Military Police
    Greg D'Agostino
    Greg D'Agostino
    • Soldier - New York studio shoot reenactment
    Ken Davis
    • Self - US Army Sgt.
    Lynndie England
    Lynndie England
    • Self
    • (Archivfilmmaterial)
    Tommy Franks
    Tommy Franks
    • Self - General
    • (Archivfilmmaterial)
    • Regie
      • Alex Gibney
    • Drehbuch
      • Alex Gibney
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen69

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    Empfohlene Bewertungen

    9revere-7

    It's a Bitter Pill - Now Take Your Medicine

    With a title like Taxi to the Dark Side, you know it's not going to be a light-and-fluffy film, but it's a film that needed to be made, and should be seen by everyone.

    The measure of a nation is how well it lives up to its ideals in the worst of times. 9/11 was that trial for America, and America failed. If you do not believe that former U.S. president George W. Bush, former vice president Dick Cheney, Secretary of Defense Donald Rumsfeld, White House Council John Yoo, and at least a half dozen other members of the Bush Administration are guilty of war crimes, you must see this documentary.

    Even if you suspect they do, but have lingering doubts – you must see this documentary.

    And especially if you don't know either way, and know nothing about this issue – you must see this documentary.

    This is not some sort of Michael Moore propaganda piece. This transcends partisan politics. It deals with a broader issue. It focuses on the treatment of just one detainee and will probably make you sick to your stomach – if you can stomach it at all. And then reminds you that this happened not to just one guy, but to 83,000 others too.

    Hell yes, its difficult to watch - there is graphic photos of torture – but is that an excuse not to watch it? The fact is they are presented because showing them is necessary to fully understand the extent of what went on. And guess what? If you are an American, you damn well should sit through this, because you are guilty too – this is what your elected officials did.

    Of course when word finally got out, and they got blowback for it, in an outrageous act of cowardice, they left their own subordinates out to dry.

    The film makes the case, clearly, efficiently and thoroughly. Which makes it not only an excellent documentary, but an important one too.
    9blackburnj-1

    Not an easy watch, but an important and excellent film

    Too few have heard of Dilawar. Those who have will probably never forget him. Alex Gibney certainly will not. His latest film starts and ends with this poor innocent taxi driver who, in 2002, was taken to the Bagram airbase in Afghanistan. Five days later, he was dead.

    Dilawar's death was the spark which ultimately led to the international awareness of what the Bush administration was doing to its detainees in the war on terror. Gibney's film, however, decides to look up the tree, not down, to discover who was really responsible for these unpleasant developments.

    Gibney's film is bolstered by frank and interesting interviews with some of the troops on the ground. Their remorse is clear, as is their disgust. And disgust is the right word. This is, by no means, an easy watch. The use of the appalling footage which has been generated by the recent conflicts is necessary because, if anyone is in any doubt about how morally reprehensible these tactics are, this film will make it abundantly clear.

    However, this film's real strength is the structure of its attack on the tactics that are employed. Gibney demonstrates that the tactics used are hopelessly inadequate and never yield effective information. There is a cutting and brilliant comparison with the old techniques and the new where an interviewee, a former FBI interrogator, uses his old tools of interrogation – words – and you can feel yourself being persuaded.

    This is not just a polemic. It is a human story and a powerful and well-constructed argument. It should be essential viewing as what has happened at Guantanamo, Bagram and Abu Ghraib should never be forgotten. This is excellent, important film-making.

    4 Stars out of 5
    10blubb06

    The award-winning documentary you're not going to see

    ... at least not on Discovery Channel.

    Said director Alex Gibney recently (on DemocracyNow): "Well, it turns out that the Discovery Channel isn't so interested in discovery. I mean, I heard that — I was told a little bit before my Academy Award nomination that they had no intention of airing the film..."

    Discovery Channel has bought the exclusive TV rights for the next 3 years, but Gibney hopes they can be persuaded to sell them "for a profit".

    And it is a powerful film. Although it reveals nothing new about the torture and degrading techniques we've become accustomed to over the last three years, it puts politician's faces and statements in context with a "real" victim and a name: young Afghan Taxi driver Dilawar, who was arrested at a checkpoint for alleged involvement in a rocket attack. Five days later he died at Bagram, after two days of continuous beatings, standing up in chains inside his solitary confinement cell. The American coroner checked "homicide" on his death certificate and handed it with the body to his family, who couldn't read English.

    The film then takes us along the ride from Afghanistan to the present day. Dilawar was only the beginning, and one of two detainees who died from torture roughly at the same time. Today, about 180 people have died in custody, 38 with "homicide" on their death certificates. Dilawar's torturers tell their story. They took the rap, they repent, but is this justice? What's the bigger picture, the one that's usually glossed over, and the reason Discovery deems this documentary "controversial"?

    Alex Gibney dismantles "Torture the American way" just like he did the Enron scandal in "Enron: The smartest guys in the room", from the inside to the bigger inside, like a Russian doll. You will hear the words "war crimes", see the infamous torture memo, Abu Ghraib photos and film, Kiefer Sutherland torturing with electric wires, Guantanamo, Cheney, Rumsfield, Bush and their lawyers wriggling around the t-word and egging on that "we must take our gloves off". "We have to work the dark side, if you will. We're going to spend time in the shadows", says Cheney.

    "But... is the dark side stronger?"

    "No. Quicker, easier, more seductive. Anger, fear, aggression, the dark side are they.

    "Once you start down the dark path, forever will it dominate your destiny."
    10ruhi-yaman

    How can anyone claim this film is biased?

    This horrifying documentary won the Oscar for 2007. Using the case of an innocent Afghan taxi driver who were tortured to death by American interrogators in Bagram prison as the starting point, the film chronicles the atrocities committed by the Bush administration in the name of American people and an ill-defined 'war on terror'.

    The film is written, directed and narrated by Alex Gibney, son of a high-ranking naval officer who was an interrogator in World War II. A great American and a true patriot, Frank Gibney's final disappointment of what became of the great nation of the United States in the hands of a few liars is heart-wrenching.

    There is not a single frame in the film that is not supported by hard evidence. All of the investigation was conducted by Americans whose credentials of decency and patriotism are above suspicion. The film is a chronicle of how paranoia, self-serving deceit and mere stupidity can threaten the very values a great nation was built on. It should be impossible for anyone who watches this meticulous document to ever criticize the veracity of claims put forward by the recent films, Rendition, In the Valley of Elah, or Redacted - flawed as films though that they were.

    Every person in the world, especially every American, that cares about the true nature of freedom and the sanctity of the individual (the basic tenets on which America was built) should see this film. How could anyone claim that it would be loved only by the supporters of Taliban is beyond me.
    9imxo

    Pointing out serious problems does not make this film Anti-American

    There is something you need to know about this film: it is not about real insurgents or terrorists or about real soldiers, and it is certainly not an anti-American film.

    It is about how senior military and civilian officials demand results from their subordinates, even if the results are to be obtained by unconscionable, immoral, and illegal means, up to, and including, torture and murder. The fact that many of these results - what the military like to call "the mission" - are faked or just wrong is of no particular concern to them. Naturally, you'll never find a document signed by any of those officials advocating torture and murder. The most you'll ever find is a reference to "enhanced interrogation techniques" (i.e., torture). And if a detainee dies, the senior officers and officials always benefit from "plausible deniability" and claim that it must be the fault of junior "bad apple" troops. If terrorists are murderers, some of our own troops have certainly engaged in murder, too. To reveal this is not anti-American; it's just a simple fact. Because the troops often do it in a group they think they're not murderers. Just as, I imagine, someone who participates in gang rape does not consider himself, individually, to be a rapist.

    While most Military Police (MP) troops are fighting hard on the ground every day in Iraq and Afghanistan, one group of troops which this film examines are those Military Police who are used as prison guards. The other troops examined in the film are some military intelligence ("MI") troops employed as interrogators in prison camps.

    If you don't know already, Military Police are usually despised by their own troops. If you give a soldier special power over his fellow soldiers he will often abuse it. I still recall an Australian friend of mine mentioning that many of the Aussie "Red Hats" (MPs) who sailed for home after WWII never made it back; their fellow troops threw them overboard.

    The old saw about military intelligence being a contradiction in terms is never more apparent than in the case of interrogators. When you hear the word intelligence here you must forget all about spies, codes, and the stuff of James Bond novels. The interrogators of MI are an example of soldiers who are ill prepared, in general, to carry out work that would normally take years to master. They are mostly low-ranking enlisted men and women, privates and sergeants, almost none of whom speak with any proficiency the language of the detainees they're interrogating.

    So, imagine the scenario: senior officials demanding intelligence, no matter how it's obtained; unqualified interrogators using whatever means they can think of to satisfy their superiors' demands; and MP prison guards who have the power of life and death over their detainees, with almost no restrictions on what they can do to them. Behind all this is the unwritten understanding that if something goes wrong, the troops will probably not be prosecuted. God help the innocent person swept up into this sadistic, bureaucratic system. But as we all know, if you've been arrested, you must be guilty. Right?

    The elephant in the closet in all this is the Central Intelligence Agency, an organization that regards itself as above law, morality, and civilized behavior. It gets away with much of what it does by having the military, foreigners, and contractors to do its dirty work for it. And when somebody has to take a fall, well, that's what privates and sergeants are for. If your kids are MPs, interrogators, or just in the military, advise them always to watch their backs around those people.

    This may be a disturbing film for civilians, but it won't include many surprises if you've served in the armed forces, or on a police force, or in a prison. Those are the people who know about this, but they're not about to tell you. No wander the USA has pulled out of the War Crimes Treaty. But what officials do not want to admit, even to themselves, is that war crimes are war crimes, no matter if you're a treaty signatory or not.

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    • Zitate

      Damien Corsetti - Military Interrogator: You put people into a crazy situation, people will do crazy things.

    • Verbindungen
      Featured in Siskel & Ebert & the Movies: Vantage Point/Diary of the Dead/Charlie Bartlett/Be Kind Rewind/Taxi to the Dark Side (2008)
    • Soundtracks
      In My Little Corner of the World
      Words by Bob Hilliard Music by Lee Pockriss

      Published by Better Half Music (Division of Bourne Co.)

      and Emily Music Corporation

      Performed by Yo La Tengo

      Courtesy of Matador Records

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    FAQ19

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    Details

    Ändern
    • Erscheinungsdatum
      • 23. Januar 2009 (Brasilien)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Taxi to the Dark Side
    • Drehorte
      • Yakubi, Afghanistan
    • Produktionsfirmen
      • Discovery Channel
      • Jigsaw Productions
      • Tall Woods
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    Box Office

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    • Budget
      • 1.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 274.661 $
    • Eröffnungswochenende in den USA und in Kanada
      • 10.930 $
      • 20. Jan. 2008
    • Weltweiter Bruttoertrag
      • 294.309 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 46 Min.(106 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 1.85 : 1

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