Feng kuang de shi tou

Due to many reasons such as censorship, financial problems etc. Chinese movie industry has been at the bottom of food chain for decades. Only few people can make money from movie industry without the help of government. Later, many directors such as Zhang Yimou, Chen kaige turn to make all those blockbuster movies with high volume of investment. However, it does not seems to be a good way to keep Chinese movies alive. Empty plots, awkward performance of good-looking actors and actresses could not save movies. They are rip off money from people once, twice but never thrice.

Crazy Stone was born under the circumstance that Chinese people are so disappointed by those movies made by zhang Yimou and Chen kaige that they only spend few us dollars buying illegal DVD copies on streets rather than going to movie cinemas. The enriched plot, excellent performances of unknown actors and hilarious story save the last hope of this country's movies. The movie is produced by famous Hongkong actor Andy Lau's company with very little investment, however, it does not bother the quality at all. In fact, the quality is I believe as one of the best in Chinese movie history.

All those black humors in the movies deserve to be mentioned. However, people who have not lived in China for years could not understand why it's funny, or even worse, it kills interests of people who get used to the vision effects of Hollywood productions or the romance and depressions of European movies.

In a conclusion, this movie is highly recommended for people who are living in China and would like to learn about this country. Hopefully, you will enjoy and understand it.

Review. Not to mention, this film can really withstand the test, and it's not something that can be summarized simply by imitating Garridge or multi storytelling. In particular, the characters in several groups are not only functional entities that create laughter points as structural stories, but almost every character portrayed has a clear and distinct personality that closely follows the main storyline with prominent laughter. They are also close to life and reflect reality, which is rare. In this regard, stones are actually better than firearms. The most valuable thing is not treating the audience like fools. Domestic movies all point to shooting like this, okay.

The film is full of Chongqing dialects throughout the film. The dialects are spoken very authentically, which makes them very funny.

The stories inside are linked one by one, and when you read it, you can't help but praise. It's too coincidental.

The Baotou played by Guo Tao is very interesting, with joy and worries of small people, and insists on justice in his heart. Protecting the jadeite was because he felt that he had served as a policeman. It was also to keep the factory from closing down and wanted to make money to pay back the debt.

Among them, he has a lot of competition with a series of thieves. He handled the complacent, entangled and irritable emotions as a security guard against thieves particularly well.

Another interesting point of the film is the comparison of a group's attachment to jadeite and the misjudgment of true and false jadeite. It really confirms a sentence: the value of a thing depends on its location. So false is true, true and false, depending on your attitude towards it.

Just when i gave up on Chinese movies, there came the Crazy Stone. It brought me so much fun and made me to regain the hope for the Chinese movies. Never would I consider any liberal and entertaining stuff, such as the Crazy Stone, coming out nowadays from a social context that was tightly controlled, like the Chinese political environment.With a brand new vision the young and open minded director Hao Ning, again, showed us his talents of convincing over people's pockets and their hearts. The director, simply like anyone else, sees the craziness in today's China and has the urge to express his and also everybody else's bewilderness, coz everybody is so lost in front of the money. people do not know where they are and where to go , more crazily, they do not have the rights and power to know about it, so why do not people just make fun of the whole madness, isn't it what China all about now, chaos and craziness... ...

From plot to transition, from angle of lens to rhythmic montage, from editing to tone, from contrast to freeze frame..., you can get the impression involving Guy Ritchie, who may be referred as the Godfather of Film Noir. This story starts with a priceless emerald, a squad of slack guards and two gangs of thieves, one of which is amateur, while the other is professional judging from the looking. It is not difficult to speculate what would happen from this kind of stereotyped beginning. We can't tell which part is the imitation and which is the original. It's a concise and smart comedy, somehow, whose genre is quite different from traditional dramas we can watch at the Chinese cinema. Anyway, for the director, we can say, it's almost an perfect homework. It would make somebody laugh, but it is difficult to have the audience impressed as a milestone movie.