Five Days

I wouldn't go that far. One of the main characters, David Oyelowo, the husband/father's main acting technique is staring silently and sullenly when asked questions. He also violently and physically attacks almost anyone who approaches him, whether verbally or physically. Family is portrayed as hysterical and ungrateful idiots. I tried and wanted to like it, btw. Also, as others said, it is an interesting story line, but drags on too long.

'Five Days' is billed as something special, a crime drama that consists of a series of episodes, each set on one particular day of a police enquiry. But in fact, this element of the story turns out to be rather less significant than might at first be thought, as the fact that the action in each episode is confined to 24 hours is hardly noticeable, and very little distinguishes the program from countless other crime stories. In fact one almost can't help drawing comparisons to the last 'Prime Suspect', as one of the sub-plots focuses on a single, cynical female cop approaching retirement: and it's not just the absence of Helen Mirren that makes the comparisons unfavourable. There's a lot of earnest over-emoting, manipulative music and a set of characters seemingly contrived so that each one is in some sense sympathetic, in another suspicious. And it's possible to guess the guilty party well before the end, not because of the internal dynamic of the story, but rather because of the construction of the drama as a whole: certain things must be true, to justify the way that the series focuses on certain characters at certain times. In spite of these failings, the series grew on me: by the end, I was quite gripped. But it's a sad sign that the BBC, which once made the likes of 'The Singing Detective', boasted of this of "possibly the best drama of the year": for there's little true originality on offer here, and the claim reveals a lack of ambition that is dreadfully disappointing. 'Five Days' is in fact not rubbish; but it is formulaic, and one would hope that the very best the BBC had to offer would be something a little more innovative and fresh.

This could have been a nifty two-parter with tight pacing and concise storytelling. Instead, it's bloated with gratuitous soap opera backstories and boring, long, pointless conversations. The character development overwhelms the plot, and detracts from the impact of the story. A missed opportunity.

It's not a terrible story. It had enough to keep me interested but it's certainly not a crime thriller. Nor does it play out like a true crime story (which it isn't). Some of the acting is strange and overly dramatic (the dad or the teenage daughter), but others are more genuine and heartwarming. The relationships are also strange...the dad and the woman who found the kid, or the black police lady and what about the first creep that was arrested? You think you'll find out more but you don't. It's weird. I didn't love it. I wouldn't recommend it. In a month or so, I'll probably forget all about it. It's not very memorable.

I love all the actors in this series. However, the storyline was disjointed, jumbled, depressing, head-scratching and just plain dizzying. I almost didn't watch the last two episodes but forced myself to finish. I wish I had that two hours back. Haven't been this disappointed for a very long time.