Koara kachô

I have no idea why people say ''Executive Koala'' is hard to understand. Almost everything is explained, bluntly, and the story is pretty linear. Aside from being unfinished, this movie is pretty simple.

Described as a ''psychological thriller wrapped up in the packaging of a nonsense comedy--with giant animal characters'', I expected this to be humorous, at least slightly. No. ''Executive Koala'' wasn't even humorous accidentally! (Well, I guess if you find ax murder hilarious it could be.)

So it's not funny. But this is supposed to be a convoluted storyline that (in the words of one reviewer) ''...changes direction frequently, especially in the thirrd act, when the plot changes several times...''. Sorry, it fails there too.

I found the plot very linear, the story unfinished, and the movie fairly...simple. There are no ''plot twists and turns'', nothing ''funny'', and definitely nothing nonsensical.

In the end,''Executive Koala'' isn't a total waste of time, it's just EXTREMELY misrepresented by its advertising.

Minoru Kawasaki is a director who has made a career out of making insanely awful films. Now I am not talking about awful like an Ed Wood film, but awful because the plot ideas are completely insane to begin with and cannot be anything other than awful. But there are many of us who LOVE insanely awful films because they can be absolutely hilarious and that's why the film Executive Koala is another addition to my"you ain't seen nothing' yet" series.

The film is about a hardworking and dedicated executive in Japan named Keiichi. He's an important man in his company, the envy of his co-workers and women think he's incredibly sexy. There's only one problem....he's a giant koala!!! Throughout this entire movie Keiichi is played by some guy in a big koala suit...but he's not all. There also are, for no reason whatsoever, a boss who's a giant white bunny and a guy who works in the local convenience store who is a frog...and all the rest of the characters are humans. And, I should point out, this is NOT a cartoon!! Does it sound 100% insane? Yep...because it is!!

Unfortunately for nice-guy Keiichi, soon his girlfriend is found dead--stabbed to death by some maniac! And, with Keiichi's old wife missing for three years!! The police naturally think this marsupial is responsible and after a while Keiichi himself starts to wonder if perhaps he is as well. Is he a serial killing maniac or is this some elaborate plot being organized by forces of evil?! See the film and find out for yourself....if you dare!!

If you think that this could be a good film or makes any sense. you are wrong. The film simply never tries to be coherent. The story is punctuated with bizarre and bloody dream sequences, there is also a hand puppet (Momo, the flying squirrel) and an ending that only would make sense if you are under the influence of LSD or have had a recent severe head injury. But, oddly, I liked it. The film has a wonderfully silly and wicked sense of humor and is also a lot of fun. However, people who like conventional films need not bother-- you really have to have a willingness to just turn off your brain and enjoy!

For lovers of weirdness, I'd give this one a 9. For 'normals', I'd say a 1...at best.

This movie is so very special. One minute I was thinking it was the worst movie I'd seen and a minute later think it was one of the funniest. Its a strange one, that is for sure.

I've not seen much, if any, Japanese movies so how much of the bad acting is just bad acting or cultural or deliberate, I can't say. Either way, it amused me. As did the pure absurdity of the whole story and where it went. I wouldn't call it a thriller cause I wasn't on the edge of my seat but I definitely wondered where we were going. And when we got there it wasn't what I expected, but isn't that what you want in a movie? I'd like to give a better description of this thing but it is so absurd and so random that I don't know where to begin. If you are wondering if you should watch it, let me put it this way. If you are a fairly mainstream movie going type person the answer is no. If you are a fan of the weird, the funny, the absurd, the surreal, or the slightly off kilter then i say go for it. Was it a good story? eh. Was I entertained? Absolutely.

OK this is probably not a movie everybody will enjoy. But I did. I loved Calamari Wrestler and I loved Excecutive Koala even more. The simple idea of having an animal in the lead role (and a few supporting roles) works sooo good. I won't reveal the plot here, but what I really loved about this movie, apart for the animal costumes, is all it different settings and themes - mixed with lame humor and animal suits. This is a comedy. But it also a prison movie, a slasher-flick, a musical, a love story, a drama and a Kung-Fu movie. It seems like the director wanted to incorporate as many different genres and settings in this movie in case he never gets to make another movie again (I hope he does). The result is that you never get bored when watching Executive Koala. It's a low-budget flick with ambitions like a Spielberg movie - The end product is hilarious and awesome. Sure the movie is lame - very lame, but in a good way, which can only make you love it!!

I'm sure I missed some of the nation-specific satirical barbs in this off the wall Japanese comedy about cutthroat corporate culture and an anthropomorphic koala who may or may not be a killer. To this Western viewer, "Executive Koala" played like an Adult Swim entry with its unfailing, straight faced commitment to the absurd. Trying to cope with the disappearance of his wife, businessman and man-sized koala Tamura attempts to lose himself in corporate negotiations. He increasingly finds himself haunted by memories of violence and develops a tendency to fly into fits of unbridled rage accompanied by blinking, glowing eyes.

I don't want to spoil any of the film's surprises and would advise renters to avert their eyes from the DVD label as it gives away one of the film's best visual gags. Those viewers who complain about the cheap special effects--for instance, the zipper being visible on the Koala's costume--have failed to realize that these are both budget and style choices. Director Kawasaki, who previously brought us "Rug Cop" and "Calamari Wrestler," has developed a cheapo aesthetic and this is an undeniable part of the film's charm. Troma fans are sure to be delighted by Kawasaki, but will find a sweeter, more gentle film in "Koala" than those produced by Kaufman.

But a little of this goes a long way and the film's story is too flimsy to be compelling. The film works to a degree as it continually amps up the absurdity, but the plot is a tired retread of Hithcock themes with more concern about style than storytelling. It's DePalma for furries.