Feng kuang de shi tou

Review. Not to mention, this film can really withstand the test, and it's not something that can be summarized simply by imitating Garridge or multi storytelling. In particular, the characters in several groups are not only functional entities that create laughter points as structural stories, but almost every character portrayed has a clear and distinct personality that closely follows the main storyline with prominent laughter. They are also close to life and reflect reality, which is rare. In this regard, stones are actually better than firearms. The most valuable thing is not treating the audience like fools. Domestic movies all point to shooting like this, okay.

If you really like to watch Chinese movie, if you really want to know what exactly the best Chinese movie should be, please don't watch 'Shi mian mai fu' (House of Flying Daggers), 'Ying Xiong' (Hero), or 'Wu Ji' (The Promise), but do not miss this movie: 'Crazy Stone' which would tell you that Chinese movie industry still have hope, and the new generation start direct their own movie, which is totally different as previous generation ( zhang yimou, chen kaiguo) in china.

Givingyourself ten minutes watching this movie, after that, you will find that you are watching a movie which is very similar to the British movie 'Snatch', the director Lin Hao using the same way, Guy Ritchie used in 'Snatch' and 'Lock, Stock and Two Smoking Barrels', but the movie reflects the true living situation about plebeian in china. This movie fills with black humor, admirable scenario, and dialect (CHONG QING, CHENG DU, GUANG DONG, and QING DAO). Now it is the hottest movie in china this summer.

The new narration of Chongqing dialect, the classic lines with black humor style, the unique narrative skills of ring and ring, the absurd and logical plot, as well as the montage technique, timely Peking Opera and other music, constitute the crazy stone directed by Ning Hao

The film is full of Chongqing dialects throughout the film. The dialects are spoken very authentically, which makes them very funny.

The stories inside are linked one by one, and when you read it, you can't help but praise. It's too coincidental.

The Baotou played by Guo Tao is very interesting, with joy and worries of small people, and insists on justice in his heart. Protecting the jadeite was because he felt that he had served as a policeman. It was also to keep the factory from closing down and wanted to make money to pay back the debt.

Among them, he has a lot of competition with a series of thieves. He handled the complacent, entangled and irritable emotions as a security guard against thieves particularly well.

Another interesting point of the film is the comparison of a group's attachment to jadeite and the misjudgment of true and false jadeite. It really confirms a sentence: the value of a thing depends on its location. So false is true, true and false, depending on your attitude towards it.

With Memento style film structure, Pulp Fiction style story telling, and Snatch style plot and action, the first Chinese dark comedy, The Crazy Stone sets a milestone for Chinese films. The film title says all. It is a crazily hilarious film about three groups of people trying to steal a piece of emerald. The language is in Chinese local dialect from Sichuan. Even you don't understand the dialect, Chinese subtitle is available. All performers did a great job in their roles. The story is simple but very close to nowadays people's life, which brings proximity to different audiences. The film is currently a big hit in China, outruns all other foreign films. If you like to have a good laugh, or to know a little bit about nowadays Chinese plebeian life, you shouldn't miss this film.