Nora Roberts - Lilien im Sommerwind

Fantastic portrayal of a Nora Roberts novel which had me spellbound from the very beginning of this film to the very end. This film captures your attention on two very young girls swimming in a lake and one of the girls, Claire Forlani,(Tori),"Hooligans", has the ability to see visions in her head that tell her deep dark things that have happened or going to happen. Oliver Hudson,(Cade Lavelle) and Josie Davis,(Faith Lavelle) both give great supporting roles along with Jacqueline Bisset,( Margaret). There is some torrid love scenes involving Faith Lavelle along with a few laughs and bad child abuse scenes which happened to Tori when she was very young. This is a first Class Nora Roberts TV film and is definitely not your routine television entertainment. FIRST CLASS Enjoy

I loved this movie even more than reading the book! The acting was good, and the plot kept me in suspense throughout the movie. The special effects made the movie even more suspenseful.

The setting was beautiful, and all of the characters were played well, although I have to admit, I hope I never meet anyone like a few of the characters in this movie. I don't know how Nora Roberts keeps coming up with fresh new stories so frequently, but I think Carolina Moon is one of her best stories.

This was a high quality, well done movie. It seems more like a movie you would see at a theater rather than on TV.

Definitely worth watching.

This is a terrible movie. It starts out well, and the premise is intriguing and engaging: a young woman, Victoria, returns to her native town of Progress, North Carolina, many years after her parents and she left following the rape and murder of Victoria's best friend, Hope, which was never satisfactorily resolved. Victoria is also a natural-born seer or clairvoyant, although she can only see the past and the present, not the future. Now she feels as though she is back in town to find some peace of mind, and also to, somehow, reconcile with her past. It won't be easy, because she will be haunted by her past, and meet with the hostility of Hope's mother. But she will also find allies...

I said that it is a terrible movie, because it takes little to go all wrong, lame, boring, and lacking any coherence, sense, pace, or inner logic at all. The mystery part of the movie quickly loses steam as it tries to turn into romantic comedy with bits of family drama and comic relief that never really works. The characters turn into one thing then another and yet none of them is a full character that we really care about, the closest to that being the leading character of Victoria. The ending comes about quite abruptly and out of nowhere really, and it doesn't make any sense either.

Victoria Bodeen always had psychic abilities. She was beaten by her abusive father for her devilous powers. As a child, she had visions of her best friend Hope being murdered. As an adult, Tory (Claire Forlani) returns to Progress, North Carolina to open a store and face up to her demons. Her father remains a suspect. She reconnects with her cousin Wade Mooney (Chad Willett), formerly chubby Dwight Collier (Jonathan Scarfe) and Hope's brother Cade Lavelle (Oliver Hudson) who still carries a torch for her. Hope's mother Margaret (Jacqueline Bisset) and Hope's sister Faith Lavelle (Josie Davis) still blames Tory. Tory's visions continue and it turns out to be a serial killer who's killing on the same date that is soon coming up.

Claire Forlani may not be big enough to hold the center of this movie or just as likely there aren't enough good actors to play the other characters. This is suppose to be a thriller but there is a distinct lack of thrills. The father is the only one that is threatening but he really doesn't have many scenes. His scenes with Tory are the only truly exciting scenes in the movie. The flashbacks don't have any tension and look like cheesy older effects. TV writer/director Stephen Tolkin is in charge and it looks like a TV movie. It's certainly doesn't have any cinematic style worth mentioning.

I love movies that do not sing the praise of religion, where the true character of the gospels are laid bare for all to see. Rather than show us churchgoers who live and let live, Carolina Moon shows the vile side of religion, which is as essential to the character of faith as the sunny bright side illogic usually shows.

The abusive father is one way to look as patriarchal religions, as is the subservient mother. This movie shows both. Not just another TV movie, Carolina Moon develops its characters and its plot. It's no masterpiece, but if the plot is not gripping enough, the girls make it alright.

Oh, and who fixes up the dog? Sorry, not a god.